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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... further consideration. In spite of its rather wide- Vince (Ethan Hawke) taunts Jon (Robert Sean Leonard) in Tape (dir. Richard Linklater, US, 2001) Camera Obscura 64, Volume 22, Number 1 doi 10.1215/02705346-2006-022  © 2007 by Camera Obscura Published by Duke University Press 113...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 41–74.
Published: 01 September 1993
... Fiction’s Vincent Vega (John Travolta), Tarantino’s characters get caught with their pants down. We might even under- stand “getting caught with one’s pants down” as the central metaphor of Pulp Fiction. Not only does Vince Vega get killed as a consequence of an untimely visit to the john, but an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 151–156.
Published: 01 May 1979
... the need for women’s films. Though the Women’s Movement has brought about changes in the last 10 years - some significant, some merely attitudinal - it remains difficult to con- vince public and university libraries that more than one or two titles are necessary for their collections to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 1–35.
Published: 01 May 2013
... Slayton, Chris Angel, Vince Neil and more.”3 Jenna Jameson, for whom the crossover award is named, has become a public figure. She has not, however, become a legiti- mate “straight” actress. Most of Jameson’s crossover performances feature the star as herself on reality, talk, or awards shows...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 161–179.
Published: 01 May 1997
... does not know whether a crime took place. He soon becomes con- vinced of the veracity of his host persona, but remains unable to describe the brutal events when called to do so on the witness stand. In complementary fashion, Ziggy persistently fails to recapitulate the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 66–85.
Published: 01 December 1986
... conceptual center of the original tale. And the runaway success of the banal and clumsily made Back to the Future should have con- 71 vinced Hollywood that there is something commercially attractive about the idea of time travel. Indeed, The Terminator’s appeal is due in large part to the way it...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 42–65.
Published: 01 May 1981
... appears in its conscious results, the conscious is only made intelligible by its unconscious interpolations, is only made coherent bv its incoherences. Nowhere do we find two Dro- L vinces side by side,i or a frontier. Each is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 91–129.
Published: 01 May 1992
... involvement in the First World War increased along with the threat of an impending draft, the “problem” that Fosdick described gained larger ~ignificanceGovernment officials had become con- vinced of the need to develop a campaign against venereal disease, first, to preserve...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
... years of working in what she calls the "female circle," to "get involved in the sphere of politics," and to "succeed in con- vincing the decision makers, both male and female, and to try to struggle for the abolition of sexual mutilation. "58 Thiam's move towards participation in electoral...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 103–128.
Published: 01 May 1997
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 42–74.
Published: 01 May 1997
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 176–205.
Published: 01 May 1990
... she was thirteen years old, this woman (who appeared to be in her late forties), was devoutly spiritual in her love for the King. She told me of the time she went to Vegas in order to show her sister one particularly con- vincing impersonator. The show, she said, included laser beams, a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 75–103.
Published: 01 September 2004
... agent, Peter Novak (Vince Vaughn), which is aligned with truth seeking and punitive justice. However, there is a structural relation subtending these differently moti- vated gazes that is compelling and loaded. All are consumers of Hook and Eye: Violence and the Captive Gaze • 77...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 61–91.
Published: 01 September 2012
... enhancing his own star power.33 Selznick, however, was not con- < g. cap.>Streets of London, Children of vinced and complained to others that Jones had always “disliked” Men the role and did it only as a favor to the studio that had given her her rst big role in (Song of...