...Karen Orr Vered; John McConchie Inspired by a review of the political theories of Anthony Giddens, particularly his question of whether or not there can be a Third Way politics of family, this essay examines the TV show Supernanny as an example of what we call “Third Way TV.” Tracing the program's...

...Dominique Bluher Abstract In 2003, following an invitation to participate in the fiftieth Venice Biennale, Agnès Varda started at the age of seventy-five her “third life as a young visual artist,” as she liked to say. During some fifteen years, Varda created over twenty large-scale video...

... but then rewritten, as Jeff Bridge's “Dude” comes to abjure both the imaginary and the symbolic dimensions of paternity in favor of more material and yet less oppressive and monolithic construals of paternity and masculinity. Third, I examine the consequences of the Dude's refusal of phallic mastery for the viewer...

... empowering messages for homemakers. Through the persona of Dione Lucas as a historical example and, for brief comparison and relevancy, the second- and third-wave cooking shows hosts—for example, Julia Child, Martha Stewart, Rachael Ray, and Giada De Laurentiis—the article explores the social role of women...

... in a contradictory manner throughout her lifetime — from poet, to political activist, to filmmaker, to anthropologist, and so on. Third, it investigates Deren's ethnicity — her status as a Russian immigrant Jew, a characterization about which she had great ambivalence. Fourth, it examines her early writings...

... of audience and performer; and, following Bertolt Brecht, what we can think of as “third-person singing.” Horne's aloofness illuminates a historically vexed connection between public intimacy and hostility to suggest that as much as intimacy could be a resource for individual and collective transformation...

.... The third site of opacity, which examines Harvey's “Anti-Drone” wear in light of “the fog of war,” invokes Noel Sharkey and Lucy Suchman's recent call to end the production of autonomous armed machines. Throughout these three sites of opacity, Harvey's work opens up a response to surveillance that inhabits...

...Helena Shaskevich Abstract Yvonne Rainer's third and most explicitly political feature‐length film, Journeys from Berlin/1971 (US/UK/West Germany, 1979) explores the relationship between personal and political trauma through the lens of the instability and violence that ravaged West Germany during...

... computer prototype and its commercial successor the Xerox Star; the development and publication of the third revision of the Diagnostic and Statistical Manual (or DSM-III ), used by physicians for medical diagnosis, which more than doubled its number of diagnostic categories from the DSM-II ; and finally...

..., too violent? Do they not give the obvious signified a kind of difficultly prehensible roundness, cause my reading to slip? An obtuse angle is greater than a right angle . . . ; the third meaning also seems to me greater than the pure, upright, secant, legal perpendicular of the narrative, it seems...

... not” of the first phrase and the active “want not” of the second with the ontological conundrum implied by the third term: women’s stateless being, at once everywhere and not properly in or of any state.2 Woolf ’s “want no country” also enunciated the privilege of her position, that of desire and refusal...

... and spiritual. Still unpublished are a book of poems, Ea mznzlscule, and The Stoly of Nativism, which is discussed in the interview. The Story of Nativism: Reflections on Wntiag, Dominance and Third-WorZd (Post)- Feminism focuses on problems of writing with paaticular...

... experience of economically disadvantaged and/or Third World women, on the other. As Clueless helps to illustrate, the "proper" gendering of economically privileged First World women will depend, to one degree or another, on their cluelessness about (read: ignorance about as well as "innocence...

... questions: should they read what is going on in Senegal specifically in terms of gender? From the standpoint of the western readerhiewer, we may also ask: what do women’s issues in countries like Senegal’’ tell us about gender as a category, especially as it relates to the so-called third world...

... for which it is difficult to account. Mute about Mobutu, Ali showed himself to be equally retir- ing about Indonesia and the Philipino, the other Third World sites where he fought. He did not speak out against the atrocities commit- ted against Catholics in Indonesia's internal...

... and professionallamateur. “Photos et Cie.” and “Marcel” exemplify both of these concerns in the world of photog- raphy. These two programs, situated third in the series, are the most entertaining in the classical sense of alternation and repetition of images building a narrative. Whereas the other programs...

..., these narratives in which the hero is deprived of the truth-seeking initiative are, in general, all the more constrained by a uniform dynamic leading from the riddle to its solu- tion (The Wrong Man, for example). In addition, they often depend, very naturally, alongside the main couple, on a third...

... Trees.5 The scene combines panning and close-up shots on the women’s faces as they intone their names and (lack of) addresses. Olive Trees is the third installment in a trilogy based thematically on the devastating earthquake of 1991 in Roudbar, north of Tehran.6 (Subsequently, the voice...

... that are closer to Homi Bhabha’s concept of the postcolonial “Third Space” than to any traditional models of the nation-state.8 Possibilities of a simultaneously postcolonial and feminist poten- 4  •  Camera Obscura tial therefore seem to circulate in Khleifi’s and Suleiman’s work. To what...

...- culate visions of difference strangely in accord with the produc- tion and commodification of otherness in contemporary Ger- man fashion, luxury, and Third World tourism. The film’s poetics of displacement, I argue, here simultaneously deplores and rein...