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surveillance

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Journal Article
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
...Jennifer Rhee This essay examines the relationship between surveillance and opacity through artist Adam Harvey's “Anti-Drone” wear, clothing that evades drone surveillance and is part of his Stealth Wear (2013) project. Through an engagement with opacity, the author argues that “Anti-Drone” wear's...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... and a material condition to address issues of surveillance, the nonhuman, and contemporary art. Jennifer Rhee considers clothing that evades drone detection, while Zach Blas and Jacob Gaboury discuss biometric facial recognition and masked protest. Jasmina Tumbas and Jemima Wyman claim camouflage as a refusal...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
...Lisa Nakamura Images of biometric screens are becoming increasingly common in television and film, particularly in genres such as police procedurals, “terror” television programs, and medical dramas. Digital surveillant screens establish and produce authority and scientific truths about national...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 11–45.
Published: 01 May 2008
..., it was also often the precondition for varieties of hostility, alienation, violation, and surveillance. I conclude with Horne's self-revision of these aloof performances as she articulated a new relationship with her audiences during the civil rights movement and after. Camera Obscura 2008 Shane...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
... of visibility in an age of pervasive surveillance, Blas and Gaboury look to the work of artists and critical thinkers who offer alternate modes of veiled, obscured, or otherwise negotiated being in the world. Focusing on Blas's own work, the conversation interrogates what Blas terms “informatic opacity” through...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
..., and collaborative interventions as well as the feminist and activist legacies that inform her video, performance, and installation works. For Wyman, opacity and camouflage enable collective emancipatory action in a time of contemporary neoliberal forms of surveillance, as seen in the practices of Pussy Riot members...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... in media theory has mobilized the terms of the psychoanalytic model of scopophilia to critique today’s intensification of surveil- lance. In the intellectual tradition of pessimists like Theodor W. Adorno, Jean Baudrillard, and Guy Debord, present-day thinkers on digital media, film...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 18–54.
Published: 01 May 1992
... campaigns against tuberculosis and breast cancer, I hope to show that, while the new medical imaging technologies are without question being used as a form of surveillance and control of bodies and communities, it would be a mistake to represent these technologies as simply tools...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 126–150.
Published: 01 September 1996
... accommodate the hybrid creature illustrated by these examples, the woman-house in whom gender and architecture, body and commodity, surveillance and spectacle find physical form. To do so, it reads this creature as primarily an architectural structure, but one...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 6–23.
Published: 01 May 1995
... is a city in which racial and class polarization wears the highly public face of sophisticated security and surveillance systems." Within this segregated urban space, gangs have become the fulcrum of social activity in communities such as Comp- ton, Echo Park, Watts, and MacArthur Park. The gang...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... of heteronormative ideals. Figure 1. A surveillance camera captures a view of the McMansion featured in Paranormal Activity 2 (dir. Tod Williams, US, 2010). Occult Anxieties and the Recessionary Imaginary in the Paranormal Activity Franchise Linda Liu According to the prevailing theory...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... negotiated with the Thatcherite legacy of the com- modification of popular taste.”11 In a discussion of fashion make- overs, Gareth Palmer argues that “the concepts of both lifestyle and surveillance are part of a new discursive formation in which appearance is of paramount importance — ­a concern...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
..., the postwar project of global health surveillance is heavily invested in monitoring physical and national boundaries. As a result, the films produced by interna- tional health organizations compulsively pose (and attempt to solve) the problem of visualizing invisible contagions. Within this archive...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
... to the performances of Laurie Anderson or the early films of Chantal Akerman, July’s work traffics in both the severe and the banal conditions of contemporary life: environ- mental illness, family dynamics, obsolescing technology, surveil- lance, and medical experimentation. In her live performances Love Diamond...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 36–65.
Published: 01 December 1986
... bridal gown, presumably inducing orgasm at last. She disappears. This is a nihilistic and almost unbear- ably Romantic conclusion, a dance of death and apotheosis. Margaret, as a character, is controlled by a larger system of surveil- lance of which she is largely unaware. An alien eye...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 75–103.
Published: 01 September 2004
... and so challenging the will to power of Catherine’s tech- nological surveillance; while she is contained and exposed, he is only incidentally a localized, trackable body. He is everywhere and nowhere, or rather, he is where, the condition of space itself. In this way, the presentation of space...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 95–129.
Published: 01 May 2011
... to war and technologies of death, and, second, as a biopolitical dilemma, psychically dam- aged and physically partial refugees, whose deviations from the physiological norm bring them under medical surveillance in the Camera Obscura 76, Volume 26, Number 1 doi 1 0 . 1 2 1 5 / 0 2 7 0 5 3 4...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... sequence ends that we begin to learn who Lenny is, what SQUID does, and why Lenny’s use and distribution of SQUID is illegal. The SQUID technology has been outlawed because some users have transformed a governmental surveillance technology into a private, recreational drug technol- ogy, and Lenny...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 71–103.
Published: 01 May 2006
... a unique threat to the slave owner and to the entire plantation economy. Since the colonial period, Southern whites had relied heavily on the surveillance function of print culture to control the slave population. The planters’ desire for systematic surveil- lance required them...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
... of thematically integrated individual works produced pri- marily between 1990 and 1997, the exhibition deployed a carefully choreographed montage of contemporary and archival images —  including British colonial maps, nineteenth-century anthropomet- ric photographs, and recent surveillance images...