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Journal Article
Camera Obscura (2015) 30 (2 (89)): 125–155.
Published: 01 September 2015
... on intersections of race, gender, television, and the South between 1950 and 1980. © 2015 by Camera Obscura 2015 television history southern rehabilitation The Andy Griffith Show comedy and race Figure 1. “Andy Discovers America,” season 3, episode 23 of
The Andy Griffith Show (CBS, 1960 – 68...
View articletitled, Comic Relief: The Andy Griffith Show , White <span class="search-highlight">Southern</span> Sheriffs, and Regional <span class="search-highlight">Rehabilitation</span>
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for article titled, Comic Relief: The Andy Griffith Show , White <span class="search-highlight">Southern</span> Sheriffs, and Regional <span class="search-highlight">Rehabilitation</span>
Journal Article
Camera Obscura (2015) 30 (3 (90)): 188–190.
Published: 01 December 2015
... 2015 Volume Index
Volume 30 corresponds to issues 88 – 90
John Belton
The Commodification of Romanticism:Lola Montès. No. 90: pp. 1 – 25
Phoebe Bronstein
Comic Relief: The Andy Griffith Show, White Southern Sheriffs, and
Regional Rehabilitation. No. 89: pp. 125 – 55...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 95–129.
Published: 01 May 2011
...
into a dark horizon. Courtesy Ekleipsis
(dir. Tran T. Kim-Trang, US, 1998)
Sense and Subjectivity
Fiona I. B. Ngô
In 1989, the New York Times reported the unusual case of 150
Cambodian women in Southern California collectively diagnosed
with hysterical symptoms: “These women and dozens...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 127–155.
Published: 01 May 2012
... and
antiquated social graces to mask his status as an impoverished petty
thief and con man. And in The Little Colonel, her father is debili-
tated by pneumonia after being bilked of all his money, while her
grandfather (Lionel Barrymore) is an aging Southern gentleman
who refuses to acknowledge...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 63–93.
Published: 01 May 2024
... of poisoning and rehabilitation performed by Adora. 54 Importantly, through cutting Camille internalizes and assumes the role of the abusive mother, thereby actively resisting Adora's sadistic ministrations but also ironically perpetuating an annihilating dialectic between subject and object, self...
FIGURES
Journal Article
Camera Obscura (2022) 37 (2 (110)): 31–57.
Published: 01 September 2022
..., https://www.heatherheyerfoundation.com . 37. In 1991, the women of the Southern Christian Leadership Conference erected a marker to Liuzzo at the site of her death. It has had to be protected with steel fencing from defacement by white supremacists. More recently, in 2019, a statue of Liuzzo...
FIGURES
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Journal Article
Camera Obscura (1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... approach toward, or
rehabilitation of, Riefenstahl's well-discussed pre-Tiefland films is
intended. Rather, I am interested in Riefenstahl's ability to change as
other male fascist-era artists have, to reflect, to confront, and to
distance herself from the ideology that rooted her earlier work. From...
View articletitled, “Wherever you may run, you cannot escape him”: Leni Riefenstahl's Self-Reflection and Romantic Transcendence of Nazism in Tiefland
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for article titled, “Wherever you may run, you cannot escape him”: Leni Riefenstahl's Self-Reflection and Romantic Transcendence of Nazism in Tiefland
Journal Article
Camera Obscura (2019) 34 (3): 1–29.
Published: 01 December 2019
... Plenary Session of the Eleventh Central Committee, thereby marking the beginning of a new era. The new regime lost no time in offering the final verdict on the Cultural Revolution, rehabilitating almost all of those who had been wronged or victimized during that time (mostly senior party officials...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 159–195.
Published: 01 December 2001
... southern and eastern European countries or were
given fictional biographies to suggest such origins. For instance,
Theodosia Goodman from Cincinnati was transformed by Fox
studio publicity into the mysterious Theda Bara, daughter of an
Arabian princess and an Italian sculptor, raised “in the shadow...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 27–59.
Published: 01 September 2016
.... See Bonnie J. Dow, “Femininity and Feminism in Murphy
Brown,” Southern Communication Journal 57, no. 2 (1992): 143 – 55;
and Amanda D. Lotz, “Postfeminist Television Criticism:
Precarious-Girl Comedy • 55
Rehabilitating Critical Terms...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 27–55.
Published: 01 September 2003
... on work and
gender that the film generates is the “sissy” guard, Percy Wet-
40 • Camera Obscura
more. Percy, whose name sounds like “Pussy” when uttered by his
Southern coworkers, is the feminized other in this world of white
male control and order. From his first introduction, when he
enters...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
...-
nized around an encounter between Boss Tweed (Vincent Price) at
Tammany Hall and Durbin and her father, this time newly landed
immigrants themselves, who expose corruption in order to become
American. Each of these lms attempts to rehabilitate the singer as
an American vocalist who can appeal...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 74–107.
Published: 01 September 2006
...
life, “hoping to forget and to be forgotten,” until southern pride
and the local economy require him to perform in an exhibition
match with Bobby Jones ( Joel Gretsch) and Walter Hagen (Bruce
McGill). With the help of the title character (played by Will Smith),
a magical black caddie who...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 89–123.
Published: 01 September 2015
... experience: “Piper seizes the empty
husk of the raced image, not to rehabilitate it against capitalist
fetishism, but to extract its redemptive kernel. . . . He deploys this
empty image as the catalyst for a reinvestment of embodiment
98 • Camera Obscura
beyond the image” (172). Hansen’s...
