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Journal Article
Feminism and Video: A View from the Village
Available to Purchase
Camera Obscura (2007) 22 (1 (64)): 197–208.
Published: 01 May 2007
... and Politics , she is currently working on a new feature film about the women's art movement at the center of the debates about art and politics in New York in the 1970s. A R C H I V E F O R T H E F U T U R E
Feminism and Video:
A View from the Village
Joan...
Journal Article
The Face Is a Politics: A Close-Up View of Julie Dash's Illusions
Available to Purchase
Camera Obscura (2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
... by Camera Obscura 2014 Figure 1. “They can’t tell like we can”: Mignon Dupree
(Lonette McKee) and Ester Jeeter (Rosanne Katon) share
an ambiguously intimate moment in Julie Dash’s Illusions
(US, 1982).
The Face Is a Politics:
A Close-Up View
of Julie Dash’s Illusions
Nick...
Journal Article
What Maisie Knew by Babette Mangolte : CHILDHOOD AS POINT-OF-VIEW
Available to Purchase
Camera Obscura (1977) 1 (2 (2)): 131–136.
Published: 01 September 1977
...Constance Penley © 1977 by Camera Obscura 1977 What Maisie Knew by Babette Mangolte
CHILDHOOD AS POINT-OF-VIEW
Babette Mangolte describes What Maisie Knew as 'a film made around
the subjective camera, the vision of a child, and a re-reading of the Henry
]ames novel...
Journal Article
Le Défilement: A View in Close Up
Available to Purchase
Camera Obscura (1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
...Thierry Kuntzel; Bertrand Augst © 1977 by Camera Obscura 1977
Le Defilement:
A View In Close Up
Thierry Kuntzel
FILM: 'Strip offilm used in a movie camera', 'film projected in a movie
theater. '1 It is the relationship between these two films which will be
discussed here...
Journal Article
The Anthropocene as Cinematic View: Time, Matter, and Race in Blade Runner 2049
Available to Purchase
Camera Obscura (2022) 37 (3 (111)): 87–113.
Published: 01 December 2022
... of the Anthropocene. In the process, what is erased is also the memory of other stories that could have been told, stories that emerge out of a history of violence against Black being—what Hortense Spillers calls “high crimes against the flesh ”—and that demand a temporality and a point of view that the cinema...
FIGURES
Image
Published: 01 May 2021
Figure 1. Exhibition view of Photographs get moving (potatoes and shells too) , Logan Center Gallery, Chicago, 2015
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Image
in Passion, Commitment, Compassion: Les Justes au Panthéon by Agnès Varda
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Installation view of Les Justes au Panthéon ( The Righteous at the Pantheon , France, 2007)
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Image
Published: 01 December 2021
Figure 1. Installation view (detail) of Evidentiary Bodies , 2018, from the exhibition Barbara Hammer: In This Body , 1 June–11 August 2019, at the Wexner Center for the Arts
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in Pretty Gross: Dialectics of Desire and Disgust in the Reception of Pipilotti Rist
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 2. Pipilotti Rist, Mutaflor , 1996, video installation. Installation view, Pipilotti Rist. Komm Schatz, wir stellen die Medien um & fangen nochmals von vorne an , Kunsthalle Krems, Austria, 2015. Photo: Lisa Rastl. © Pipilotti Rist. Courtesy of the artist, Luhring Augustine, New York
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in Looking for Something New: Antonioni's La notte and Specters of Femininity
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 1. The panoptic point of view. La notte (dir. Michelangelo Antonioni, Italy/France, 1961)
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The default folder organization of the “This PC” view in Windows 10, as an ...
Available to PurchasePublished: 01 September 2024
Figure 2. The default folder organization of the “This PC” view in Windows 10, as an example of the desktop metaphor used in operating systems today. Note that the folders are on their sides and open, showing objects nestled inside of them, like documents and pictures. Because the author's
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Image
Published: 01 September 2024
Figure 6. Screenshot of Foldscape and its containing folders. In this icon view of Foldscape we can see the operating system's representation of “depth” within the file paths. For instance, the folder “borderlands” contains another folder, which contains a document, and all three layers
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in Love Is Elsewhere: Neoliberalism and the Tourist Romance
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2025
Figure 1. A view from above. Eat Pray Love (dir. Ryan Murphy, US, 2010)
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Journal Article
New French Feminisms: Some Points Re-viewed
Available to Purchase
Camera Obscura (1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
...Rosi Braidotti; Jane Weinstock © 1981 by Camera Obscura 1981 Book Review
New French Feminisms:
Some Points Re-viewed
Rosi Braidotti andJane Weinstock
The text which follows is part of a larger, polyvocal response (forth-
coming in the Australian feminist journal, Hecute) to New...
Journal Article
Slaves of the House and Victims of Love: New Life and Relationship Challenges in Dwelling Narrowness
Available to Purchase
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
..., in order to give voice to mainstream culture's worries about interpersonal economic relationships and to protect dominant values regarding love and sex, Dwelling Narrowness ultimately punished those of its protagonists who challenged conventional views on the family. Therefore, despite all the controversy...
Journal Article
Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's Surrogates and Spike Jonze's Her
Available to Purchase
Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... of subjectivity, collectivity, and desire. I argue that Surrogates exemplifies the view of technology as prosthetic enhancement, foregrounding technology-induced psychic exhaustion and libidinal depletion of the social body (the networked body)—a view that results in the call to restore human collectivity through...
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Journal Article
Now You See It, Now You Don't: Transnational Feminist Spectatorship and Farida Benlyazid's A Door to the Sky
Available to Purchase
Camera Obscura (2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... relating its message almost exclusively through its protagonist's point of view, the film highlights her individuality, eliding the broader Moroccan feminist and cultural movements in which Benlyazid's film claims to intervene. For transnational feminist audiences, Benlyazid's film thus stages, whether...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 1–27.
Published: 01 May 2010
... hospitality, a position that unleashes fully the uncanny effects of intellectual uncertainty, as can be seen in a reading of the bedroom scene in Strangers on a Train . But it is when Hitchcock's moving camera seeks hospitality in its own right that the full implications of this viewing position start...
Journal Article
Affects of the Gaze: Post-Oedipal Desire and the Traversal of Fantasy in Blade Runner
Available to Purchase
Camera Obscura (2010) 25 (1 (73)): 69–95.
Published: 01 May 2010
..., to survive they embark on an Oedipal journey. This suggests that the film performs a “safety-valve” function for the contemporary viewing subject experiencing increased confusion as to his or her roles in society, for the subject increasingly confronted with a crisis in the Oedipal relation. However, it may...
Journal Article
The Wages of Affluence: The High-Rise Housewife in Japanese Sex Films
Available to Purchase
Camera Obscura (2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
... treaty with the US and the crisis of a 1972 hostage incident. These early 1970s events were seen by denizens of mass media as well as intellectuals to signal the end of radical politics. However, treatments of liberation viewed through the lenses of gender, sexuality, and complicity thrived in sex films...
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