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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... Figures Theory.” Previous articles can be found in The Origins of Deconstruction (2006), as well as in parallax, Performance Research , and the Journal of Visual Culture . Wind Up: The Machine-Event of Tape Lynn Turner I’m sorry, so sorry. Please accept my apology. But love is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
...Ariane Cruz Reading Jimi Hendrix: The Sex Tape and the dialogue surrounding it as a most fecund site for the collaborative laboring of black male sexuality, authenticity, and spectatorship, this article reveals the constitutive relationship between authenticity and spectatorship in the production...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 115.
Published: 01 September 1980
... Tape ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 152–155.
Published: 01 January 1992
... easy to put the tape in. As I was taping, I was thinking that there is not much difference between the movie camera and the video camera. I quickly changed my mind. It was like magic when I found that I did not have to send the tape to be developed, that I could see it...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 148–149.
Published: 01 September 1983
... accessible for study by journalists, sociologists, and students of women and media. If you are a film or video artist and would like to place a film or tape on deposit, please write to the Centre at the address given below. Due to budgetary constraints, the Centre can only afford to cover the cost...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 18–39.
Published: 01 December 1984
... © 1984 by Camera Obscura 1984 Leaving the 20th Century Leaving the 20th Century: Interview with Max Almy Camera Obscura: Could you talk a little about your first major project, the ILove You tape? Max Almy: Sure. The I Love You tape was originally intended for four monitors. At...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 7–10.
Published: 01 September 1990
... (the French telephone company). From the very first words, the only ones that Godard himself wrote in this work, the tape concerns the move from cinema to video: “In the bowels of the dead planet an ancient and tired mechanism shuddered” (a film strip is run back and forth in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
... in France at exactly the right time (1968), was initially intended by its manufacturers to be used by families and tourists interested in portable technology that would allow them to capture weddings, anniversaries, and special outings on tape. Portapak marketing materials in the 1970s make...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 162–167.
Published: 01 September 1990
... not deliberate. It came and came back again, obscurely, obstinately, tape after tape. While editing, I was obliged to eliminate some variations (either scalar or produced by camera move- ment) that, while filming, I had resolved to keep. Almost nothing. Only this almost nothing allowed me...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... individual and collective uses of communi- cations technologies. To highlight lessons like these, this essay on the New York Women’s Video Festival offers a preliminary introduction to a fas- cinating cultural phenomenon. It utilizes representative exam- ples of tapes and installations...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... and discussion aid. Additionally, tapes circulated among film industry folks, who would watch Superstar over lunch hours or at parties; preview tapes had gone out to the press and curators as well. Haynes also sold approximately sixty VHS copies of the film (complete with homemade covers and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 153.
Published: 01 December 1980
... Barthes, will soon be published. Thierry Kuntzel is currently mahng videotapes, worhng with the Groupe de Recherches Images. He has had several group exhibitions in Paris. He also heads the Atelier Critique of the National Audio-visual Institute (INA), Paris. His tapes include: (1979) Nostos I...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 134–151.
Published: 01 January 1992
... for little money, and with little technical know-how. Camcorders 136 are lightweight and relatively inexpensive, they have controls no more complex than a VCR, and shoot on l/2” tapes that can be screened immediately in people’s homes. The most profound impact of this new...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
... images, or which at least are barely images of anything-after a long period of silence, terror, absence, abandonment. The tapes-all of them-bear the mark of that period-those years. The tapes-all of them-have tried to go back over that period-those years-to recount it silently, assigning to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
.... As she turns towards us and the camera, her final refrain is delivered in a provocative, defiant tone: “I know exactly what I like,” underscoring her own narcissistic desire, if not the narcissism underlying all instances of desire’ - a position which several of Almy’s tapes insist upon...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 206–215.
Published: 01 September 1990
... one filmed letters made up of~ images and sounds that would be sent to the other as they were finished, like so many answers. The tape consists of sixteen letter-fragments that are linked together by a very simple principle of alternation. Each one opens with a heading...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... installations, these works have received far less attention than the artists’ tapes. It is true that they are more difficult to display than tapes, requiring sophisticated and some- times problematic set-ups as well as the preparation of particular kinds of spaces-problems familiar to museums and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 111–114.
Published: 01 September 1980
..., one who probably never will. The original dialogue for the film was constructed from taped discus- sions between myself, Debbie and Lucy. In the early period, much of the discussion centered on why I wanted to talk about particular issues such as fantasy and make-believe. We also had many...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 238–239.
Published: 01 December 1982
... advertising images in the trade journal The Film Daily (during the years 1948-52) represent the symbolic economy of the American classical cinema. The tape is called l’lmnge du cinimn and is distributed by Serious Business Company, T 145 Mandana Ave., Oakland, CA 94610...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 140–142.
Published: 01 May 1976
... broadcasting out of UCLA in the Fall (1976), with initial audience 'playback' by phone. Later, participating video groups around the city will be accessible to the public for participation in production of successiveanswer tapes, which are then to be aired weekly over cable TV. D Freude Bartlett is...