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1
Journal Article
Camera Obscura (2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
... in various times and places. © 2016 by Camera Obscura 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. collaboration media collective transnational media activism technology feminist and queer theory Collectivity: Part...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
... and places. © 2016 by Camera Obscura 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. collaboration media collective transnational media activism technology feminist and queer theory Collectivity: Part 1...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... as Cultural Studies, Jump Cut, Screen, South Atlantic Quarterly , and Velvet Light Trap . Binational cinema: Deepa Mehta’s Fire (India/Canada, 1996)
The World and the Soup:
Historicizing Media Feminisms
in Transnational Contexts
Kathleen McHugh
As a woman I have no country; as a woman, I...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... memory, transnational media, and diasporic spectatorship. She has worked as an associate producer on documentary film projects and as curator and consultant on the preservation and exhibition of indigenous and Latinoamerican media in New York City and Los Angeles. Bienvenida (Beni) Matías...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 27–31.
Published: 01 May 2006
... restrictive for
the multicultural framework implied in all discussions of media
production. The competing yet intersecting claims of diasporic
and transnational communities, and the varied definitions and
perspectives of “the feminine” amid these shifting demands and
designations, complicate...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
... of Production in Exilic Cinema,” in Home, Exile, Homeland:
Film, Media, and the Politics of Place, ed. Nafcy (New York:
Routledge, 1999), 125 – 47.
2. Hamid Nafcy, “Phobic Spaces and Liminal Panics: Independent
Transnational Film Genre,” in Multiculturalism, Postcoloniality...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 78–99.
Published: 01 January 1992
... spawned an interna-
tional agitprop activism that circulates around the meanings
elided in the legitimated discourses of science, media, public
politics [additional emphasis added].
Cindy Patton, Inventing A IDS...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... filmmakers to actively engage with each other's work within and across the region, and how this minor transnational network is redefining how we might come to understand the figure of the individual auteur of women's filmmaking. Olivia Khoo is a senior lecturer in film and television studies...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... will they
be written about? We need a public sphere in which transnational
women’s media and conversations about its limits and promises
can shape the future. The many women’s organizations — publi-
cations, production collectives, training programs, distributors...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... in Kathleen McHugh, “The World and
the Soup: Historicizing Media Feminisms in Transnational
Contexts,” Camera Obscura, no. 72 (2009): 111.
3. McHugh, “World and the Soup,” 112, 113.
4. Thomas Elsaesser, European Cinema: Face to Face with Hollywood
(Amsterdam: Amsterdam...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
... up critical questions about gender vis-à-vis production, labor, and computation within both carpets and computers as media interface. Photographs of Qajar women captured in the second half of the nineteenth century in Iran have become transnational viral sensations on online networks. Some social...
FIGURES
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Journal Article
Camera Obscura (2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
...” for the emergent constituencies of female con-
sumers that existed in Asia, as well as in the West. As the cultural
historian Barbara Sato notes of Japan, “the media projected hope
for urban middle-class women to participate actively in the cre-
ation of this bourgeoning [modern] culture, without an interme...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... is currently researching and presenting his work for Frames of Belonging: German Film from National to Transnational Productions . This work examines the effects of contemporary social transformations on the themes and production of film in Germany. 02-Halle.V2sh 5/29/01 12:33 PM Page iv...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 31–57.
Published: 01 December 2022
... of Strand's film in relation to the transnational, cross-cultural, and affective ranges that go unnoticed when the scope of 1970s feminisms is painted in broad brushstrokes. Accordingly, the article emphasizes that Strand's nonteleological approach to history and ethnography in her film at once challenges...
FIGURES
Journal Article
Camera Obscura (2016) 31 (2 (92)): 119–147.
Published: 01 September 2016
... and
conventions of the action genre replace the delicate aesthetics of
transnational documentary feminism.
As Roxana Galusca explains, we are in the midst of a strik-
ing moment in the history of journalistic activism around prostitu-
tion, migration, and sex trafficking. According to Galusca...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... to address the under- and misrepresentation of women in film and media; today, the New York–based nonprofit supports the creation and circulation of independent film and media by and about women through its production assistance program, extensive distribution service, and advocacy role. The conversation...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
..., Trauma Culture: The Politics of Terror and Loss in Media and Literature (New Brunswick, NJ: Rutgers University Press, 2005), 23. 39. Lingzhen Wang, “Introduction: Transnational Feminist Reconfiguration of Film Discourse and Women's Cinema,” in Chinese Women's Cinema: Transnational Contexts , ed...
FIGURES
Journal Article
Camera Obscura (2003) 18 (3 (54)): 41–69.
Published: 01 December 2003
... plenty
of imported activism. Grassroots activism, however, is rare. Perhaps
the only local Arab media organization with a distinctly activist
mandate is Beirut DC (Beirut Development and Cinema). The pas-
sionate (and exhausted) founders of this five-year-old video pro-
duction organization...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
... outside our fields but,
rather, seeks to situate our feminist arenas of activism and political
struggle within a transnational framework of cultural production that
10 can never be seen to be apart from the politics of representation. As
producers of representations, Walker and Parmar can...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 116–131.
Published: 01 December 2020
... of the film. The next day, Shu Lea and Alex recorded a short conversa- tion in which they considered the censorship of the film, particu- larly as it connects to AIDS activism, feminism, pornography, and queer media. They discuss changes in technology and the body over the duration of their professional...
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