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Camera Obscura (2011) 26 (3 (78)): 63–93.
Published: 01 December 2011
... documentation. In reperformance, the documentation image is made live again , thereby reorienting its temporal relationship to performance. Through an examination of the work of porn-star-turned-performance-artist Annie Sprinkle, the “grandmother of performance art” Marina Abramović, and younger Canadian artist...
Camera Obscura (2020) 35 (3 (105)): 30–59.
Published: 01 December 2020
... had in the Earth. Annie Sprinkle, Goodbye Gauley Mountain: An Ecosexual Love Story If you haven t thought about greening up your sex life, you re still a total environmental disaster. Stefanie Iris Weiss, Eco- Sex: Go Green between the Sheets and Make Your Love Life Sustainable In April 2014, with...
Camera Obscura (2006) 21 (2 (62)): 170–176.
Published: 01 September 2006
... occluded in the films’ resolutions. In recent years such films have relied increasingly on openly magical or miraculous narrative devices to establish closure. In Thirteen Going on Thirty (dir. Gary Winick, US, 2004), a sprinkling of magic dust enables the heroine to revert to suburban domesticity...
Camera Obscura (2008) 23 (3 (69)): 137–157.
Published: 01 December 2008
... all. Frank, who more often than not seems vexed by a highly lit- eral interpretation of song, does not seem to notice that the lyrics to “In Dreams” forge a split between the singer and the sandman: A candy-colored clown they call the sandman Tiptoes to my room every night Just to sprinkle...
Camera Obscura (2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
... hourglass emerging from Africa, marking the origins of a contagious dis- ease whose spread is facilitated by the airplane ﬂying over- head, then sprinkling particles of African infection over south- east Asia as it passes (ﬁgs. 2.14– 2.15). The narration repeats the worry expressed by the US...
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 33–59.
Published: 01 December 1982
.... Little homilies sprinkled throughout the book inculcate the values of “Devoir et Patrie”: cleanliness, work, godliness, education, devotion to parents and country. The pupil ingests these worthwhile ideas in learning to read, the primer form providing the perfect mesh of ideology and...
Camera Obscura (1992) 10 (1 (28)): 178–205.
Published: 01 January 1992
...- that, in fact, she is absolutely central to the processes being described-sprinkle the text: “at 3V2 weeks, the embryo is so tiny- about a tenth of an inch long-that the mother may not even know she is pregnant”; at eleven weeks, “as the fetus’ living quarters get...
Camera Obscura (1996) 13 (2 (38)): 4–28.
Published: 01 May 1996
Camera Obscura (2020) 35 (2 (104)): 125–157.
Published: 01 September 2020
... (fig. 4).33 Milanda begins by scattering a handful of shells among the objects and sprinkling them with corn- meal before she combines the remaining meal with a bit of dirt from the ground in the palm of her hand. She cups her hands to her face and blows gently, sending the merged silt over the objects...
Camera Obscura (2006) 21 (2 (62)): 1–31.
Published: 01 September 2006
Camera Obscura (2007) 22 (3 (66)): 61–91.
Published: 01 December 2007
... sprinkled with the vestiges and traces of the Human, caus- ing all the universe to seethe with his story. This is true to the degree that the multiple universes and cinematic codes of sci-fi action films have become experiments in Continuum of the Human • 65...
Camera Obscura (2002) 17 (3 (51)): 115–147.
Published: 01 December 2002
Camera Obscura (1997) 14 (1-2 (40-41)): 42–74.
Published: 01 May 1997
Camera Obscura (1990) 8 (2 (23)): 176–205.
Published: 01 May 1990
... from a sprinkling of young people (sometimes dressed in fifties retro-garb), audience members were mark- edly middle-aged and conservatively dressed. Initially, I was surprised to find these people enacting such an elaborate collective ritual. Since interactive musical performances are...
Camera Obscura (2016) 31 (2 (92)): 61–91.
Published: 01 September 2016
... pairs (and even trios) present at the convention, some of which are interviewed by Conti and Monk about their particular ventriloquial practices. Campbell’s distinct nasally voice is sprinkled amid and occasionally layered over the musings of this motley crew, sometimes synced with candid...