... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2010 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...

... 2014 Call for Submissions: Collectivity For the fortieth anniversary of Camera Obscura, we invite submis- sions on the theme of collectivity. Collectives often emerge in periods of crisis in response to new social, economic, and technological conditions. Camera Obscu- ra’s...

... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2009 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...

... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...

... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under...

... long promoted an idiosyncratic “philosophy of love.” This philosophy celebrated aristocratic manners, enhanced arousal through restricted physical contact, role plays of dominance and submission, and a eugenic progress through racial hybridity. She emphasized women's physical and emotional satisfaction...

... representations they seek. The facettes de la petite mort featured on Beautiful Agony are drawn from amateur video submissions of the faces of women and men experiencing orgasm, or so the viewer is meant to presume. While the site may be conceptually innovative in the realm of adult Web sites for its lack...

... 2005 Call for Papers Camera Obscura continues to invite our readers to compose statements of 500–1000 words that would contribute to a conceptual “archive for the future” of feminism, culture, and media studies. Selected submissions will appear serially in consecutive issues...

... 2005 Call for Papers Camera Obscura continues to invite our readers to compose statements of 500–1000 words that would contribute to a conceptual “archive for the future” of feminism, culture, and media studies. Selected submissions will appear serially in consecutive issues...

... 2005 Call for Papers Camera Obscura continues to invite our readers to compose statements of 500–1000 words that would contribute to a conceptual “archive for the future” of feminism, culture, and media studies. Selected submissions will appear serially in consecutive issues...

... 2005 Call for Papers Camera Obscura continues to invite our readers to compose statements of 500–1000 words that would contribute to a conceptual “archive for the future” of feminism, culture, and media studies. Selected submissions will appear serially in consecutive issues...

..., race/ethnicity, and class. Submissions can address general aspects of cinematic, televisual, or musical divadom or can focus on particular divas. Shorter appreciations should be written from a scholar-fan perspective, although this approach might also inform the essays. Among...

... on the shared critical interests that may form the basis for political alliances between and among nondominant and oppositional groups, emerges in the articles in this issue. That urgency may also account for the unprecedented volume of manuscript submissions that Camera Obscura has been...