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Journal Article
Two or Three Things I Know about Her: Analysis of a Film by Godard
Available to Purchase
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 216–222.
Published: 01 December 1982
...R.S. Hamilton Alfred Guzzetti, Two or Three things I Know about Her: Analysis of a Film by Godard (Cambridge, Mass.: Harvard Univ. Press, 1981) Copyright © 1982 by Camera Obscura 1982
Two or Three Things I Know about Her:
Analysis of a Film by Godavd
R .S. Hamilton...
Journal Article
France/Tour/Detour/Two/Children
Available to Purchase
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 60–73.
Published: 01 December 1982
...Jean-Luc Godard; Anne-Marie Miéville Copyright © 1982 by Camera Obscura 1982
France/Tour/Detour/Two/Children
Jean-Luc Godard and Anne-Marie Mie‘ville
Title: Loosely inspired by G. Bruno’s work:
Le Tour de la France par Detrx Enfants
(Camille...
Journal Article
“Jackie Treehorn Treats Objects Like Women!”: Two Types of Fetishism in The Big Lebowski
Available to Purchase
Camera Obscura (2008) 23 (3 (69)): 111–135.
Published: 01 December 2008
... Two Types of
Fetishism in The Big Lebowski
Brian Wall
It is the hardest thing in the world to be a materialist. In theory,
that is — as a theorist. Even though thought seems irreducible in
its linguistic and even imagistic materiality, nonetheless, in theor-
etical writings...
View articletitled, “Jackie Treehorn Treats Objects Like Women!”: <span class="search-highlight">Two</span> Types of Fetishism in The Big Lebowski
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Journal Article
Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of Two Sisters
Available to Purchase
Camera Obscura (2009) 24 (2 (71)): 139–159.
Published: 01 September 2009
... Dark Water (2002) and South Korea's A Tale of Two Sisters (2003), this essay proposes that the current orientation evinces the anxieties of a patriarchal culture denied its sovereignty as the result of a widening gulf between the mythology of the bourgeois family and its actual social manifestations...
View articletitled, Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of <span class="search-highlight">Two</span> Sisters
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Journal Article
Remembering “Punto de Vista: Latina” in Two Voices
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
...,
dir. Valeria Sarmiento, France, 1982)
in practice: women make movies at forty
Remembering “Punto de Vista:
Latina” in Two Voices
Catherine L. Benamou and Bienvenida Matías
A Call to Rememberance
In the early 1980s, Women Make Movies (WMM) became home
to a community-based...
Journal Article
Close-Ups and Curlicues: Female Neurosis in Two Films by Anatole Litvak
Available to Purchase
Camera Obscura (2015) 30 (3 (90)): 93–127.
Published: 01 December 2015
...Seth Watter This article examines the simultaneous gendering and pathologization of screen space in two films directed by Anatole Litvak, The Snake Pit and Sorry, Wrong Number (US, 1948), released within months of each other. It focuses on two formal phenomena: the morbid close-up and the curlicue...
Journal Article
Two or Three Spectacular Mulatas and the Queer Pleasures of Overidentification
Available to Purchase
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
...Hiram Perez Building on feminist and queer scholarship on the relationship of film spectatorship to subjectivity, this essay conjectures subaltern spectatorships of the two US film adaptations of Fannie Hurst's 1933 novel Imitation of Life as a means of tracing the impossibly entangled discourses...
Journal Article
A Tale of Two Feminists?: Hannah Arendt Revisited by Margarethe von Trotta
Available to Purchase
Camera Obscura (2019) 34 (2): 103–131.
Published: 01 September 2019
Image
The eighty-two women standing on the red carpet stairs, representing the ei...
Available to Purchase
in Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 3. The eighty-two women standing on the red carpet stairs, representing the eighty-two female directors with films in the official selection competition across the seventy-one-year history of the Cannes festival, 12 May 2018. Amancay Tapia, “If We Want Better Films, We Need More Female
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Image
Two photographs of groups of women, mid-/late nineteenth century, Golestan ...
Available to Purchase
in Remixing to Queer the Archives of Diaspora: Qajar Photography and the Persian Carpet
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 3. Two photographs of groups of women, mid-/late nineteenth century, Golestan Collection, Institute for Iranian Contemporary Historical Studies. ‘Ismat poses at the center of both photographs. Inscription in the left photograph a reads, “Taj al-Dawlah wife of Nasir al-Din Shah, ‘Ismat al
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Image
in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 9. “Two feelings at the same time.” Ageha performing self-suspension. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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Image
in No Bodies Business: Trapdoor Tactics and the Art of Transgender Disappearance in A Fantastic Woman
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2024
Figure 4. Marina (Daniela Vega) is symbolically split in two by a bathroom mirror, suggesting a double consciousness caused by cisgender subjugation. A Fantastic Woman (dir. Sebastián Lelio, Chile, 2017)
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Image
in Aromantic Comedy: The Aro/Ace Aesthetics of Together Together
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2024
Figure 1. The publicity poster for the film Together Together (dir. Nikole Beckwith, US, 2021) showcases the two protagonists sitting against a blue-green background stippled with paint swatches.
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Journal Article
Camera Obscura (2010) 25 (2 (74)): 1–39.
Published: 01 September 2010
... male-dominated activities. This study explores the design and marketing of Daisy Rock Girl Guitars and Mattel's Barbie Wireless Video Camcorder, two early examples of this unique category of consumer electronics. Since men have historically dominated both filmmaking and electric guitar playing...
Journal Article
(Mis)Imagining Africa in the New Millennium: The Constant Gardener and Blood Diamond
Available to Purchase
Camera Obscura (2011) 25 (3 (75)): 69–99.
Published: 01 December 2011
... of Africa in two celebrated twenty-first century films, The Constant Gardener and Blood Diamond , and questions whether problematic archetypes still hold in the new millennium. By reading both films as noir thrillers with humanitarian agendas, the article highlights their subversive potential to “enlighten...
Journal Article
“Dated Sexuality”: Anna Biller's Viva and the Retrospective Life of Sexploitation Cinema
Available to Purchase
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
...Elena Gorfinkel American sexploitation cinema of the 1960s and early 1970s has gained a second life in the past two decades through a boom in video and DVD distribution and rerelease, and consequently a new, generationally distinct audience. This article proposes that what appeals to cult audiences...
Journal Article
Pinkface
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
...John Greyson This article presents case studies of two recent Toronto actions protesting Israeli apartheid, as seen through queer eyes: the 2009 Toronto Declaration, a petition with thousands of signatures that condemned the Toronto International Film Festival's (TIFF) collaboration...
Journal Article
Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard
Available to Purchase
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
...Huey Copeland Over the last two decades, American artist Zoe Leonard (b. 1961) has emerged as one of the most visually attuned photographers of her generation, using images as a means of documentation, invention, remembrance, and critique. Regardless of the sites and objects on which she trains her...
Journal Article
Slaves of the House and Victims of Love: New Life and Relationship Challenges in Dwelling Narrowness
Available to Purchase
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
..., and relationships. Specifically, I consider two facets of the series. One is its appropriation of controversial issues in popular discourse. The second is the public response to Dwelling Narrowness , ranging from netizens' and public authorities' reactions to the controversial issues it depicted to Chinese scholars...
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