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Journal Article
Camera Obscura (1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
... Industry, 138 the Progressive Image, the Violation of Women on Screen, the posi- tion of women in Melodrama) to contemporary developments con- cerned with specifylng a “feminine” (designations of feminist form and filmmalung practice, the female spectator, what constitutes...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 178–179.
Published: 01 December 2011
... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 158–159.
Published: 01 May 2011
... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 147–148.
Published: 01 September 2011
... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 54–89.
Published: 01 December 1980
.... The problem as such is localizable in two broad regmes whose borders are by no means specific or well-defined, and in fact, their operations are required to overlap, their identities merge one into the other, if they are to achieve some degree of economical func- tioning. The first regime...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 57–91.
Published: 01 September 2003
... to allow any peaceful compromise between the warring factions that make it up. The Passion of Joan of Arc reveals that aesthetic valoriza- tions like Bordwell’s (and Dreyer’s) always produce a violent total- ization—however beautiful or reasonable the face we may choose to put on them. In the field...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 184–185.
Published: 01 September 2009
... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 208–209.
Published: 01 May 2009
... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 163–164.
Published: 01 December 2009
... 2009 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 196–197.
Published: 01 May 2010
... 2010 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 195–196.
Published: 01 December 2008
... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 20–31.
Published: 01 December 1982
..., modulated editing effects. What we see, quite literally, is the produc- tion of ambivalence, aesthetically stunning, yet horrific in its implica- tions because the editing reduplicates formally-generates-both vio- lence and eroticism through the cut. We have a film that binds...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... IN PRACTICE: OPACITIES Adam Harvey’s “Anti-Drone”­ Wear in Three  Sites of Opacity Jennifer Rhee Look up. Beginning in September 2015, US airspace was opened to drones, as legislated by the Federal Aviation Administra- tion Modernization and Reform Act of 2012...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 93–117.
Published: 01 September 2016
... throughout a long and rich filmography — a filmography that Straub has continued to expand since Huillet’s death in 2006 — but rather this element of sameness. I wish to examine how acting itself detonates conventional opposi- tions between proper and improper actors to disclose the capacity...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 233–237.
Published: 01 December 1982
... a graceful integration of presenta- tion and illustration. Also, the problems and paradoxes of citation as a point of theory, such as one finds in Raymond Bellour’s essay on “The Unattainable Text,” were barely addressed except briefly in the workshop on writing. However...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 1–29.
Published: 01 May 2002
... on the simple premise that to participate in modern life is to be absorbed into traffic. Traffic in Souls therefore organ- izes its narrative around the unceasing mechanical mobilization of bodies through space. At the heart of the film’s melodramatiza- tion of technological modernity is a contradiction...
Journal Article
Camera Obscura (2019) 34 (3): 1–29.
Published: 01 December 2019
..., socialist women were at the forefront of all the major sociopolitical and economic transforma- tions, embodying an integrated socialist vision and social agency. The first generation of socialist female filmmakers not only made many popular socialist films with different themes and styles but also won...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
...: the first, titled “Engels,” is set in locales around France; the second, titled “Hussein,” in various locations in Egypt. Each sec- tion of the film is sparsely narrated with readings from texts by the writer mentioned in the section titles. With a few notable excep- tions, the film consists...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 39–75.
Published: 01 May 2020
... 35, Number 1 doi 10.1215/02705346-8085111 © 2020 by Camera Obscura Published by Duke University Press 39 40 Camera Obscura otherwise imperceptible communicative acts established between their brains. Gradually, all associations with a medical examina- tion gave way to participants immersion...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 34–49.
Published: 01 September 1977
... of Bergman and Mozart is, in this respect, absolutely predictable, even 'correct' , in so far as it slots into the mutually reinforcing cycle of 'desire' (for universal art) and 'satisfac- tion' that operates between industry, texts, and audience. Between economics and criticism we must situate...