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1
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
...Denise Mann © 1984 by Camera Obscura 1984
Modem Sexuahty (1979)
Staggering Toward Modern Times: The Video Art
of Max Almy
DeniJe Man n
Max Almy’s video art moves from the highly personal, low-tech, black and
white multi-monitor performance piece to that of the multi-layered...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 81–109.
Published: 01 December 2008
... the historical and contextual significance of these questions, I situate Benglis' video at the intersection of three visual histories in the US: that of early video art, seventies feminist art, and mass culture pornography. Although Benglis is primarily a sculptor, she turned increasingly to video in the early...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
... engages in collective media production from Inuit women's perspectives with an explicit focus on gender. Arnait's video art, animation, fiction features, television programs, and documentaries address issues faced by women struggling for the recognition of indigenous and minoritarian cultures. The success...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
... terms. Two pieces of fan video art, “Unnatural Selection” and “Battlestar Redactica,” clarify Battlestar 's complicity in eugenic violence and history, while offering alternative solutions to the moral and narrative impasses of the series. By refusing the genetic stasis Battlestar proposes, these fan...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 91–113.
Published: 01 May 2022
...Emily Watlington Abstract This article considers the often‐overlooked role that disgusting imagery plays in the work of Swiss video artist Pipilotti Rist. In immersive installations and in single‐channel videos, Rist updates abject feminist performance art of the 1960s and 1970s for a media...
FIGURES
Journal Article
Camera Obscura (2020) 35 (1 (103)): 39–75.
Published: 01 May 2020
... thresholds between body and mind, self and other, nature and culture. Copyright © 2020 Camera Obscura 2020 Nina Sobell biofeedback cybernetics feminist art nonverbal communication participatory art Figure 1. Nina Sobell, EEG: Video Telemetry Environment (also known as Brainwave Drawings, 1975...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 123–127.
Published: 01 December 2021
...Jennifer Lange Abstract This memoir recounts Barbara Hammer's relationship to the Wexner Center for the Arts and its Film/Video Studio residency program, which supported a number of her films between 1994 and 2018. It offers some personal insight into the evolution of Hammer's final work...
FIGURES
Journal Article
Camera Obscura (2010) 25 (2 (74)): 41–73.
Published: 01 September 2010
...,” Mika Rottenberg has received
widespread acclaim in magazines ranging from Artforum Interna-
tional to Elle.1 In 2004 — the year she graduated from Columbia
University’s master of fine arts program — New York Times art critic
Roberta Smith selected Rottenberg’s video installation Mary’s...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 184–191.
Published: 01 September 2006
... imaginaries.
In short, history is made up of multiple narratives, but
within the fields of experimental film and video, canonical nar-
ratives and pedigreed artworks tend to dominate.4 The practi-
cal histories of art, which usually come before the theories and
philosophies — or sometimes...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
...Francesca Coppa Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
...Francesca Coppa; Rebecca Tushnet Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
...Kristina Busse; Alexis Lothian Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... Cin-
ema and had an extended run as a looped single-channel video
installation in the exhibition Social Studies at the New Museum
of Contemporary Art.13 Superstar also played repeatedly at the 55
Mercer Street Gallery in December 1987 and January 1988, as
well as at Artists Space in the spring...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
....
Smith’s and Hardy’s videos are part of a recent wave of
queer media art that mines the energy and iconography of s
lesbian feminism.2 This new queer work engages more speci cally
with the subset of s feminist practice that is often referred to
as cultural feminism. In its most general sense...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 7–10.
Published: 01 September 1990
... level as technological and artistic. The reason for this is
two-fold: in its very technique, video is the agent of all these passages
between images-as is abundantly clear in video art (for better or
worse); and if the electronic image has enabled the invention of a new
art, it is also...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... Wyman, Combat Drag, 2008, 8 minutes, video
(production still)
IN PRACTICE: OPACITIES
“The Criticality of Activism
Needs to Be Applied to Art”:
A Conversation
with Jemima Wyman
Jasmina Tumbas
Almost three decades ago, the notorious anarchist Hakim Bey...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 185–195.
Published: 01 May 2019
... conference, and a publication currently in production. This Akerman project, which grew spontaneously, was initiated by A Nos Amours (curators and filmmakers Adam Roberts and Joanna Hogg), who presented an exhaustive retrospective of Akerman’s film and video works over a two-year period between 2013 and 2015...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 187–213.
Published: 01 May 2021
..., painting, photography, video) in that it addresses the viewer directly as a literal presence in the space. . . . This insistence on the literal presence of the viewer is arguably the key characteristic of installation art.” 4 Varda didn't create any site-specific installations, but her installations...
FIGURES
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Journal Article
Camera Obscura (1984) 4 (3 (12)): 18–39.
Published: 01 December 1984
... that video could be used in such a variety of
ways - installations, documentation, video art. Also, because of the
feminist movement, a lot of women were jumping into video. To me, it
seemed like it was more accessible. Traditional TV was totally the
opposite. Network TV and the commercial...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... in the art world. Never-
theless, these installations are still shown only here and there, apart from
other works in the museum or gallery, or are accepted in small quantities
at video festivals whose main emphasis is on a selection of tapes, and
where they are excluded from juried...
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