1-20 of 146

Search Results for urban memory

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2015) 30 (3 (90)): 27–59.
Published: 01 December 2015
... 2015 by Camera Obscura 2015 Korean modernity colonial memory urban memory noir space forgotten future Figure 1. CGI reconstruction of Kyung-­Sung in the 1930s in Modern Boy (dir. Ji-­woo Jeong, South Korea, 2008) Kyung-Sung:­ Cinematic Memories of the Colonial Past...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 78–116.
Published: 01 January 1988
... the past. Urban, ethnic working-class situation comedies provided one means of addressing the anxieties and contradictions emanating from the clash be• tween the consumer present of the 1950s and collective social memory about the 1930s and 1940s. The consumer consciousness emerging from economic...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
... visitors to experience in sensory and affective ways the site’s precariousness, the persistence of the memories associated with it, and the conflict between the residents’ Invitation to Perform Utopia and Catastrophe  • 143 existence and the corporate power of urban...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 153–163.
Published: 01 May 2016
... in Studies in the Humanities, Journal of Film and Video , and Journal of Urban Cultural Studies . She is the co-chair of the Urban Studies Scholarly Interest Group for the Society for Cinema and Media Studies and a founding managing editor of the online journal Mediapolis . She is currently writing a book...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 107–147.
Published: 01 May 2002
... who plays the stereotypical maid roles in old Hollywood films such as Plantation Memories. Through interviews and trips to libraries and obscure archives, Cheryl slowly pieces together the story of Fae Richards, whose offscreen life includes a romance with her white director, Martha Page...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 35–69.
Published: 01 December 2001
...- bar documentary revolves around closed or closing bars: Forbid- den Love documents the lesbian bars of the pre-Stonewall urban centers of Canada; The Boy Mechanic documents both the former and contemporary lesbian-bar scene of San Diego; and Last Call...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 119–147.
Published: 01 September 2022
... space, the woman stands statically as though a fixture in this environment. This tableau vivant performs a still life in beige. A second cut to a shallow focus over-the-shoulder shot reveals an exterior urban world beyond the bars. In altogether classic visual form, the sequence of shots introduces...
FIGURES
Journal Article
Camera Obscura (2001) 16 (2 (47)): 1–35.
Published: 01 September 2001
.... Perhaps I longed for them as a teenager because of my early memories of industrial Indiana. Maybe I shared with Gudrun Brangwen, in Lawrence’s Women in Love (1921), a sense that the city was voluptuous in its grittiness, and this was my way of domesticating it. In my imaginings it became...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 129–167.
Published: 01 December 2007
..., held at the Los Angeles County Museum of Art. Her work as a femi- nist multimedia artist and performer spans from the late 1960s until today, and though it has always been provocative — in terms of reflexivity, identity, power, ephemera, and memory — it had received relatively little critical...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 180–182.
Published: 01 December 2002
.... Edgerton, Gary, and Peter C. Rollins, eds. Television Histories: Shaping Collective Memory in the Media Age. Lexington: University Press of Kentucky, 2001. Estrin, Mark W., ed. Orson Welles: Interviews. Jackson: University of Mississippi Press, 2002. Eyles, Allen. Odeon Cinemas 1...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
...Jinying Li This article examines the Folk Memory Project, a collective documentary initiative in China that organized young filmmakers to return to their home villages to interview elders and unearth silenced memories of the devastating Chinese Great Famine of 1959–61. Focusing on two films...
Journal Article
Camera Obscura (1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... opened up a public space through which young, black, urban, working-class women can express their cultural power, sexuality and anxieties. Drawing on George Lipsitz’s application of dialogic criticism to popular music, Rose argues that women rappers have to be seen in terms...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 95–123.
Published: 01 September 2020
... elements within its narrative, often juxtaposes unwelcoming urban settings with natural land- scapes, barren fields, deserted highways, disposal sites, or dilapi- dated constructions. While the imagery of land and soil dominates the scenery, lovemaking on the open ground usually constitutes the climax...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
... an exposi- tion on such discourses. The approach of the film is more medita- tive and its method more self-reflexive, as it broadly considers the different modes of cinematic articulation in which these discourses appear. After regarding images of rural and urban France, the spectator must evaluate...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... properties of spatial montage: spectatorial mastery of space, and freedom from the vagaries of time and memory. Instead, she unsettles the spectator by deploying “any-space-what- evers,” a term Deleuze uses to describe both the disconnected spaces that typify urban modernity and the disjointed visual...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 95–129.
Published: 01 May 2011
... and nonsight in the context of war in Southeast Asia, illuminating the contradictions of representing Cambodian history and “seeing,” or apprehending, trauma and memory through cinema. I trace the connected, if not commensurate, powers that seek to make sense of their senselessness, their blindness. First, I...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 139–159.
Published: 01 May 2020
... because of this, the postindustrial city is ubiquitous within the genres of scifi/speculative, fantasy, and horror cinema, appearing consistently as backdrop, symbol, animus, and even in some cases, character. Given the wide literature on horror film, haunting, and traumatic memory, this article suggests...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
... is set on the eve of the French Revolution.6 The danchi wife lms explore what Pamela Robertson Wojcik calls the “porousness” of domestic relations to urban space. The house- wife’s relation to the built environment in the new postwar design of high- rise suburban apartments offers a local...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
... at the University of California, Santa Cruz. Her current work explores representations of landscape and the urban environment in documentary. Her films and media performances have been presented in film festivals, theaters, art galleries, and museums throughout the US and internationally, and she has received...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
...Domietta Torlasco This article interrogates the relation between memory and creation in Monica Bonvicini's installation Destroy She Said and Agnès Varda's film The Gleaners and I , both involving the adoption of digital technology and the simultaneous appropriation of analog materials. It is my...