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suleiman

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 1–33.
Published: 01 December 2008
... two seminal contributions to Palestinian cinema, Michel Khleifi's Wedding in Galilee and Elia Suleiman's Divine Intervention . Paying close attention to the contested structures of nation, postcoloniality, gender, and identification within the films, the article examines the extent to which Khleifi...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
...Raymond Bellour; Susan Suleiman Copyright © 1982 by Camera Obscura 1982 “I Am an Image”” Raymond Bellour The essential novelty of Sauve qui peut (la vie) (already suggested in FvanL‘e/touv/d~touv/deux/enfants)resides in the displacement to which the cinema is subjected. Here...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 42–49.
Published: 01 December 1980
...Marguerite Duras; Susan Suleiman © 1980 by Camera Obscura 1980 ∗Translated and published with permission of Editions Albatros, from “Notes sur India Song,” Marguerite Duras (Paris: Editions Albatros, 1975). Notes on India Song* Marguerite Duras I make films to occupy my...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 153.
Published: 01 December 1980
... Assistant Professor of German and Humanities at the University of Texas at San Antonio and is presently engaged in research on the social history of German film. Susan Suleiman teaches French at Occidental College. Her articles on analysis of narrative have appeared inPoe'tique, Critique, PMU, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 238–239.
Published: 01 December 1982
... University, 239 Worcester, Massachusetts. Susan Suleiman is Associate Professor of Romance Languages and Literatures at Harvard University. Her most recent work is Authoritar- ian Fictions: The Ideological Novel as a Literary Genre, to be published in 1983 by Columbia University Press. Alan...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... Suleiman teaches French at Occidental College. Her articles on analysis of narrative have appeared in Poetique, Critique, PMLA and other journals. She has co-edited and written the introductory essay to The Reader in the Text: Essays on Audience and Interpretation, to be...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
.... Bloomington, 1982. $12.50. 178 The Female Body in Western Culture: Contemporary Perspectives edited with an introduction by Susan Rubin Suleiman. Harvard University Press. Cam- bridge, Mass., 1986. $9.95. Reading Lacan by Jane Gallop. Cornell University Press. Ithaca, NY, 1985...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
... Woman in Question: mlf edited by Parveen Adams and Elizabeth Cowie. MIT, 1990. $25.00. Subversive Intent: Gender, Politics, and the Avant-Garde by Susan Rubin Suleiman. Harvard University Press, 1990. Julia Kristeva by John Lechte. Routledge, 1990. $15.95...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... suggests a program that implies both a revolu- tionary practice of writing and the disruption of existing cultural and social institutions and ideologies.”20 Why should Cixous’s important but scarcely more influential or exemplary manifesto be singled out in Susan Rubin Suleiman’s Gender...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
... struggles: Brocka in the Philippines, Alea in Cuba, Teno from Cameroon, Palestinian lmmaker Suleiman this year. Can’t Brand TIFF see how this seemingly smug Tel Aviv Spotlight on “a vibrant successful city . . . of arts and culture“ (Mayor Huldai’s words) is perceived as an assault on that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
... society it exists within and which it aims to target.” The network’s goals, he explained, are achieved through “a discursive and visual strategy that works in harmony with, responds to, and supports the aforementioned direction and orientation [of society and the state8 Suleiman AlAidi, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 130–143.
Published: 01 December 1984
... of1rony and Susan Suleiman’s review of Booth, “Interpreting Ironies,” DiacriticS 6, no. 2 (Summer 1976);J. Hillis Miller, Fiction andRepetition: Seven English Novels (Cambridge: Harvard University Press, 1982); and Ronald Schleifer, “Irony, Identity and Repetition,” Sub-Stance 25...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
.... Reprinted in The Female Body in Western Cul- ture. Edited by Susan Rubin Suleiman. Cambridge, MA: Harvard University Press, 1986. -. “Androids and Androgyny.” Camera Obscura 15 (1986):37-65. Bhabha, Homi K. “The Other Question: The Stereotype and Colonial Dis...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 70–103.
Published: 01 May 1979
... Translated by Susan Suleiman ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 206–237.
Published: 01 January 1992