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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
...Therese Davis; Belinda Smaill This introduction to the special issue titled “The Place of the Contemporary Female Director” outlines the genesis of the issue and aims of the editors. Building on a workshop that took place in Film and Television Studies at Monash University, Melbourne, in 2011, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
...Therese Davis The article looks at the contributions of writer and director Darlene Johnson to an emerging Australian Indigenous cinema. It discusses the ways in which Johnson draws on her experience as a young, urban Indigenous woman and her knowledge of Aboriginal culture to explore the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
.... 149 – 83 Nick Davis The Face Is a Politics: A Close-Up­ View of Julie Dash’s Illusions. No. 86: pp. 149 – 83 Therese Davis Between Worlds: Indigenous Identity and Difference in the Films of Darlene Johnson. No. 85: pp. 81 – 109 Therese Davis and Belinda Smaill...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
... Postmodern in West German Literature and Film by Richard W. McCormick. Princeton University Press, 1991. The Color Black: Black Images in British Television edited by Therese Daniels and Jane Gerson. British Film Institute, 1989. 176 Desperately Seeking the Audience by Ien Ang. Routledge, 1991...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
... that world’s rhythms and tonalities, then we might say that the note that it sounds is the discordant one of crossing over itself — tracing an ephemeral space that holds, precariously, the distance between different worlds.28 Notes I would like to thank Therese Davis and Belinda Smaill...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... Verleih. Marie Fleury returns to the Rhineland as an emigrant from France to work in a psychiatric clinic where she tries to practice a kind of medicine that personalizes the relationship between doctor and patient. She becomes fascinated with Therese, a patient who...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 84–117.
Published: 01 September 1995
..., Euro-American bourgeois liberal feminism? As Therese Saliba observes regarding the noted Egyptian female psychiatrist, novelist, and women’s rights activist Nawal El Saadawi: I use the term “feminist” [to describe El Saadawi] although it is important to clarify that this term is not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... Director in Twenty-­First-­Century Film Cultures and Feminist Theory,” a workshop held in November 2011 at Monash University, where a very early draft of this article was presented. I am indebted to the workshop organizers, Therese Davis and Belinda Smaill, for their invaluable advice during the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 61–91.
Published: 01 December 2015