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Published: 01 May 2021
Figure 10. Two Vardas in profile in Uncle Yanco (US/France, 1967) Figure 10. Two Vardas in profile in Uncle Yanco (US/France, 1967) More
Journal Article
Camera Obscura (2008) 23 (3 (69)): 111–135.
Published: 01 December 2008
... mastery for the viewer and theorist. Camera Obscura 2008 “Jackie Treehorn Treats Objects Like Women Two Types of Fetishism in The Big Lebowski Brian Wall It is the hardest thing in the world to be a materialist. In theory, that is — as a theorist. Even though thought seems...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 139–159.
Published: 01 September 2009
... Dark Water (2002) and South Korea's A Tale of Two Sisters (2003), this essay proposes that the current orientation evinces the anxieties of a patriarchal culture denied its sovereignty as the result of a widening gulf between the mythology of the bourgeois family and its actual social manifestations...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... forty Remembering “Punto de Vista: Latina” in Two Voices Catherine L. Benamou and Bienvenida Matías A Call to Rememberance In the early 1980s, Women Make Movies (WMM) became home to a community-­based, transnationally oriented initiative that I cocurated with Bienvenida...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 216–222.
Published: 01 December 1982
...R.S. Hamilton Alfred Guzzetti, Two or Three things I Know about Her: Analysis of a Film by Godard (Cambridge, Mass.: Harvard Univ. Press, 1981) Copyright © 1982 by Camera Obscura 1982 Two or Three Things I Know about Her: Analysis of a Film by Godavd R .S. Hamilton...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 60–73.
Published: 01 December 1982
...Jean-Luc Godard; Anne-Marie Miéville Copyright © 1982 by Camera Obscura 1982 France/Tour/Detour/Two/Children Jean-Luc Godard and Anne-Marie Mie‘ville Title: Loosely inspired by G. Bruno’s work: Le Tour de la France par Detrx Enfants (Camille...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
...Hiram Perez Building on feminist and queer scholarship on the relationship of film spectatorship to subjectivity, this essay conjectures subaltern spectatorships of the two US film adaptations of Fannie Hurst's 1933 novel Imitation of Life as a means of tracing the impossibly entangled discourses...
Journal Article
Camera Obscura (2019) 34 (2): 103–131.
Published: 01 September 2019
Journal Article
Camera Obscura (2015) 30 (3 (90)): 93–127.
Published: 01 December 2015
...Seth Watter This article examines the simultaneous gendering and pathologization of screen space in two films directed by Anatole Litvak, The Snake Pit and Sorry, Wrong Number (US, 1948), released within months of each other. It focuses on two formal phenomena: the morbid close-up and the curlicue...
Image
Published: 01 May 2021
Figure 3. The eighty-two women standing on the red carpet stairs, representing the eighty-two female directors with films in the official selection competition across the seventy-one-year history of the Cannes festival, 12 May 2018. Amancay Tapia, “If We Want Better Films, We Need More Female More
Journal Article
Camera Obscura (2010) 25 (2 (74)): 1–39.
Published: 01 September 2010
... male-dominated activities. This study explores the design and marketing of Daisy Rock Girl Guitars and Mattel's Barbie Wireless Video Camcorder, two early examples of this unique category of consumer electronics. Since men have historically dominated both filmmaking and electric guitar playing, these...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 69–99.
Published: 01 December 2011
... Africa in two celebrated twenty-first century films, The Constant Gardener and Blood Diamond , and questions whether problematic archetypes still hold in the new millennium. By reading both films as noir thrillers with humanitarian agendas, the article highlights their subversive potential to “enlighten...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
...Elena Gorfinkel American sexploitation cinema of the 1960s and early 1970s has gained a second life in the past two decades through a boom in video and DVD distribution and rerelease, and consequently a new, generationally distinct audience. This article proposes that what appeals to cult audiences...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... Moufawad-Paul's Nus Enssas / صيصنصن (Canada, 2011) and Raafat Hattab's Hourieh (Palestine, 2011) explore issues ranging from queer diasporic solidarity politics and challenges to out/closeted binaries and to the creative reinscription of nakba narratives. Nadia Awad's Two Adaptations of the Same Novel (US...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
...John Greyson This article presents case studies of two recent Toronto actions protesting Israeli apartheid, as seen through queer eyes: the 2009 Toronto Declaration, a petition with thousands of signatures that condemned the Toronto International Film Festival's (TIFF) collaboration with the...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
...Huey Copeland Over the last two decades, American artist Zoe Leonard (b. 1961) has emerged as one of the most visually attuned photographers of her generation, using images as a means of documentation, invention, remembrance, and critique. Regardless of the sites and objects on which she trains her...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
... relationships. Specifically, I consider two facets of the series. One is its appropriation of controversial issues in popular discourse. The second is the public response to Dwelling Narrowness , ranging from netizens' and public authorities' reactions to the controversial issues it depicted to Chinese scholars...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 85–117.
Published: 01 September 2014
... slapstick comedienne performers — most of whom have now dropped out of historical visibility entirely. I frame this comparative analysis through close readings of two key texts: a Vitagraph trick film, Princess Nicotine; or, The Smoke Fairy (dir. J. Stuart Blackton, 1909), which depicts the surrealistic...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
... postcolonial subjectivity of being caught between two worlds in her documentary and short fiction films, including River of No Return (2008), Gulpilil: One Red Blood (2002), Crocodile Dreaming (2006), and Two Bob Mermaid (1996). It argues that these films offer unique insights into the history of Indigenous...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...