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undetectable

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 167–173.
Published: 01 September 2016
...Nathan Lee This piece reflects on the concept of “undetectable” through the double lens of HIV/AIDS discourse and the metaphysics of Gottfried Wilhelm von Leibniz. With the advent of antiretroviral therapy treatments for HIV infection that effectively reduce one's viral load to levels that elude...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... refusal of the female body's objectification and also a catalyst for collectivization. Heather Davis argues that plastic is an opaque queerness, and Nathan Lee writes on the condition of being HIV undetectable as an optimistic imperceptible relationship to one's body. Across these texts, opacity operates...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 165–171.
Published: 01 May 2008
... primarily to their carefully cultivated dandy look. So it is not the case, as has sometimes been assumed, that the adoption of the dandy costume allowed early-twentieth-century gays and lesbians to pass undetected in mainstream culture — that is, to be seen as merely “stylish.” The aim of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 156–177.
Published: 01 January 1992
... bodies. Then, says Miriam, “there’s the old patriarchal problem of the doctor-usu- ally male and usually condescending, dismissive, or both.” Her three tumors went undetected for months as one doctor after another told her she was being hysterical about lumps in her breast...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 4–23.
Published: 01 January 1989
... must circulate, and keep on circulating, if it is to remain undetected, if it is to continue to convert directly into “real” money. Now, on the first level of legibility, the film is about the collapse of the simulacrum and the “real,” a proposition which it repeatedly asserts. Chance and his...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
..., too, does the millennium have very similar fears regard- ing “unassimilable Asians,” “undetectable terrorists,” and “inse- cure data borders.” These fears link visibility (or the lack thereof), information, and racialization. As Manuel Castells notes, under globalization, the amount of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 123–161.
Published: 01 May 2000
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 1–29.
Published: 01 May 2002
... their undetected mobility and sinisterly illegitimate by virtue of the space from which they emerge—itself a materialization of modernity’s dark underbelly. A slightly different version of the film was made by Biograph a year later: in A Girl and Her Trust (dir. D. W. Griffith, US, 1912), the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
... infectious transgression of bodily boundaries. The threat posed by interna- tional exchange thus resides in the potentially undetected pas- sage of invisible contaminants across institutionally regulated borders, as globalization becomes both vector and antidote for contagious disease.1 This essay will...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
.... “Bad- laa” presents this nightmare: the exotic Other whose ancient and The Intimacies of Globalization  •  39 strange ways require anthropological research to be understood at even a basic level, but who understands “us” well enough to pass undetected as he or she...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 177–207.
Published: 01 May 2009
... the context, to pass through undetected as they leave their murderous prizes under the bar, or a couch, or a stool. They succeed not because they look French but rather because they look colonized. By blending in and disappearing, the women become lethal figures, focusing in on their...