Skip Nav Destination
Close Modal
1-20 of 103 Search Results for
stop-motion animation
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Camera Obscura (2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
... , and Bright Lights Film Journal . © 2016 by Camera Obscura 2016 Lift Animation Lantern Software stop-motion animation collectivity disability Figure 1. Lantern (Lift Animation, US, 2013)
IN PRACTICE
Collectivity in (Stop-)Motion...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... the apartheid roads that crisscross the
contemporary Palestinian landscape. An installation across six
screens (on three double- sided walls), the lm was shot in stop-
motion animation at one frame per second, the effect of which is
similar to watching a series of (moving) stills on landscape...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... but also as a platform for the constant revision of this record of a life. Robertson s particular attention to form, seen in her use of time- lapse, stop- motion animation, layered audio tracks, and accel- erated motion, vastly departs from the formlessness for which the mode of the diary has so often been...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
...
feature of the new medium, as was stop-motion animation; both
techniques were of crucial importance to the imagination of conta-
gion, with its emphasis on visually representing the invisible. Sub-
stantial use was made of these representational strategies in the
fields of medicine and science; indeed...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 81–101.
Published: 01 May 2023
... of the stop-motion animation, there is an acknowledged absence or missing interval that stands in for what we cannot see, just as there is a discursive positivity in Tinguely's autodestructive work. The cipher through which I understand the reproductive labor of Breer's film is a line of speech, doubly voiced...
FIGURES
Journal Article
Camera Obscura (1988) 6 (2 (17)): 133–154.
Published: 01 May 1988
... by Broadcast Arts for the
sponsors, the manufacturers of Fruit-Flavored Trix, for example. All
of these bear the distinctive Broadcast Arts look, which combines live
action filmmaking with a variety of special effects techniques, including
clay animation, stop-motion animation, cel animation, motion...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
...
To stop the moving image of an animated film is not to subvert mean-
ing in the same way as Roland Barthes and Sylvie Pierre understand it:
i.e. the fracturing of the communication-signification order. But to
freeze the image, is to subvert (literally: to reverse) meaning (here, direc...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... surface.
lHE DISAPPEARANCE OF SUE (1972) 2 min.; color; 16 mm.
"A stop-motion improvisational game involving my sister Susan some of
our favorite locales there's no other excusefor it. " (Laughlin)
Has been teaching animation and "basic studies" at the Minneapolis
College of Art...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 85–117.
Published: 01 September 2014
... (1906) he developed his skills in stop-motion
photography and animation.
In The Battle of Manila Bay (1898), one of Vitagraph’s many
Spanish-American War reenactments, Blackton blew cigar smoke
in front of the camera to obscure the hokey quality of the film’s
production materials...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
... as if in a hall of
mirrors, where in the attempt to see its own image, it no longer knew
where to stop. When I say "analyzing itself," I mean pausing and
stepping back in a way that displaces and redefines the way we look at a
given art form: in the case of literature, for example, Mallarrne, Blanchot...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
...Melissa Ragona Abstract This essay examines the central position the medium of sound played in the work of the artist Carolee Schneemann (US, 1939–2019). By exploring a few key early works such as Glass Environment for Sound and Motion (1962), Chromelodeon (1963), and Noise Bodies (1965), it traces...
FIGURES
| View All (5)
Journal Article
Camera Obscura (2006) 21 (3 (63)): 103–133.
Published: 01 December 2006
... American animation. Generating a chronophotograph of typing in the Gilbreth
studio/laboratory. Rather than producing the illusion
of motion, here the motion-picture camera is used to
deanimate the working woman’s body. Courtesy of the
Frank and Lillian Gilbreth Library of Management, Purdue...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
... of Hammer’s Women I Love shoot.22 The earlier
lm presents a series of portraits of Hammer’s ex- lovers (and in one
case a friend) interspersed with stop- motion animated sequences
in which single fruits and vegetables morph from whole to “core,”
• Camera Obscura
for example, a head of lettuce...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
...,
if you hesitate, your heart will stop beating. Your legs are machines
winding you up like a mechanical toy. If your legs stop moving, your
taut spring will run down and you will fall over, a lump without
motion" (83-84).
31. On this account see Dispatches (New...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 119–163.
Published: 01 September 2005
... an appreciation of an even
more emphatically physical and kinetic mode of spectator engage-
ment. After having viewed a geological tour of France and then a
slow motion sequence of seagulls in flight (a likely reference to a
Marey-inspired film), the young audience experienced another of
the cinema’s...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
... (taken at the very moment it hap-
pens) of Joshua bringing the sun to a stop, for
example.
Villiers de 1’Isle-Adam, L‘Eve Future
(Thomas Aha Edison)
There is one category of time...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
...—L’émouvant discours d'Agnès Varda, Palme d'or d'honneur,” Télé 2 semaines , 25 May 2015, www.programme.tv/news/cinema/141009-cannes-2015-l-emouvant-discours-d-agnes-varda-palme-d-or-d-honneur-videos/ . 11. “Women in Motion Talk with Agnès Varda—Cannes Film Festival 2015,” Le Figaro TV , 23 May 2015...
FIGURES
| View All (10)
Journal Article
Camera Obscura (2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... of knowledge in media, from the subjectivity of spectators to the subjectivity of filmmakers. Jinying Li is an assistant professor of film studies at the University of Pittsburgh. Her research focuses on the media culture of East Asia. Her essays on Asian cinema, animation, and digital media have been...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 90–110.
Published: 01 December 1980
... for my vision in order to spare me
the effort of recentering within the frame. Insight into seeing is not de-
manded of the classical (film) spectator.
98
10. Zaroff takes a step backwards, stretches his bow and shoots. He
has not seen the danger, but-like an animal-he has sensed...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 125–157.
Published: 01 September 2020
..., and the sensation of work as she moves about the house. In other instances, the stop- motion is displayed in rapid succession, offering a sense of movement that Sheppard describes as an aesthetic of animation and liveliness for Rasheeda (243). Still other scenes break the monotony of the sound of the clock...
1
