1-20 of 671 Search Results for

tion

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2011) 25 (3 (75)): 178–179.
Published: 01 December 2011
... Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working.” This...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 158–159.
Published: 01 May 2011
... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 147–148.
Published: 01 September 2011
... Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working.” This...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 195–196.
Published: 01 December 2008
... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 184–185.
Published: 01 September 2009
... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 208–209.
Published: 01 May 2009
... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 163–164.
Published: 01 December 2009
... Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working.” This...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 196–197.
Published: 01 May 2010
... Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working.” This...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 3–5.
Published: 01 September 1983
... Keller and its companion-piece "Personal Film/Feminist Film," Linda Reisman questions the assump• tions behind an influential current of feminist and avant-garde film criticism in terms of essentialism. Larry Horne and John Ramirez's "Report on the UCLA Gay and Lesbian Media Conference" argues that...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 3–5.
Published: 01 December 1980
... textual system “re-articulates specific unconscious material.” It is perhaps in this “unconscious” that India Song directly rejoins the classical model as it is presented by Kuntzel and Rodowick. All three rely on structures of the fantasy within a discussion of the configura- tions of vision...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 138.
Published: 01 May 1992
..., “Adventures in Privacy: Social Formations/Cultural Negotia- tions.” Mary Kelly is an artist and writer who lives in New York City. Her exhibition projects include Post-Partum Document ( 1973-79), also published by Rout- ledge, 1983, Interim (1984-89), and Gloria Patri (1992). She is Director of...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 153.
Published: 01 December 1980
...; and (1980) Still, Ecolalia, La desserte blanche, and Time Smoking a Picture. D. N. Rodowick is a graduate student in film theory and film produc- tion at the University of Iowa. His most recent work includes a 16mm film, Combat Zone, and a videotape, La rue sans peur. Marc Silberman is an...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 233–237.
Published: 01 December 1982
... was often difficult to have a graceful integration of presenta- tion and illustration. Also, the problems and paradoxes of citation as a point of theory, such as one finds in Raymond Bellour’s essay on “The Unattainable Text,” were barely addressed except briefly in the...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
... film (the Star Industry, 138 the Progressive Image, the Violation of Women on Screen, the posi- tion of women in Melodrama) to contemporary developments con- cerned with specifylng a “feminine” (designations of feminist form and filmmalung practice, the female spectator...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 219–224.
Published: 01 May 1979
... frame. is what anna observes true or does her observa- tion produce false models of the environment? are her psychic hal- lnvisible Adversaries (Valie Export, 1976) lucinations fear triggered by real obsessions or do these fictions produce 22 3 the fear? because her eye can no longer...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 84–85.
Published: 01 September 1985
... form of voyeurism, narcissism or some wished-for relation to power), and the inevitable func- tioning of narrative and fictional strategies in any presentation of “reality.” The strength of the work included in this section also lies in the way each project breaks down aesthetic or...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 98–99.
Published: 01 September 1980
... music from actual productions-it is also ambiguously and austerely reconstructed in scenes which both refer to and depart from the opera. But the narrative is constructed using the cinematic conven- tions associated with the “suspense” genre. Mimi’s death is introduced as a murder, and...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... IN PRACTICE: OPACITIES Adam Harvey’s “Anti-Drone”­ Wear in Three  Sites of Opacity Jennifer Rhee Look up. Beginning in September 2015, US airspace was opened to drones, as legislated by the Federal Aviation Administra- tion Modernization and Reform Act...
Journal Article
Camera Obscura (2019) 34 (3): 1–29.
Published: 01 December 2019
..., socialist women were at the forefront of all the major sociopolitical and economic transforma- tions, embodying an integrated socialist vision and social agency. The first generation of socialist female filmmakers not only made many popular socialist films with different themes and styles but also won...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 20–31.
Published: 01 December 1982
..., modulated editing effects. What we see, quite literally, is the produc- tion of ambivalence, aesthetically stunning, yet horrific in its implica- tions because the editing reduplicates formally-generates-both vio- lence and eroticism through the cut. We have a film that binds an...