1-20 of 392

Search Results for total

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (1993) 11 (2 (32)): 4–40.
Published: 01 September 1993
...Robert Miklitsch Copyright © 1993 by Indiana University Press 1993 Total Recall (Paul Verhoeven, 1990) Total Recall: Production, Revolution, Simulation-Alienation Effect Robert Miklitsch The men of Earth came to Mars. They came because...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 185–195.
Published: 01 May 2015
... to the pleasure of being totally commodified, but this pleasure is certainly not for everyone. Jane Feuer is professor of English and film studies at the University of Pittsburgh. She is the author of The Hollywood Musical (Indiana University Press, 1982) and Seeing through the Eighties: Television...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... as an expansive theory, politics, and aesthetics that works against the totalizing gaze of global surveillance and also demands a place for the nonhuman in feminist and queer thought. Zach Blas is an artist and lecturer in the Department of Visual Cultures at Goldsmiths, University of London. His artwork...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... various appeals to concealment and partial visibility raise critical questions about surveillance logics, technologies, and practices and their appeals to fantasies of total seeing and knowing. This essay is organized into three parts, and each part places Harvey's countersurveillance works...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 185–195.
Published: 01 May 2019
... Journal . This essay aims to reveal the collaborative nature of the working processes behind this project and the organic manner in which it developed as well as the challenges it posed at a critical time in the artists’ lives. In its totality the project and indeed its process, with its multiplicity...
Journal Article
Camera Obscura (2019) 34 (3): 63–95.
Published: 01 December 2019
.... By analyzing Joyless Street through the lens of Close Up , I demonstrate how Bryher and H.D. anticipate the development of trauma theory, which emerged in the early 1990s. Unlike traditional, often totalizing, applications of psychoanalysis (which emphasize notions of spectator desire and lack), the Close Up...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... aesthetic works together with the spatial dimensions of McMansions (single-family houses characterized by massive square footage totals) to generate a sense of fear with particular resonance for a contemporary culture characterized by financial speculation, increased privatization, and retrenchment...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 105–129.
Published: 01 September 2024
... ethical intervention, which resists the possibility of total, appropriative knowledge and coordinates other forms of attention premised on openness and nonmastery instead. The effect of the characters’ orientation toward the audience may in fact be disarming rather than intimate. In an interlude...
FIGURES
Journal Article
Camera Obscura (1983) 4 (2 (11)): 102–110.
Published: 01 September 1983
... consciousness and the process of totalization. Within this context I propose to explore Jameson's notion of the unconscious and its relationship to psychoanalytic conceptions of the subject. The bulk of The Political Unconscious is organized as a history. The chapters on Balzac...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 120–126.
Published: 01 September 1988
... conceived, are extensive: the cinema operationalizes the image of an open totality, at once moving and non-orientatable, where the temporality that envelopes us offers itself in its doubly contradictory dimension- incessant flux and instantaneous disjunc• tion. But in joining Nietzsche and Bergson...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 195–214.
Published: 01 September 1985
.... On the other hand, we see the very richness of these readings as calling into question Kaplan’s claim that feminine sexuality is totally colonized by patriarchal society and its representational forms. Considering Cukor’s Camille, Kaplan argues that the film illustrates...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 115–143.
Published: 01 December 2022
... and regenerating limbs when necessary—that it has “no unity of the living being which unfurls itself towards the outside . . . it is a collective animal.” 14 Its total, seemingly seamless immersion in its environment makes it a particularly compelling subject for phenomenologists; from an ecological perspective...
FIGURES | View All (4)
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160.
Published: 01 December 1982
... repetitiveness if study of the classical cinema is conducted exclusively by means of a series of film analyses. Thus the object of the following analysis is a section ofJean-Luc Godard’s La Chinoise (72 shots lasting a total of 494 seconds).2 It is not necessary...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 18–39.
Published: 01 December 1984
... that video could be used in such a variety of ways - installations, documentation, video art. Also, because of the feminist movement, a lot of women were jumping into video. To me, it seemed like it was more accessible. Traditional TV was totally the opposite. Network TV and the commercial...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 142–147.
Published: 01 December 1989
...- inism. Its emergence was a function of a discursive strategy at a par- ticular historical moment when reading and readability (as the effects of textuality) were centrally important issues in the theorization of film. It is a concept which is totally foreign...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 89–111.
Published: 01 May 2008
... and the integrity and consistency of style are the sub- ject of passionate debate. This is evident not only in the score, but also in the book: Laurents complained that his book for Gypsy was “totally inconsistent. The first scene is vaudeville. Then you have a musical comedy scene. Then an out-and-out farce...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 66–85.
Published: 01 December 1984
..., these cineastes search, quite the contrary, to extend to the maximum the domain of the universe in order to organize it into a significant totality. . . . [I]t is no longer a question of starting from a story to put it in images, but starting from sensory appearances to make...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... reservations about the inclination here to gloss over technical and social particulari- ties, enabling the totalizing claim that generalized exhibitionism provides the libidinal architecture for an intensification of global surveillance. Exhibitionism iterated as online self-display includes aspects...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 76–96.
Published: 01 May 1976
... the total relationship between author, viewer and object as one can. The implication of this is to make the audience think about, and deal with, and share in the creative process in a different way than they do where the techniques or structure are totally invisible. S~ one justification...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 154–157.
Published: 01 September 2007
..., announced as Calamity Jane, strutted out onto the strip club’s stage, skinny as a rail, undulating, eyes all afire, clad in gold go-go boots and a tumbling brown wig. As the bisexual Althea Flynt, Love was a total ham, but she devastated me playing an early 1980s junkie living with AIDS...