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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
...Constance Penley © 1980 by Camera Obscura 1980 The Story of Anna 0.:A Study on Hysteria (Terrel Seltzer, 1979) The Story of Anna 0.: A Study on Hysteria (Terrel Seltzer) Constance Penley “At the time of her falling ill [I 8 801, Fraulein Anna 0. was twenty-one years old.” Thus...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 178–183.
Published: 01 September 2006
...Anna Siomopoulos Camera Obscura 2006 Anna Siomopoulos teaches cinema studies in the Department of English at Bentley College. She has published articles on US film and culture in Cinema Journal, Film History , and Arizona Quarterly . She is currently completing a book titled “Public Daydreams...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 39–67.
Published: 01 December 2012
... (Intellect, 2012). © 2012 by Camera Obscura 2012 Figure #31;. Bad Father. Invaders from Mars (dir. William Cameron Menzies, US, On Film Studies and the Unconscious Chris Dumas I always had the impression, when I was very small, that my father was two people, one good, one bad. The good...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 124–154.
Published: 01 January 1996
...John Michael Copyright © 1996 by Indiana University Press 1996 Science Friction and Cultural Studies: Intellectuals, Interdisciplinarity, and the Profession of Truth John Michael Albert Einstein Meets the Nutty Professor The recent "science wars" between scientists...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 27–31.
Published: 01 May 2006
...Sandy Flitterman-Lewis Camera Obscura 2006 Sandy Flitterman-Lewis is an associate professor in the English department at Rutgers University, where she teaches courses in cinema studies, comparative literature, and women's studies. She was one of the four founding coeditors of Camera Obscura...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... conflate the role of the academic analyst This paper was presented at the Brisbane Center for Psychoanalytic Studies conference,“Psychoanal- ysis, Perversions, and the Cinema” in September, 1991. 78 (she who reads and interprets the text, in this case, the film) and the psychoanalyst...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 1–39.
Published: 01 September 2010
... male-dominated activities. This study explores the design and marketing of Daisy Rock Girl Guitars and Mattel's Barbie Wireless Video Camcorder, two early examples of this unique category of consumer electronics. Since men have historically dominated both filmmaking and electric guitar playing, these...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 165–173.
Published: 01 September 2017
...Bonnie Ruberg In this interview, Temple University assistant professor of media studies and production Adrienne Shaw discusses her work creating the LGBTQ Video Game Archive. Today, the dynamic interplay between queerness and video games provides scholars with an emerging area of exploration. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 1–9.
Published: 01 May 2015
... around the appeal of reality television and the reasons for approaching it from a scholarly perspective, particularly that of feminist media studies. This version of the studio Q&A format, honed into a sub-genre by reality TV itself, is designed to elicit not only interest but knowledge—in this case...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... queer gamers, game designers, and games critics and scholars. This introduction frames queer game studies as both a theory and practice, beginning a special In Practice section of Camera Obscura that profiles the Queerness and Games Conference (QGCon), the first conference explicitly dedicated to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
... way that cinema “at the margins” has been framed within film studies. First examining the manner in which reflexive work, particularly work that seems to address the loss of authorial control by a film director, has in fact functioned to reinstall the primacy of a dominant subjectivity, the essay then...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 55–87.
Published: 01 September 2015
...Vincent Hausmann This essay focuses on George Cukor's A Woman's Face (US, 1941), a film that complicates a dominant narrative in studies of Joan Crawford's work that locates Mildred Pierce (dir. Michael Curtiz, US, 1945) as inaugurating the star's pronounced, albeit disparaged, iterations of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
..., 2010) illustrate that the binding of the asexual to the single, though seemingly misguided, can open up fruitful pathways for reimagining queer relationality. Responding in part to scholarship on singlehood and asexuality while also attending to the film studies historiography of sexuality, this essay...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
... potential, and of porn studies' tendency to elide analysis of mainstream texts. Extensive industrial immersion (including interviews with thirty-eight filmmakers and industry insiders) and textual analysis illuminate industrial praxis to argue that the seemingly rigid conventions and taxonomies of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 121–154.
Published: 01 December 2017
... offer in cinema and how they might speak to, and resonate with, queer habits, alignments, and tendencies. In doing so, it gestures beyond a concern with representation, (in)visibility, identity, and related concerns around appropriation and queer readings that have historically dominated studies of gay...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 1–39.
Published: 01 September 2008
...Despina Kakoudaki While there has been more critical attention on Pedro Almodóvar's films in recent years, his narrative craft has not been extensively studied, even as he is frequently described as one of the most creative and unconventional storytellers of the contemporary screen. This article...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
...Rosalind Galt This article contends that film studies has consistently denigrated “pretty” images: those that emphasize detailed composition, excess color, or decorative style. While the term deliberately invokes the triviality of “pretty pictures,” the article questions this taken-for-granted...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... by the state. Drawing on contemporary television studies that link the genre of courtroom television to neoliberal governance, the article finally suggests that if (reality) television takes legal citizenship of its citizen-subjects for granted, And I Do Survive articulates precisely the gap between...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 95–129.
Published: 01 May 2011
...Fiona I. B. Ngô This essay explores how visibility and sight, but also invisibility and blindness, inform the production of knowledge about subjectivity and subjection in critical refugee studies. I consider Ekleipsis , by the Vietnamese American filmmaker Tran T. Kim-Trang from the Blindness...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
...Irene Gedalof Where do spaces of the home figure in contemporary studies of transnational, migrant, and diasporic cinema? According to Hamid Naficy, “accented,” exilic, and diasporic cinema primarily evokes a state of “permanent deterritorialization,” producing cinematic languages of discontinuity...