1-20 of 478 Search Results for

sound

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...Lucas Hilderbrand This essay draws from queer theory and sound studies in an analysis of two sexually explicit 1960s underground films that refused synchronization: Barbara Rubin's Christmas on Earth (US, 1963), which is intended to be screened with a live radio sound track, and Andy Warhol's Couch...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 104–111.
Published: 01 September 1985
...Trinh T. Minh-ha Copyright © 1985 by Camera Obscura 1985 Reusse m blug e Sketch of Sound Track Masic: Joola Scarcely twenty years were enough to make two billion people define themselves as underdeveloped I do not intend to speak about Just speak near by The Casamance...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 148–175.
Published: 01 May 1990
...Henry Jenkins Copyright © 1990 by The Johns Hopkins University Press 1990 “If I Could Speak With Your Sound”: Fan Music, Textual Proximity, and Liminal Identification Henry Jenkins I was with the Midwest crowd Who stood in line...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 192–209.
Published: 01 December 1982
...Alan Williams Copyright © 1982 by Camera Obscura 1982 Godard’s Use of Sound Alan Williams The following notes are intended to provoke discussion of Godard’s sound-tracks, their relations to his image-tracks, and the range of options and interests that these display. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 75–103.
Published: 01 September 2000
... Endowment for the Humanities Fellowship, and editing a volume, Sound Matters , with Lutz Koepnick. 03-Alter 74-103=30pgs 1/25/01 1:45 PM Page 74 03-Alter 74-103=30pgs 1/25/01 1:45 PM Page 75 Mourning, Sound, and Vision: Jean-Luc Godard’s JLG/JLG...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 31–71.
Published: 01 May 2002
... Healthy Baby Girl (1996) and the Academy Award-winning documentary Defending Our Lives (1993). “Pictures of their Voices”: Victoria Spivey and Daniel Haynes look at a sound track of their voices in Metro-Goldwyn-Mayer’s Hallelujah! [original text of studio credit]. Courtesy Museum of Modern...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 210–215.
Published: 01 December 1982
...Jacques Aumont; D.N. Rodowick Colin MacCabe, with Mick Eaton and Laura Mulvey, Godard: Images, Sounds, Politics. (Bloomington: Indiana University Press, 1980. BFI Cinema Series. Copyright © 1982 by Camera Obscura 1982 Book Reviews Godard: Images, Sounds, Politics Ja cqu es...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 61–91.
Published: 01 September 2016
... voiceless—or underrepresented—persons or things. This article contends that the material practice of ventriloquism has more to offer to documentary cinema than a convenient (and typically negative) metaphor for the deceptive synchrony of sound and image or the embattled relation between subject and object...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
... accuracy and provides a post-punk sound track and contemporary-sounding dialogue as it playfully captures the experience of modern feminine adolescence. However, the film's modernity lies more interestingly in the way in which its self-conscious reinterpretation of linear history makes it a successful...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
... ideational. Cuarón's film deploys certain cinematic strategies to represent difference: from disjunctures between sound and image and a cinematic obsession with lingering on “incidental” details that lends them allegorical significance to an extended chase sequence. The place of race and biopolitics in this...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
...Jennifer Fleeger This article argues that each new development in sound technology is accompanied by a mismatched woman — a figure with a voice that fails to gel with the image of her body. Because they are famous for having singing voices that startle listeners with their beauty and dexterity and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 125–157.
Published: 01 December 2013
... musical, pornography) with New Wave cinematic aesthetics (jump cuts, an interrupted sound track, a revealed apparatus). It is a remarkable film for its sexual forthrightness as well as the value Vallois places on cinematic form. Johan is a dynamic text particularly when read through the contemporaneous...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... nonlinearity over causality, sound over sight, and suspense over closure. This article argues that Martel's trilogy of life in the province of Salta, Argentina, examines the country's incomplete transition to democracy from the perspective of strong, intelligent, and socially privileged female protagonists who...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... female performer and, in some cases, a pop music sound track; these films include COSMIC RAY (1961), VIVIAN (1964), EASTER MORNING RAGA (1966), and THE WHITE ROSE (1967). This essay examines a work by Conner that combines all of these elements, 1966's BREAKAWAY, an experimental dance film he made in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
... and archive, and death and the image. This essay traces the ghostliness of entertainers speaking from beyond the grave and the new interpretive problems that come to the fore when the performance is “live” but the performer isn't. Bringing together star discourse, media ontology, and sound studies...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 1–31.
Published: 01 May 2017
... relations between sound and image corresponds with the projection of a collectivity to come. The article argues that the film does not seek to humanize the members of the leper colony but rather to radically rethink the relation between the filmmaker and the subjects of the film. This new relationship as a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 57–81.
Published: 01 May 2018
... the film sound theorist Michel Chion calls the acousmêtre , or the acousmatic voice. By bringing together Chion, Lacan, and feminist film theory, the article analyzes the acousmatization of the male voice in Gabbeh (dir. Mohsen Makhmalbaf, Iran/France, 1996) and Banoo-ye ordibehesht ( The May Lady...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
... together, from shooting the stage performance of Letters Home in 1986 to the process of combining images and sounds in Akerman’s final works, the film No Home Movie (France/Belgium) and the multichannel installation piece Now , both 2015. Works mentioned include D’Est ( From the East , France/Belgium, 1993...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 163–183.
Published: 01 May 2019
... cinematic forms of alienation, repetition, and permutation; in inventing shots that point to the lacking and the missing; in transmitting unexpected voices and sounds; and in creating hybrid forms of unadaptable identities, Akerman unflinchingly produces forms of persistent memories. The following short...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 67–73.
Published: 01 May 2019
... sensations. Copyright © 2019 Camera Obscura 2019 Chantal Akerman spectatorship and installation creative concept opposing sound and image immersive work global culture ...