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Figure 10. Two Vardas in profile in Uncle Yanco (US/France, 1967) More

Figure 3. The eighty-two women standing on the red carpet stairs, representing the eighty-two female directors with films in the official selection competition across the seventy-one-year history of the Cannes festival, 12 May 2018. Amancay Tapia, “If We Want Better Films, We Need More Female More

Figure 3. Two photographs of groups of women, mid-/late nineteenth century, Golestan Collection, Institute for Iranian Contemporary Historical Studies. ‘Ismat poses at the center of both photographs. Inscription in the left photograph a reads, “Taj al-Dawlah wife of Nasir al-Din Shah, ‘Ismat al More

Figure 9. “Two feelings at the same time.” Ageha performing self-suspension. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist More

Figure 4. Marina (Daniela Vega) is symbolically split in two by a bathroom mirror, suggesting a double consciousness caused by cisgender subjugation. A Fantastic Woman (dir. Sebastián Lelio, Chile, 2017) More

Figure 1. The publicity poster for the film Together Together (dir. Nikole Beckwith, US, 2021) showcases the two protagonists sitting against a blue-green background stippled with paint swatches. More