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in She Listened: Vardian Self-Portraiture and Auto-Refrains of Sea, Wind, and Sand
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
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Published: 01 May 2021
Figure 7. Agnès Varda holds a copy of Henry Miller's Varda: The Master Builder in Uncle Yanco (US/France, 1967)
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in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
...Rebecca J. DeRoo; Homay King Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Agnès Varda achieved success with award-winning films spanning...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 215–229.
Published: 01 May 2021
...Rebecca J. DeRoo Abstract Agnès Varda frequently presented her career as encompassing three domains: photography, cinema, and visual art. While her cinema and late-career artistic work are widely accessible, her early photography remains a growing area of study. Moreover, it has often been repeated...
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
...Kelley Conway 38. Rose interview. 37. Varda had considered codirecting The Beaches of Agnès with assistant director Didier Rouget but rejected that idea after the shooting of the film's first scene. 36. Rose interview. 35. Riambau, “Cinéaste et restauratice,” 18...
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 87–107.
Published: 01 May 2021
...Sandy Flitterman-Lewis Abstract Agnès Varda's 2007 installation Les Justes au Panthéon ( The Righteous at the Pantheon , France) honored the many French “Righteous” who saved Jewish children during World War II in a ceremony commemorating their heroic actions with the placement of a plaque...
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 231–239.
Published: 01 May 2021
...Colleen Kennedy-Karpat Abstract This article presents the story of a symposium dedicated to the life and legacy of Agnès Varda and its move online due to COVID-19, reflecting on this process and its implications for future scholarship. Based on this experience, and using Varda's own late-career...
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
...Rebecca J. DeRoo Abstract This article examines how Agnès Varda used speeches and activism at the Cannes Film Festival in recent years to reveal and challenge the underrepresentation of female directors in the film industry. At the 2015 Cannes Film Festival, she accepted an honorary Palme (lifetime...
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 41–59.
Published: 01 May 2021
...), but it became its own parallel film. In prioritizing this story and pushing it to feature length, Varda opened it up for imagining with and beyond Birkin. She made it a fairy-tale, a feminist story about what women may imagine and eroticize, about the grief, pathos, damage, and beauty in this. It became a vital...
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 7. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 8. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 9. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 10. Agnès Varda, photographic study for L'Opéra Mouffe ( Diary of a Pregnant Woman , France, 1958). © Agnès Varda, 1958
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Published: 01 May 2021
Figure 8. Jean Varda, Women Reconstructing the World (1944). Courtesy of the Anaïs Nin Foundation
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Published: 01 May 2021
Figure 14. A close-up of a mosaic by Jean Varda in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 17. Varda Landing, Sausalito, California. Photo by the author
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Published: 01 May 2021
Figure 2. Patatutopia poster (2003) and potato costume (2003). © succession varda
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Published: 01 May 2021
Figure 4. Agnès Varda, Ma cabane de l’échec ( My Shack of Failure , 2006) renamed in 2009 as Une cabane de cinéma ( A Cinema Shack ). © succession varda
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Published: 01 May 2021
Figure 5. Agnès Varda, Dépôt de la cabane de plage qui est aussi une cabine de projection avec sa vidéo “La mer Méditerranée, avec deux r et un n, entre Sète et Agde” ( The Depository of the Beach Cabin That Is a Projection Booth with Its Video “The Mediterranean, with Two R s and One N
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