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stop-motion animation
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1
Journal Article
Camera Obscura (2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
... , and Bright Lights Film Journal . © 2016 by Camera Obscura 2016 Lift Animation Lantern Software stop-motion animation collectivity disability Figure 1. Lantern (Lift Animation, US, 2013)
IN PRACTICE
Collectivity in (Stop-)Motion...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... the apartheid roads that crisscross the
contemporary Palestinian landscape. An installation across six
screens (on three double- sided walls), the lm was shot in stop-
motion animation at one frame per second, the effect of which is
similar to watching a series of (moving) stills on landscape...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... attention to form, seen in her use of time- lapse, stop- motion animation, layered audio tracks, and accel- erated motion, vastly departs from the formlessness for which the mode of the diary has so often been derided. In fact, I ultimately argue that Robertson engages in a practice of subversive world...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
...
feature of the new medium, as was stop-motion animation; both
techniques were of crucial importance to the imagination of conta-
gion, with its emphasis on visually representing the invisible. Sub-
stantial use was made of these representational strategies in the
fields of medicine and science; indeed...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 81–101.
Published: 01 May 2023
... kind of reproductive labor that surpasses what documentary alone can achieve. To invoke Engel's description once more, Breer's film takes us near the work and what happened that night without rhetorically claiming to provide unmediated access. Between each frame of the stop-motion animation...
FIGURES
Journal Article
Camera Obscura (1988) 6 (2 (17)): 133–154.
Published: 01 May 1988
... by Broadcast Arts for the
sponsors, the manufacturers of Fruit-Flavored Trix, for example. All
of these bear the distinctive Broadcast Arts look, which combines live
action filmmaking with a variety of special effects techniques, including
clay animation, stop-motion animation, cel animation, motion...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
...
To stop the moving image of an animated film is not to subvert mean-
ing in the same way as Roland Barthes and Sylvie Pierre understand it:
i.e. the fracturing of the communication-signification order. But to
freeze the image, is to subvert (literally: to reverse) meaning (here, direc...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... surface.
lHE DISAPPEARANCE OF SUE (1972) 2 min.; color; 16 mm.
"A stop-motion improvisational game involving my sister Susan some of
our favorite locales there's no other excusefor it. " (Laughlin)
Has been teaching animation and "basic studies" at the Minneapolis
College of Art...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 85–117.
Published: 01 September 2014
... (1906) he developed his skills in stop-motion
photography and animation.
In The Battle of Manila Bay (1898), one of Vitagraph’s many
Spanish-American War reenactments, Blackton blew cigar smoke
in front of the camera to obscure the hokey quality of the film’s
production materials...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
...
see, in relation to what the stopped film, manipulated and reduced to its
basic patterns, shows: the most fantasmic transformations, beginning
with the bird, between the genital parts ofthe two sexes. This division is a
cleavage which only the animator and the analyst (' 'the disanimator") can...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
...Melissa Ragona Abstract This essay examines the central position the medium of sound played in the work of the artist Carolee Schneemann (US, 1939–2019). By exploring a few key early works such as Glass Environment for Sound and Motion (1962), Chromelodeon (1963), and Noise Bodies (1965), it traces...
FIGURES
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Journal Article
Camera Obscura (2006) 21 (3 (63)): 103–133.
Published: 01 December 2006
... American animation. Generating a chronophotograph of typing in the Gilbreth
studio/laboratory. Rather than producing the illusion
of motion, here the motion-picture camera is used to
deanimate the working woman’s body. Courtesy of the
Frank and Lillian Gilbreth Library of Management, Purdue...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
... of Hammer’s Women I Love shoot.22 The earlier
lm presents a series of portraits of Hammer’s ex- lovers (and in one
case a friend) interspersed with stop- motion animated sequences
in which single fruits and vegetables morph from whole to “core,”
• Camera Obscura
for example, a head of lettuce...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
...,
if you hesitate, your heart will stop beating. Your legs are machines
winding you up like a mechanical toy. If your legs stop moving, your
taut spring will run down and you will fall over, a lump without
motion" (83-84).
31. On this account see Dispatches (New...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 119–163.
Published: 01 September 2005
... an appreciation of an even
more emphatically physical and kinetic mode of spectator engage-
ment. After having viewed a geological tour of France and then a
slow motion sequence of seagulls in flight (a likely reference to a
Marey-inspired film), the young audience experienced another of
the cinema’s...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
... (taken at the very moment it hap-
pens) of Joshua bringing the sun to a stop, for
example.
Villiers de 1’Isle-Adam, L‘Eve Future
(Thomas Aha Edison)
There is one category of time...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... history. 16 The women walked arm in arm in rows on the red carpet; Varda is pictured with Céline Sciamma and the female jury members Kristen Stewart, Léa Seydoux, Khadja Nin, Ava DuVernay, and Cate Blanchett ( fig. 2 ). 17 The women stopped and stood halfway up the red carpet steps to the Palais des...
FIGURES
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Journal Article
Camera Obscura (2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
...” into a self-reflexive motion of enacting, enabling, and
engaging. The communicative and interchangeable relationship
between “the enunciation and the enunciated” that Wang observes
in China’s DV filmmaking is consciously played and replayed in
Zhang’s performance,6 which serves as mediation between...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 90–110.
Published: 01 December 1980
... to look at it in slow
motion several times in order to make out the direction of the arrow’s
fight.) The possibility of a reversal of seeing (of power) is thus rep-
resented by the flash of an arrow, invisible under normal viewing con-
dtions; it is a tiny incision, immediately...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
.... In another vein,
Kunuk’s Aqtuqsi (My Nightmare, Canada, 1996) deploys a surrealist
mode of experimental filmmaking — combining stop-motion ani-
mation and black-and-white photography — in depicting the story
of a young girl’s dream. The scenes set in the waking world are shot
in black and white...
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