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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
...Francesca Coppa Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
...Francesca Coppa; Rebecca Tushnet Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
...Kristina Busse; Alexis Lothian Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 192.
Published: 01 May 2012
... women and vidding, essays on activist documentary, and interviews with filmmakers Anna Biller and acclaimedbenshi Midori Sawato. We encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contri- butions and open submissions, with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 166.
Published: 01 December 2011
... women and vidding, essays on activist documentary, and interviews with filmmakers Anna Biller and acclaimed benshi Midori Sawato. We encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contri- butions and open submissions, with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 176.
Published: 01 September 2012
... women and vidding, essays on activist documentary, and interviews with filmmakers Anna Biller and acclaimedbenshi Midori Sawato. We encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contri- butions and open submissions, with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... viewing. Nazareth- based Eli Rezik’s short- form webmovies Living Alone without Me (Palestine, and Between Us Two (Palestine, part of a larger online series, suggest additional distribution alternatives. In Rezik’s vid- eos, set among cosmopolitan youth, social taboos such as religious...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
... title credit reads: “No televisual image wants or is able to represent us. We express ourselves with video.” An extraordinary example of vid- eo’s capacity to disrupt and reinvent the hegemonic, bland, and watered-­down politics of feminism shown on television screens, Maso et Miso vont en...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 197–208.
Published: 01 May 2007
... black-and-white reel-to-reel informal vid- eos called Videoletters — stories and images from meetings of other CR groups, which circulated under the radar around the country. I later found out that Videoletters had been conceived and set in motion by Ariel Dougherty, one of the founders of Women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
..., graduated from California Institute of the Arts, and Young founded a feminist art gallery. Locating pornography on a con- tinuum of artistic expression, both explore what Young calls “the thin line between art and sex” in their work.43 Two of their vid- eos, McKai’s Art School Sluts (US, 2004) and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... projection, Ma thematizes space as subject. The Xin Lu Video Bus Tour makes use of a tour bus’s video monitors to run the four vid- eos in sequence, interspersed with Ma’s discussion of sites around Los Angeles.32 By compelling viewers to engage with the videos over a #28;ve- hour stretch, the tour may...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 169–193.
Published: 01 May 1988
... has a favorite film or program on vid- eotape often fastforwards past the slow expository passages on a sec- ond viewing to get to the ‘‘good parts to find the place where Large Marge’s eyes pop from her head or where Slimer smears the Ghost- busters with noxious green goo, displaying...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 75–103.
Published: 01 September 2000
... (autobiography) with the visual genre (self-portrait), subtending both with a third mode: aural repre- sentation of an acoustic self. In contrast to the innovative collage and montage visual experimentations and techniques of the Histoire(s) du cinéma vid...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
..., violence performed against an individual or group that is also intended for public consumption (think of the 9/11 attacks, or vid- eotaped beheadings posted online by groups affiliated with ISIS). Their work provides an illustration of this shift away from a focus on trauma and victimhood in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 20–77.
Published: 01 January 1992