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in Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Agnès Varda presents speech with Cate Blanchett at the 12 May 2018 Cannes Film Festival demonstration. She stands beside director Céline Sciamma and with members of the French 50/50 en 2020 collective. Clarence Tsui, “French Film Legend Agnès Varda on Faces Places , Her Feminist Vision
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in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 5. Instagram photo of Varda pretending to sleep with her honorary Oscar speech under her pillow. The caption partially reads, “Under my pillow to remind my speech. See you tomorrow!” (Agnès Varda, 2017)
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Journal Article
Camera Obscura (2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
... speech, that the surge of weeping men in recent Israeli films–men who discuss their inability to cry or to stop crying, who parade their tears–might be read as an attempt by Israeli mainstream entertainment to deal with Israeli society's infatuation with victimhood and its tendency to conflate identity...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
..., a return to Austinian speech-act theory reminds us that the performative act strives to make real what is not yet real, to conjure forth and to confirm a new reality. In other words, the performative seeks to essentialize, to assert new truths at the level of the self and make them stick. In Hammer's films...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... speech, demonstrating the simultaneous insignificance and importance of the everyday. Her work therefore highlights the problematic of communicability that the excess of online textual expression presents while at the same time holding out the possibility that—through listening—engaged, dialogic...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 63–93.
Published: 01 September 2020
... of this affirmation for certain players, Supergiant at first represses these characters’ speech. Although they are rendered voiceless, they are anything but powerless. © 2020 by Camera Obscura 2020 acousmatic voice Bastion Transistor video games Figure 1. Transistor (2014) And that division as well...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
...Figure 1. Agnès Varda presents speech with Cate Blanchett at the 12 May 2018 Cannes Film Festival demonstration. She stands beside director Céline Sciamma and with members of the French 50/50 en 2020 collective. Clarence Tsui, “French Film Legend Agnès Varda on Faces Places , Her Feminist Vision...
FIGURES
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Journal Article
Camera Obscura (2016) 31 (2 (92)): 93–117.
Published: 01 September 2016
... 2016 actors nonprofessional actors voice speech punctuation Bertolt Brecht Figure 1. Klassenverhältnisse (Class Relations, dir. Jean-Marie
Straub and Danièle Huillet, West Germany and France, 1984)
“Actors Simply Explode”:
To Act in the Cinema
of Jean-Marie Straub...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... is blind, and
I was too blind to see.
— Brenda Lee, “I’m Sorry”
That is all I have to say on the subject.
May I be allowed never to mention it again.
— Jean-Jacques Rousseau
The persistent appeal of performative speech acts — “I plead,” “I
declare,” “You’re fired!” — may lie within...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 50–69.
Published: 01 September 1999
..., as a potentially liberating
departure from the customary translation of British lit. classics into
cinematic postcards, realist works that strive to authentically represent
the habits, speech, manners, and dress of the English landed gentry,
the class that served as Austen's primary source...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 4–6.
Published: 01 September 1990
.... First, the “inexpressible” introduces a fun-
damental split between speech and thought: language that is mute, cut
off from speech and the speaking subject, unspeakable, as Ann Banfield
puts it, but present in thought and in writing. This is, as David Rodo-
wick writes of Michel Foucault’s...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 177–207.
Published: 01 May 2009
... as a productive tool. Camera Obscura 2009 Beth Coleman is an assistant professor of writing and new media at the Massachusetts Institute of Technology. Her forthcoming book is titled Hello Avatar . Senator Barack Obama, “A More Perfect Union” speech,
Philadelphia, 18 March 2008...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... of the limbs with con-
tractures and anaesthesia, severe and complicated disturbances of sight
and speech, inability to take food and a distressing nervous cough.”l
Dr. Josef Breuer had treated Fraulein Anna 0. several years before he
collaborated with Freud in writing the Studies on Hysteria (1893...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 186–191.
Published: 01 December 1982
... framework he
shares. And if the condition of Godard’s speech is not exactly silence,
then it might better be characterized as what psychoanalysis calls
parole vide, empty speech, which having no substance can only ex-
press the relation which its lack of significance...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160.
Published: 01 December 1982
...-
ing of the scene having a contagious effect. A condensed and theo-
retical expression of this kind of false or deceptive representation is
found in the shots of the horseman and the Indian in Vent d’Est.
Voice and Speech
In the samples we have just seen...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 108–133.
Published: 01 January 1989
... masculinity is
defined in terms of what Sarah is not and has not. Language and
speech, as will be discussed shortly, are the operative issues. Thus,
given this obscurity, it is difficult to read Sarah as a sign of male desire
for the mother, as such. James, as a character...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 4–33.
Published: 01 May 1992
... increasingly entrenched in the film industry, Rich-
ardson responds to the epistemological ramifications of the passage
out of silence into recorded speech by sketching a gendered scenario.
In a provocative and recently anthologized article entitled “The Film
Gone Male,” Richardson writes the history...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 1–35.
Published: 01 December 2006
... (NAWSA), and Jane Addams, the
vice president of NAWSA, the founder of the American settlement
house movement, and a leader of Progressive Era reforms.
Suffragists hang posters announcing a speech by the
suffrage leader Anna Howard. Courtesy of Library of
Congress Prints and Photographs...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 157–161.
Published: 01 December 1984
... examination for her application to the Doctorat D’Etat,
France’s highest academic degree, and the book delivers not only her
opening speech but also the speeches of her committee members and their
interchanges with her. This is the first time that the transcript of any
Doctorat D’Etat exam has been...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 12–19.
Published: 01 December 1982
...-
acter and dialogue, Paul’s speech tends to “float,” and we can even ask if
it is his speech (spoken in diegetic reality), or an incestuous wish (the
speech of the unconscious). At the very least, “Do you ever feel like
caressing hcr tits . . . ?” is not unambiguously assignable to him...
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