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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... of the film within various representations from visual- media technologies—television, the film camera’s depiction of the diegetic world, and the film’s recurring special effect repre- sentation of the fictional Superconducting Quantum Interfer- ence Device (SQUID), an advanced virtual reality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
... from the cerebral cortex. I mean, you’re there, you’re doing it, you’re seeing it, you’re hearing it, you’re feeling it. —Lenny Nero, Strange Days In Lenny Nero’s (Ralph Fiennes) description of the SQUID (Superconducting Quantum Interference Device) technology, given in Kathryn Bigelow’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
... priorities concerning life events such as aging parents (The Savages [dir. Tamara Jenkins, US, 2007 infidelity (Your Friends and Neighbors), divorce (The Squid and the Whale [dir. Noah Baumbach, US, 2005 and same-­sex marriage (The Kids Are All Right [dir. Lisa Cholodenko, US, 2010 In examples like...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
... either variety-show a marked preference for the passive role in anal intercourse. "I've heard that squids like to give head," a Marine tells a sailor in the military-themed gay porn video San Diego Summer; "Yeah?" replies the Navy man. "Well, I hear that Marines like to take...