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transnational activism

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Journal Article
Camera Obscura (2024) 39 (1 (115)): 1–33.
Published: 01 May 2024
... in the Mexico-US border region in the context of transnational political activism. Edward.avila@mnsu.edu Copyright © 2024 by Camera Obscura 2024 necropolitics neoliberalism gendered violence labor exploitation territorial fragmentation ecocide transnational activism While...
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Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... filmmakers to actively engage with each other's work within and across the region, and how this minor transnational network is redefining how we might come to understand the figure of the individual auteur of women's filmmaking. Olivia Khoo is a senior lecturer in film and television studies...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... for which feminism is a necessary optic. 140  •  Camera Obscura Conclusion Postwar feminist discourses and activism have necessarily been transnational, resulting in structures of opportunity for women filmmakers in film training, production, distribution, and exhibi- tion in diverse contexts...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 78–99.
Published: 01 January 1992
... and Geisha”’ from his AIDS series suggests the complexities of power in its transnational forms, its prob- lems and pleasures [Figure 11. A second visual emblem I take from the objects produced in AIDS art-theoretical activism: the ACT UP appropriation of Barbara Kruger’s appropriation art...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
...Irene Gedalof Where do spaces of the home figure in contemporary studies of transnational, migrant, and diasporic cinema? According to Hamid Naficy, “accented,” exilic, and diasporic cinema primarily evokes a state of “permanent deterritorialization,” producing cinematic languages of discontinuity...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
... with the national, and transgenerational with transnational memories. The Girl and the Pictur e radicalizes cinematic discourses on the Nanjing Massacre from multiple angles and not only sheds light on the emerging field of Nanjing Massacre studies but also contributes to our understanding of the ongoing memory...
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Journal Article
Camera Obscura (2005) 20 (1 (58)): 107–147.
Published: 01 May 2005
.... Aamir Khan as Dil Navaz in Earth. Courtesy Zeitgeist Films Memory and Melodrama: The Transnational Politics of Deepa Mehta’s Earth Jeanette Herman Besides in its nature referring to events which cannot be retrieved or fully relived, then, remembering appears to demand no necessary...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 119–147.
Published: 01 September 2016
... and conventions of the action genre replace the delicate aesthetics of transnational documentary feminism. As Roxana Galusca explains, we are in the midst of a strik- ing moment in the history of journalistic activism around prostitu- tion, migration, and sex trafficking. According to Galusca...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
...Catherine L. Benamou; Bienvenida Matías This is part memoir, part historical reflection on the creation of “Punto de Vista: Latina,” a transnational distribution and local exhibition project of films by and about Latinas during the reorganization of Women Make Movies in the early 1980s...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 27–31.
Published: 01 May 2006
... of the dichotomizing impasse of some of those arguments. At the heart of the project was an understanding that tex- tual analysis and theoretical work were engaged activities of com- mitment, that no matter how carefully a particular film might be analyzed in terms of formal configurations, enunciative...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... films: Brothers ( Brødre , 2004), After the Wedding ( Efter brylluppet , 2006), and In a Better World ( Hævnen , 2010). Concerned with addressing a local and transnational audience, these films depict the intimacy of the Danish nuclear family while also developing distinctly transnational plotlines...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
... outside our fields but, rather, seeks to situate our feminist arenas of activism and political struggle within a transnational framework of cultural production that 10 can never be seen to be apart from the politics of representation. As producers of representations, Walker and Parmar can...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 1–2.
Published: 01 December 2016
... in various times and places. © 2016 by Camera Obscura 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. collaboration media collective transnational media activism technology feminist and queer theory Collectivity: Part...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 1–2.
Published: 01 May 2016
... and places. © 2016 by Camera Obscura 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. collaboration media collective transnational media activism technology feminist and queer theory Collectivity: Part 1...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... relating its message almost exclusively through its protagonist's point of view, the film highlights her individuality, eliding the broader Moroccan feminist and cultural movements in which Benlyazid's film claims to intervene. For transnational feminist audiences, Benlyazid's film thus stages, whether...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 31–57.
Published: 01 December 2022
... of Strand's film in relation to the transnational, cross-cultural, and affective ranges that go unnoticed when the scope of 1970s feminisms is painted in broad brushstrokes. Accordingly, the article emphasizes that Strand's nonteleological approach to history and ethnography in her film at once challenges...
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Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... is currently researching and presenting his work for Frames of Belonging: German Film from National to Transnational Productions . This work examines the effects of contemporary social transformations on the themes and production of film in Germany. 02-Halle.V2sh 5/29/01 12:33 PM Page iv...
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Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
...).1 But she also famously staged her private life for public consump- tion, performing a vast array of personae in many different loca- tions: as star of stage and film, as modernist muse, femme fatale, primitive savage, international spy, transnational antiracist activ- ist, and as an icon...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... Britain and the United States but also in Australia, Canada, France, Germany, Mexico, and elsewhere. I am also thinking of current production and the exhibition spaces and critical prac- tices that earlier activity made possible and through which we can project...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
... up critical questions about gender vis-à-vis production, labor, and computation within both carpets and computers as media interface. Photographs of Qajar women captured in the second half of the nineteenth century in Iran have become transnational viral sensations on online networks. Some social...
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