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Journal Article
Camera Obscura (1990) 8 (3 (24)): 46–63.
Published: 01 September 1990
...Vivian Sobchack Copyright © 1991 by The Johns Hopkins University Press 1990 The Amazing Voyage of Gustave Flaubert and Raymond Roussel (Steve Fagin, 1986) “The Occidental Tourist”: Steve Fagin’s Virtual Voyage for Armchair Travelers Vivian...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
...Katherine Fusco This article argues that Virtual 2Pac , created in 2012 by Digital Domain Media Group in collaboration with Dr. Dre for the Coachella Valley Music and Arts Festival, represents an important twenty-first-century challenge to the relationships between performance and performer, film...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 231–239.
Published: 01 May 2021
... (Palgrave Macmillan, 2020). My heartfelt thanks to Feride Çiçekoğlu for the invitation to join forces for this worthy cause, along with the rest of the organizing team at Istanbul Bilgi University: Aslı Tunç, Zuhal Ulusoy, and Pınar Uyan, whose steadfast, collective support made “Virtual Varda...
FIGURES
Image
Published: 01 May 2021
Figure 2. Professor Feride Çiçekoğlu, coorganizer of “Gender Equality and Sustainability: Agnès Varda's Sustaining Legacy,” sends a virtual postcard in the form of her introduction to the online event, unofficially renamed “Virtual Varda,” on 28 March 2020. Courtesy of Feride Çiçekoğlu More
Journal Article
Camera Obscura (2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... not unilaterally complicit with hegemonic forces. In particular, it challenges the assumption that the virtualization of communication is synonymous with the loss of meaningful intersubjective connections, arguing that exhibitionism in fact constitutes a fundamentally relational engagement. The article focuses...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... several new approaches to the subject. First, it examines Deren's afterlife on the Internet (or “Virtual Maya”), exploring various categories of relation to her work: transmission, reconstruction, and recreation. Second, it explores Deren's shape shifting, or her ability to continually transform herself...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 57–81.
Published: 01 May 2018
...Farshid Kazemi Though proscriptions on the gaze in the New Iranian Cinema have been analyzed to some degree, similar proscriptions on the female voice have remained a virtual terra incognita. This article theorizes the unique structure of the voice operative in the New Iranian Cinema through what...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 103–123.
Published: 01 May 2013
... today will be recast as an epiphenomenon of that conjuncture. Virtual Theory For an introductory illustration, one may return to Chow’s discus- sion of the virtual in Age of the World Target, contrasting her treat- ment of the term with that of Gilles Deleuze and Jean Baudrillard...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 33–57.
Published: 01 May 2005
... of the crystal-image, the site of indis- cernability in time-image cinema, involves the “formation of an image with two sides, actual and virtual,”9 but it is not a spatial or iconic image. The crystal has everything to do with time, and in Deleuze, following the philosopher Henri Bergson, time has...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... discussion of the relationship between the virtual and the actual, develops new ways of thinking about time and change that could be useful in developing feminist per- spectives on futurity.14 6 • Camera Obscura Charlotte Herzog addresses the question of the impact Deleuze’s work might have...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
... it, whereas cinema, because it was silent and new, was free to vary it.9 In sound cinema, where representation is subjected to the homog- enizing effects of speech and sound, time unwinds in a more or less linear manner. The freeze-frame is (virtually) foreign to “classical” cinema which has...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 59–63.
Published: 01 May 2006
... of all productive expen- diture. This is the body, in other words, as a center of indetermi- nation whose presensate affects loop from actual past to actual future in an unending circuit of virtual incipiencies;5 these move- ments establish new contagious connectivities in excess of the body’s...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 70–95.
Published: 01 September 1999
... in virtual forums.' On the other hand, real-life men often adopt feminine personae online precisely to attract the attention a virtual woman receives, although some report they choose these feminine personae in order to experience "what it's like" to be a woman. Whatever the stakes and motives...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
... for the present and future, as so many female and feminist directors are working to make inroads. Her range truly is stunning—and it is still being understood. The second and final “In Practice” piece looks toward another aspect of the future: virtual presence and remote intimacy. Colleen Kennedy-Karpat co...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 224–249.
Published: 01 September 1991
...) signals the pertinence of such questions 226 for these films: after an initial period of mass adulation, the series found itself subject to virtually unparalleled extremes of parody and disparagement, and, in recent years; it has been relegated by most critics and historians...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 150–176.
Published: 01 May 1992
... , Allucquére Rosanne . “Virtual Systems.” In ZONE 6: Fragments for a History of the Human Body, INCORPORATIONS . New York: Urzone (MIT Press, 1992 ). Stone , Allucquére Rosanne . “Will the Real Body Please Stand Up?: Boundary Stories About Virtual Cultures.” In Cyberspace: First Steps . Benedikt, M...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 24–53.
Published: 01 January 1989
...Judith Mayne Copyright © 1989 by The Johns Hopkins University Press 1989 Potemkin (Sergei Eisenstein, 1925) Soviet Film Montage and the Woman Question Judith Mayne Virtually all critics of Soviet film of the 1920s would agree that the development of the cinema needs...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
... ended, when the camera has completed the slow forward tracking shot, isolating Mark 's face, he turns towards the specta- tor with a thoughtful look which obviously indicates that, during this time when the shot becomes stationary, he is daydreaming about this woman whose virtual image he has...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 308–313.
Published: 01 December 1989
... established sexual difference and objectification, marked the woman as a powerful fetish for herself and for the male’s pleasure. The works on these topics that have been significant for me comprise virtually the entire bibliography on women’s representation in film...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 33–63.
Published: 01 September 2021
... to Japanese Horror Film (Edinburgh: Edinburgh University Press, 2008), 70–90. 68. Kim, Virtual Hallyu , 207. 69. Park, “Paradox of Postcolonial Korean Nationalism,” 72. 70. Youngmin Choe, Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema (Durham, NC: Duke...
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