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transnational film authorship

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Journal Article
Camera Obscura (2022) 37 (2 (110)): 59–89.
Published: 01 September 2022
... Tsangari Greek Weird Wave cinema auteurism feminist authorship transnational film authorship Figure 1. Opening scene of Fit (dir. Athina Rachel Tsangari, Greece, 1994). © HAOS Film / Photographer Despina Spyrou Figure 1. Opening scene of Fit (dir. Athina Rachel Tsangari, Greece, 1994). ©...
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Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... the film’s queer potential not only in its camp appeal but also in terms of how it provokes a rethinking of female authorship within a minor transnational network of women’s short filmmaking and queer Asian cinema.Dirty Bitch resonates aesthetically and thematically with the early short films of one...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... direc- tor offered a fruitful place to begin. Acknowledging the inter­ disciplinary and transnational legacy of the feminist film tradi- tion in Australia, which includes the work of influential scholars such as Meaghan Morris, Lesley Stern, Laleen Jayamanne, Helen Grace, and Barbara Creed, we...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... films: Brothers ( Brødre , 2004), After the Wedding ( Efter brylluppet , 2006), and In a Better World ( Hævnen , 2010). Concerned with addressing a local and transnational audience, these films depict the intimacy of the Danish nuclear family while also developing distinctly transnational plotlines...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
... texts. The fusion of history and theory that feminist film studies potentially offers can only have an activist component, she argues, when the cinema is recognized as operating within “larger spheres of cultural power.” Moving beyond models of authorship to under- stand how power and agency...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
... and participation within art cinema's global networks, which is to say the ideological terms through which film festivals are programmed, transnational funding is allocated, and historical frameworks for its study are developed and reproduced. If 35 Shots 's allusion to Ozu mirrors the generational dynamics...
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Journal Article
Camera Obscura (2019) 34 (3): 1–29.
Published: 01 December 2019
... socialist state film studios began actively recruiting and training women for film directing. The socialist transformation of property ownership and the film indus- try, the institutionalized practice of gender and class equality, and socialism s new concept of collaborative authorship worked together...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
...).1 But she also famously staged her private life for public consump- tion, performing a vast array of personae in many different loca- tions: as star of stage and film, as modernist muse, femme fatale, primitive savage, international spy, transnational antiracist activ- ist, and as an icon...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
... Home in Transnational and Diasporic Film Studies While it is well recognized that issues of migration, transnational­ ity, and diaspora have shifted the terms of British and European flmmaking, bringing to the fore questions of nations and bor­ ders, the cultural politics of belonging...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 43–75.
Published: 01 September 2009
.... The Documentaries of Kim Longinotto  •  45 Here I wish to examine what is at stake in Longinotto’s filmic endeavor and to address her mode of authorship, including her consistently collaborative practice and the common discourses that inform her African and Iranian films. The outsiders...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
.... For a detailed and compelling account of Denis’s authorship, see  Judith Mayne, Claire Denis (Urbana: University of Illinois Press, 2005). 162  •  Camera Obscura Patricia White, an editor of Camera Obscura since 1997, also serves on the board of Women Make Movies. She is a professor of film...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 37–67.
Published: 01 May 2013
... melodrama that is at once problematic and generative. I situate the film at the crossroads of two complementary and sometimes contradictory genealogies: the “thinking woman's film,” engaged with female subjectivity and authorship belonging to an influential white liberal feminist genealogy...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 1–33.
Published: 01 May 2024
...Edward Avila Abstract “Castle & Crook” argues that the documentary films Maquilapolis ( City of Factories ) (dir. Vicky Funari, Sergio De La Torre, Mexico/US, 2006) and Señorita Extraviada ( Missing Young Woman ) (dir. Lourdes Portillo, Mexico/US, 2001) offer critical insights...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
... Independent Cinema , ed. Linda Badley, Claire Perkins, and Michele Schreiber (Edinburgh: Edinburgh University Press, 2016), 139. 19. See Eleni Palis, “Race, Authorship, and Film Quotation in Post-classical Cinema,” Screen 61, no. 2 (2020): 242. 20. Raúl Ferrera-Balanquet and Thomas Allen...
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Journal Article
Camera Obscura (2023) 38 (3 (114)): 77–105.
Published: 01 December 2023
...Kata Kyrölä Abstract This article examines the Swedish fantasy‐horror‐romance film Gräns ( Border , dir. Ali Abbasi, 2018) through queer Indigenous thought and the notion of trans aesthetics, exploring how the film may sensitize its viewers to seeing and feeling with gender variance, queer desire...
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Journal Article
Camera Obscura (2007) 22 (1 (64)): 1–41.
Published: 01 May 2007
... critics to question the level of actual female authorship or agency involved in the production of this film. This article does not aim to deal with this question, but rather seeks to read the film as a complex allegorical text in its own right. For a good discussion of the role...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 93–127.
Published: 01 December 2007
... and the Politics of Location,” in Multiculturalism, Postcoloniality, and Transnational Media, ed. Ella Shohat and Robert Stam (New Brunswick, NJ: Rutgers University Press, 2003), 44 – 62; Christian Bosséno, “Immigrant Cinema/National Cinema: The Case of Beur Film,” in Popular European...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 119–163.
Published: 01 September 2005
... of independent film criticism, Colette turned to this new journalistic discourse in the mid-teens without being motivated by the romantic notion of pio- neering authorship at the threshold of a new “sixth” art.16 As was the case for most of her life, Colette was spurred on by the practi- cal demands...