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1
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 192–209.
Published: 01 December 1982
...Alan Williams Copyright © 1982 by Camera Obscura 1982
Godard’s Use of Sound
Alan Williams
The following notes are intended to provoke discussion of Godard’s
sound-tracks, their relations to his image-tracks, and the range of
options and interests that these display...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 75–103.
Published: 01 September 2000
... Endowment for the Humanities Fellowship, and editing a volume, Sound Matters , with Lutz Koepnick. 03-Alter 74-103=30pgs 1/25/01 1:45 PM Page 74
03-Alter 74-103=30pgs 1/25/01 1:45 PM Page 75
Mourning, Sound, and Vision:
Jean-Luc Godard’s JLG/JLG...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 31–71.
Published: 01 May 2002
... of A Healthy Baby Girl (1996) and the Academy Award-winning documentary Defending Our Lives (1993). “Pictures of their Voices”: Victoria Spivey and
Daniel Haynes look at a sound track of their voices in
Metro-Goldwyn-Mayer’s Hallelujah! [original text of
studio credit]. Courtesy Museum of Modern...
Journal Article
Camera Obscura (1990) 8 (2 (23)): 148–175.
Published: 01 May 1990
...Henry Jenkins
“If I Could Speak With Your Sound”: Fan Music,
Textual Proximity, and Liminal Identification
Henry Jenkins
I was with the Midwest crowd
Who stood in line for blocks.
I cheered on the Reliant...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...Lucas Hilderbrand This essay draws from queer theory and sound studies in an analysis of two sexually explicit 1960s underground films that refused synchronization: Barbara Rubin's Christmas on Earth (US, 1963), which is intended to be screened with a live radio sound track, and Andy Warhol's Couch...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 104–111.
Published: 01 September 1985
...Trinh T. Minh-ha
Reusse m blug e
Sketch of Sound Track
Masic: Joola
Scarcely twenty years were enough to make two billion people define
themselves as underdeveloped
I do not intend to speak about
Just speak near by
The Casamance
Sun and palms
The part of Senegal where...
Image
/10.1215_02705346-9052844/3/s_cob9052844figure1.png?Expires=2147483647&Signature=Iv-yljar7yYBRNykqUFYDb8~xB3~v0okCOqLK2QHLy15B~etiHG2342Py1Oene5QyZB-UVE0eWaDaARXpCOUmRQfcVIss7YbgdLL4KCRzDTSkDYrwIvL4imJiGkt-lvDreg7sWGCEgXsqmCVZPo5bo0dJK2AWiSH9oon9gq-kM9COMgeeXeaaQGeRlJH-NBF4k9SOs5CYe9WwRxDT4~r4BoG--EIftimrWZh2MSbPoFPqixzSF9lzuD1askNKsbEmUnbI6n6vl5zLduZT7MnYFenknYWFFAoz8bNx2a9FSAlCPHTn00HZnH25bggm4mHujzmnM8dEDBtdKWdcMl9VQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2021
Figure 1. Carolee Schneemann, Glass Environment for Sound and Motion , the Living Theatre, New York (1962). From left: Malcolm Goldstein, Yvonne Rainer, and Andre Cadet. Photograph: Steve Schapiro. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York
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Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
...Melissa Ragona Abstract This essay examines the central position the medium of sound played in the work of the artist Carolee Schneemann (US, 1939–2019). By exploring a few key early works such as Glass Environment for Sound and Motion (1962), Chromelodeon (1963), and Noise Bodies (1965), it traces...
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Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 210–215.
Published: 01 December 1982
...Jacques Aumont; D.N. Rodowick Colin MacCabe, with Mick Eaton and Laura Mulvey, Godard: Images, Sounds, Politics. (Bloomington: Indiana University Press, 1980. BFI Cinema Series. Copyright © 1982 by Camera Obscura 1982
Book Reviews
Godard: Images, Sounds, Politics
Ja cqu es...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 61–91.
Published: 01 September 2016
... to voiceless—or underrepresented—persons or things. This article contends that the material practice of ventriloquism has more to offer to documentary cinema than a convenient (and typically negative) metaphor for the deceptive synchrony of sound and image or the embattled relation between subject and object...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 126–127.
Published: 01 September 2021
...Kenneth White Abstract This is an introduction to a dossier on the work and life of Carolee Schneemann (1939–2019). Schneemann was celebrated in a memorial service at Judson Memorial Church in New York. The service included Malcolm Goldstein's improvisational performance on violin titled Soundings...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... material from Hammer's 1998 artist residency in a Cape Cod shack without running water or electricity. While there, she shot film, recorded sounds, and kept a journal. In 2018, Hammer began her process of dying by revisiting her personal archive. She gave all of her images, sounds, and writing from...
FIGURES
Journal Article
Camera Obscura (2022) 37 (2 (110)): 1–29.
Published: 01 September 2022
...Xin Peng Abstract This article provides a comparative study of Anna May Wong and Sessue Hayakawa—the two most iconic stars of Asian descent of American cinema's silent era—by examining the reception history around their rare collaboration, the early sound film and yellow peril thriller Daughter...
FIGURES
Journal Article
Camera Obscura (2022) 37 (2 (110)): 59–89.
Published: 01 September 2022
... her later, supposedly Weird Wave films. The conceptual capaciousness of the term fit , as both a film title and a concept, refracts across Tsangari's films and career at large. This article exploits wordplay around fit as a technical standard of sound and image cohesion (how image and sound fit...
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Journal Article
Camera Obscura (2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
... and provides a post-punk sound track and contemporary-sounding dialogue as it playfully captures the experience of modern feminine adolescence. However, the film's modernity lies more interestingly in the way in which its self-conscious reinterpretation of linear history makes it a successful expression...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 57–81.
Published: 01 May 2018
... the film sound theorist Michel Chion calls the acousmêtre , or the acousmatic voice. By bringing together Chion, Lacan, and feminist film theory, the article analyzes the acousmatization of the male voice in Gabbeh (dir. Mohsen Makhmalbaf, Iran/France, 1996) and Banoo-ye ordibehesht ( The May Lady , dir...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
... together, from shooting the stage performance of Letters Home in 1986 to the process of combining images and sounds in Akerman’s final works, the film No Home Movie (France/Belgium) and the multichannel installation piece Now , both 2015. Works mentioned include D’Est ( From the East , France/Belgium, 1993...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
... of alienation, repetition, and permutation; in inventing shots that point to the lacking and the missing; in transmitting unexpected voices and sounds; and in creating hybrid forms of unadaptable identities, Akerman unflinchingly produces forms of persistent memories. The following short texts...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 1–37.
Published: 01 May 2020
... “Silence = Death” relies and yields a rethinking of media history and sound studies as they relate to queer lives. Copyright © 2020 Camera Obscura 2020 duration and identity queerness and queer theory sound and sonic technologies vocality and voice American popular music I visited Vito...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 89–103.
Published: 01 December 2021
... was given to Deborah Stratman, whose film Vever (for Barbara) (US, 2019) combines the work of two of her artistic predecessors, Hammer and Maya Deren. Making use of the footage Hammer shot in 1975 as well as passages, images, and sound from Deren's work, Stratman creates a film that underlines several...
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