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simpson

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Journal Article
Camera Obscura (1988) 6 (1 (16)): 169–177.
Published: 01 January 1988
...Andrew Ross Th e Mary Tyl er Mo ore Show Book Reviews All In The Family: On David Morley's Family Television: Cultural Power and Domestic Leisure (London: Comedia, 1986); and Philip Simpson's (editor), Parents Talking Television (London: Comedia...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
...Kevin Glynn Bartmania: The Social Reception of an Unruly Image Kevin Glynn Matt Groening's Fox Television cartoon program The Simpsons pre- miered as a weekly prime-time series in January 1990. Almost im- mediately, it became an object of cultish adulation among...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 29–59.
Published: 01 May 1996
... even her initially well-publicized forays in the early 1990s into the US media market, Xuxa has remained generally invisible to North American media stud- 32 ies. While one US scholar, Amelia Simpson, has critically analyzed Xuxa as a Brazilian cultural icon, to date neither Simpson nor...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... Canada  • 11 nections between politics, ethics, and feeling, moving feminist theory into the site of the social. Mo Simpson, who cofounded Isis Collective, a Vancouver-­based media collective that existed from 1972 to 1974, describes collective filmmaking as a factor in her personal...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 178–183.
Published: 01 September 2006
... (Ithaca, NY: Cornell University Press, 2000), 8. 2. See Linda Williams, Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson (Princeton, NJ: Princeton University Press, 2001); and Christine Gledhill, “Rethinking Genre,” in Reinventing Film Studies, ed...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 33–37.
Published: 01 May 2006
... from Uncle Tom to O. J. Simpson (Berkeley: University of California Press, 2001). 3. Williams, Playing the Race Card, 112. 4. See Patricia White, Uninvited: Classical Hollywood Cinema and Lesbian Representability (Bloomington: Indiana University Press, 1999); and Michael...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 262–289.
Published: 01 January 1992
..., Error, Indifference, Omission, Uncivil”-subverting the writing of race is powerfully manifested in the work of certain con- temporary artists of color like the African-American photographer Lorna Simpson [Figure 71.” I began this essay by showing how the “ethnographic” in film works to deny...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 103–123.
Published: 01 September 2007
..., my friends and I must rather echo Marge Simpson’s bitter grumble to her husband and children, “It’s never Joan Van Ark.”20 Nor is it the case that the queer friendships to which I refer grew out of a mutual interest in (alright, obsession with) Joan Van Ark. Rather, I had to identify...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 40–52.
Published: 01 December 1989
... historical moment is underscored by the already existing and potential repercussions of Canada’s Free Trade agreement with the United States. In a letter to Laura Sky, published in Cinema Canada, Vancouver-based filmmaker Moira Simpson notes the phenomenal impact of this...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 4–14.
Published: 01 May 1997
... incident: “Like the black helicopters of the new world order or the racist-police conspiracy to frame 0. J. Simpson, the Inci- dent, as it is known, is either pretty sensational stuff or yet another of the ingenious tales those of us who mistrust mainstream institutions tell...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 29–67.
Published: 01 May 2010
Journal Article
Camera Obscura (1988) 6 (2 (17)): 68–81.
Published: 01 May 1988
...: What the Lone Ranger, Babar, and Other Innocent Heroes Do to Our Minds (New York: Pantheon Books, 1983). 10. Theodor W. Adorno (with the assistance of George Simpson), “On Popular Music,” Studies in Philosophy and Social Science 9, no. 1 (1941) 17-48. 11. Editors of Cahiers du Cinima...
Journal Article
Camera Obscura (1990) 8 (2 (23)): 132–147.
Published: 01 May 1990
... means by which real-seemingness is constructed by readers from texts. It facilitates the dissolution of the boundary between text and life, allowing the political potential of a text to be actualized in practice. When my students recently called The Simpsons “the most...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 8–27.
Published: 01 January 1990
... of Scholarship: Metastudies of the Humanities and Social Sciences 4.4 (1987): 23-48; David Simpson, “Lit- erary Criticism and the Return to History,” Critical Inquiry 14 (1988): 721-47; and Gregory Jay, America the Scrivener: Deconstruction and the Subject of Literary...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 134–151.
Published: 01 January 1992
... where they usually see Tom Brokaw, Murphy Brown or Bart Simpson. Furthermore, imaging issues for yourself addresses profound educational and political needs. As DiAna DiAna, a beautician and AIDS activist writes, “people must understand that when you can’t talk about...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 135–175.
Published: 01 May 2009
... specific visual practices, especially expropria- tions of the conventions of antiportraiture in photography and fine art by African American artists (such as Lorna Simpson, Fred Wilson, and Glenn Ligon), my main example will be a science fic- tion short story, Ted Chiang’s “Liking What You See: A...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 161–195.
Published: 01 May 2010
Journal Article
Camera Obscura (1996) 13 (1 (37)): 6–30.
Published: 01 January 1996
Journal Article
Camera Obscura (2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... Simpsons (Fox, 1989 – ) is considered by Carol A. Stabile and Mark Harrison in the introduction to their edited collection on prime-­time animation.57 However, such specu- lation concerning the extent to which textual allusions exclude demographics founded upon assumptions about viewers...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017