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Journal Article
Camera Obscura (2007) 22 (1 (64)): 197–208.
Published: 01 May 2007
... and Politics , she is currently working on a new feature film about the women's art movement at the center of the debates about art and politics in New York in the 1970s. A R C H I V E F O R T H E F U T U R E Feminism and Video: A View from the Village Joan...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
... by Camera Obscura 2014 Figure 1. “They can’t tell like we can”: Mignon Dupree (Lonette McKee) and Ester Jeeter (Rosanne Katon) share an ambiguously intimate moment in Julie Dash’s Illusions (US, 1982). The Face Is a Politics: A Close-Up­ View of Julie Dash’s Illusions Nick...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 131–136.
Published: 01 September 1977
...Constance Penley © 1977 by Camera Obscura 1977 What Maisie Knew by Babette Mangolte CHILDHOOD AS POINT-OF-VIEW Babette Mangolte describes What Maisie Knew as 'a film made around the subjective camera, the vision of a child, and a re-reading of the Henry ]ames novel...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
...Thierry Kuntzel; Bertrand Augst © 1977 by Camera Obscura 1977 Le Defilement: A View In Close Up Thierry Kuntzel FILM: 'Strip offilm used in a movie camera', 'film projected in a movie theater. '1 It is the relationship between these two films which will be discussed here...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 87–113.
Published: 01 December 2022
... of the Anthropocene. In the process, what is erased is also the memory of other stories that could have been told, stories that emerge out of a history of violence against Black being—what Hortense Spillers calls “high crimes against the flesh ”—and that demand a temporality and a point of view that the cinema...
FIGURES
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Published: 01 May 2021
Figure 1. Exhibition view of Photographs get moving (potatoes and shells too) , Logan Center Gallery, Chicago, 2015 More
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Published: 01 May 2021
Figure 1. Installation view of Les Justes au Panthéon ( The Righteous at the Pantheon , France, 2007) More
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Published: 01 December 2021
Figure 1. Installation view (detail) of Evidentiary Bodies , 2018, from the exhibition Barbara Hammer: In This Body , 1 June–11 August 2019, at the Wexner Center for the Arts More
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Published: 01 May 2022
Figure 2. Pipilotti Rist, Mutaflor , 1996, video installation. Installation view, Pipilotti Rist. Komm Schatz, wir stellen die Medien um & fangen nochmals von vorne an , Kunsthalle Krems, Austria, 2015. Photo: Lisa Rastl. © Pipilotti Rist. Courtesy of the artist, Luhring Augustine, New York More
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Published: 01 May 2022
Figure 1. The panoptic point of view. La notte (dir. Michelangelo Antonioni, Italy/France, 1961) More
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Published: 01 September 2024
Figure 2. The default folder organization of the “This PC” view in Windows 10, as an example of the desktop metaphor used in operating systems today. Note that the folders are on their sides and open, showing objects nestled inside of them, like documents and pictures. Because the author's More
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Published: 01 September 2024
Figure 6. Screenshot of Foldscape and its containing folders. In this icon view of Foldscape we can see the operating system's representation of “depth” within the file paths. For instance, the folder “borderlands” contains another folder, which contains a document, and all three layers More
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Published: 01 May 2025
Figure 1. A view from above. Eat Pray Love (dir. Ryan Murphy, US, 2010) More
Journal Article
Camera Obscura (1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
...Rosi Braidotti; Jane Weinstock © 1981 by Camera Obscura 1981 Book Review New French Feminisms: Some Points Re-viewed Rosi Braidotti andJane Weinstock The text which follows is part of a larger, polyvocal response (forth- coming in the Australian feminist journal, Hecute) to New...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
..., in order to give voice to mainstream culture's worries about interpersonal economic relationships and to protect dominant values regarding love and sex, Dwelling Narrowness ultimately punished those of its protagonists who challenged conventional views on the family. Therefore, despite all the controversy...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... of subjectivity, collectivity, and desire. I argue that Surrogates exemplifies the view of technology as prosthetic enhancement, foregrounding technology-induced psychic exhaustion and libidinal depletion of the social body (the networked body)—a view that results in the call to restore human collectivity through...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... relating its message almost exclusively through its protagonist's point of view, the film highlights her individuality, eliding the broader Moroccan feminist and cultural movements in which Benlyazid's film claims to intervene. For transnational feminist audiences, Benlyazid's film thus stages, whether...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 1–27.
Published: 01 May 2010
... hospitality, a position that unleashes fully the uncanny effects of intellectual uncertainty, as can be seen in a reading of the bedroom scene in Strangers on a Train . But it is when Hitchcock's moving camera seeks hospitality in its own right that the full implications of this viewing position start...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 69–95.
Published: 01 May 2010
..., to survive they embark on an Oedipal journey. This suggests that the film performs a “safety-valve” function for the contemporary viewing subject experiencing increased confusion as to his or her roles in society, for the subject increasingly confronted with a crisis in the Oedipal relation. However, it may...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
... treaty with the US and the crisis of a 1972 hostage incident. These early 1970s events were seen by denizens of mass media as well as intellectuals to signal the end of radical politics. However, treatments of liberation viewed through the lenses of gender, sexuality, and complicity thrived in sex films...