Skip Nav Destination
Close Modal
1-20 of 144 Search Results for
tape
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Camera Obscura (2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... Figures Theory.” Previous articles can be found in The Origins of Deconstruction (2006), as well as in parallax, Performance Research , and the Journal of Visual Culture .
Wind Up:
The Machine-Event of Tape
Lynn Turner
I’m sorry, so sorry.
Please accept my apology.
But love...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
...Ariane Cruz Reading Jimi Hendrix: The Sex Tape and the dialogue surrounding it as a most fecund site for the collaborative laboring of black male sexuality, authenticity, and spectatorship, this article reveals the constitutive relationship between authenticity and spectatorship in the production...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... technologies.
To highlight lessons like these, this essay on the New York
Women’s Video Festival offers a preliminary introduction to a fas-
cinating cultural phenomenon. It utilizes representative exam-
ples of tapes and installations exhibited throughout the festival’s
eight years, a decision...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
...
During the first two years of the film’s release, Superstar
had already been integrated into the curriculum for college
courses and was being used at eating disorder clinics as an educa-
tional and discussion aid. Additionally, tapes circulated among
film industry folks, who would watch Superstar over...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 18–39.
Published: 01 December 1984
... © 1984 by Camera Obscura 1984 Leaving the 20th Century
Leaving the 20th Century: Interview with
Max Almy
Camera Obscura: Could you talk a little about your first major project, the
ILove You tape?
Max Almy: Sure. The I Love You tape was originally intended for four
monitors...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
...), was initially intended by
its manufacturers to be used by families and tourists interested in
portable technology that would allow them to capture weddings,
anniversaries, and special outings on tape. Portapak marketing
materials in the 1970s make this family emphasis clear. Ironically,
given...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
..., abandonment. The tapes-all of them-bear the mark
of that period-those years. The tapes-all of them-have tried to go back
over that period-those years-to recount it silently, assigning to the spectator
something of my position-the strange position of the watcher. 13
Over the last two years...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 134–151.
Published: 01 January 1992
.... Camcorders
136 are lightweight and relatively inexpensive, they have controls no more
complex than a VCR, and shoot on l/2” tapes that can be screened
immediately in people’s homes. The most profound impact of this new
technology lies in its social and political potential...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
..., her final refrain is
delivered in a provocative, defiant tone: “I know exactly what I like,”
underscoring her own narcissistic desire, if not the narcissism underlying
all instances of desire’ - a position which several of Almy’s tapes insist
upon.
This transformation of conventional...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 162–167.
Published: 01 September 1990
.... It was not deliberate. It came and came back again,
obscurely, obstinately, tape after tape. While editing, I was obliged to
eliminate some variations (either scalar or produced by camera move-
ment) that, while filming, I had resolved to keep. Almost nothing. Only
this almost nothing allowed me - and allowed...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 206–215.
Published: 01 September 1990
...
one filmed letters made up of~ images and sounds that would be sent
to the other as they were finished, like so many answers. The tape
consists of sixteen letter-fragments that are linked together by a very
simple principle of alternation. Each one opens with a heading...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 152–155.
Published: 01 January 1992
... the tape in. As I was taping, I was
thinking that there is not much difference between the movie camera
and the video camera. I quickly changed my mind. It was like magic
when I found that I did not have to send the tape to be developed,
that I could see it in minutes...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 7–10.
Published: 01 September 1990
... the very first words, the only ones that Godard himself
wrote in this work, the tape concerns the move from cinema to video:
“In the bowels of the dead planet an ancient and tired mechanism
shuddered” (a film strip is run back and forth in the reels of an editing
table). “Tubes...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... installations, these works have
received far less attention than the artists’ tapes. It is true that they are
more difficult to display than tapes, requiring sophisticated and some-
times problematic set-ups as well as the preparation of particular kinds of
spaces-problems familiar to museums...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
..., the black market dealer of the SQUID
tapes, says “boot it.” We are now, as the film calls it, “jacked in,”
locked into the virtualized world of the SQUID. The film thus
invites the spectators of Strange Days to align themselves with the
“spectator” jacked into the SQUID apparatus within the diegesis...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 123–127.
Published: 01 December 2021
... agreed that Anni Albers was the star of the show. We talked about Barbara's cancer, which was reappearing, and about her plans to go through old tapes and materials and prepare her archive. I was embarking on an archive project of my own in the Studio and was happy to hear of her plans and talk through...
FIGURES
Journal Article
Camera Obscura (1980) 2 (2 (5)): 111–114.
Published: 01 September 1980
... will.
The original dialogue for the film was constructed from taped discus-
sions between myself, Debbie and Lucy. In the early period, much of the
discussion centered on why I wanted to talk about particular issues such
as fantasy and make-believe. We also had many discussions on the way
in which the film...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 124–160.
Published: 01 September 1993
... this installation works against the grain of its artist’s
frequently naive assumptions can be appreciated through closer atten-
tion to its videomatics.
Soul Shadows’ video experimentations combine hopeful tapes of
cultural empowerment from the genre of autobiography that all...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 148–149.
Published: 01 September 1983
... and media.
If you are a film or video artist and would like to place a film or tape on deposit,
please write to the Centre at the address given below. Due to budgetary
constraints, the Centre can only afford to cover the cost ofthe video cassette. Tapes
in American format can be used or converted...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 81–109.
Published: 01 December 2008
..., an audio backdrop plays
snippets of radio programs taped from a California station. The
sound forms a loud counterpoint to the intimate action on-screen,
but the women fail to acknowledge it. Instead, and as the cam-
era remains steadily focused on their faces and hands, the two
continue...
1
