... was transgender identities and modernism. Figure 1. Romaine Brooks, Una, Lady Troubridge (1924). Courtesy Smithsonian American Art Museum, Gift of the Artist Peter (A Young English Girl) : Visualizing Transgender Masculinities Melanie Taylor “To be myself . . . I need...

...Lilia Kilburn This article responds to the call, long latent in queer theory, for more nuanced portrayals of vocality. As Andrew Anastasia writes in the introductory issue of TSQ: Transgender Studies Quarterly , accounts of vocality that consider only the voice’s discursive or linguistic qualities...

... interviewer/filmmaker to tell Georgina’s story from multiple perspectives. Interspersed with the interviews is quite remarkable archival footage of the Welling- ton transgender scene in the years before Beyer’s arrival, much of it compiled from a 1971 television documentary by the New Zealand...

... visible borders in space, the film illustrates how psychoanalytically and phenomenologically informed, expansive notions of the body and perceptual field matter for understanding transgender and other forms of gender dissonance. Drawing on disability studies, queer theory, and transgender theory...

...Giancarlo Cornejo Abstract This article offers a reading of the Peruvian film Loxoro (dir. Claudia Llosa, Peru/Spain/Argentina/US, 2011), which stars the transgender activist Belissa Andía. “Loxoro” is the name of a language used by travesti communities to survive in Lima, Peru. The main plot...

... audiences with a contemporary vision of queer feminism that embraces a multitude of gender expressions. This approach can be understood in the context of the cultural changes to lesbian and queer communities over the past twenty years, shaped by the growing visibility and inclusion of transgender politics...

... for white moralizing. Both films project violence onto those most often victimized and marginalized in society, “feminized blacks”- black women, gays and lesbians, transgenders. Jordan’s films are interesting in their focus on sexual obsession and revelry in the apparent...

... in, on, or of an individual human body. And he empha- sizes the role of visual media apparatuses in creating and main- taining spatiotemporal environments in which the link between visually articulated genders, bodies, and sexes is (nearly ceaselessly) confirmed. Undoubtedly, transgender experience cannot be reduced to wrong...

... and artists. Barbara's archive—full of documents that capture her humanity and reflect her creative process—fits into the library's mission of making gay, lesbian, and transgender collections accessible for all to use. Treasures abound in her papers: clothes from Superdyke (US, 1975) and Hot Flash (US...

... the groundwork for the next transformation. Afterword In the brief time, or so it seems, since this essay was first written, the situation both on the street with regard to articulating a specifically transgendered positionality and within the academy vis-A-vis...

... highlighting the expressive range of “small” short-­duration games like Passage ( Jason Rohrer, 2007), which Destructoid called the “greatest five-­minute-­long game ever made.”2 By 2014, a roster of queer-­designed games made primarily by transgender women — Dys4ia (Anna Anthropy, 2012), Mainichi...

... bodies to police and criminalize minority groups. The contemporary struggles transgender people experience due to identification regulation — what Dean Spade calls “administrative violence” — are a prime example of and a motivation for this work.5 Fag Face Mask suggests that a queer poli- tics...

...-garde, French and Spanish queer cinema, audience research, and transgender documentary. © 2016 by Camera Obscura 2016 video collectives Carole Roussopoulos Portapak post-1968 French activism Figure 1. Y a qu’à pas baiser! ( Just Don’t Fuck!, dir. Carole Roussopoulos, France, 1973...

...): Visualizing Transgender Masculinities,” Camera Obscura, no. 56 (2004): 11. 4. Laura Doan, Fashioning Sapphism: The Origins of a Modern Lesbian Culture (New York: Columbia University Press, 2001), 112 – 13. 5. Emily Rems, interview with David Johansen, BUST, August/ September 2006, 17...

... increasingly toward creating films, performances, and publications that were explicitly feminist and that engaged in a playful and experimental way with women’s, queer, and transgender sexuality. These works include various self-­help-­style videos, such as Annie Sprinkle’s Amaz- ing World of Orgasm...

... at the very moment in her discussion that is of most importance to feminist and queer theory, the moment that delineates the mobility and transferability of the phallus (397). 4. Judith Halberstam, In a Queer Time and Place: Transgender Bodies, Subcultural Lives (New York...

... family and friends.” On the queer side of all things diva, male divas, drag and/ or transgender divas, and transsexual divas are represented in the remaining appreciations. Reportedly straight in real life, Vincent Price, with his “mellifluous voice and epicurean demeanor,” along- side his...

...: a utopic future outside both heterosexual and capitalist economies. Not surprisingly, the butterfly has served as a popular symbol internationally for transgender organizations. The title “Butterfly” makes Mottola into the imperial Lieutenant Pinkerton of Giacomo Puccini’s opera...

... they are lesbian, gay, bisexual, transgender, or asexual, but the actual entries focus more on why people define these characters that way. I’m particularly interested in what specific evidence peo- ple use to define in-­game characters’ genders and sexualities. Is it the way they dress? Is it with whom...

... Institutions and the Feminist Dialectic” in Toronto, archived at feministdialectic.ca/en/ (accessed March . See Judith Butler, Gender Trouble: Feminism and the Subversion of Identity, th anniversary ed. (New York: Routledge, Susan Stryker, Transgender History (Berkeley...