... developing a book manuscript. Her work has also been published in Cinema Journal and in online journals including Transformative Works and Cultures . Selections from the LiveJournal community “exhibitionism_2,” March – September 2009 Show Me Yours: Cyber-Exhibitionism from Perversion to Politics...

...Phoebe Bronstein This article examines The Andy Griffith Show (CBS, 1960–68) within the context of civil rights news reporting and articulates how the sitcom used humor to reenvision and rehabilitate the South in its safer white image. By 1960, due to civil rights news coverage, racism could be...

...Denise Mann Copyright © 1988 by The Johns Hopkins University Press 1988 Better Hom es and Gardens 30 (Feb. 1952 ), p. 154 The Martha Raye Show The Spectacularization of Everyday Life: Recycling Hollywood Stars and Fans in Early Television Variety Shows Denise Mann Many...

...Jane Feuer This essay attempts to break down a binary opposition between “quality TV” and reality TV, which is usually set up along an axis of distinction based on aesthetic value. That is: HBO dramas are art; reality TV shows are trash. As Misha Kavka writes, “Because reality television is seen as...

...Kathleen Collins First appearing on the air in 1947, Dione Lucas was one of the earliest television cooking-show hosts. As a business owner, single mother, influential salesperson, and highly respected professional in her field (Julia Child referred to Lucas as “the mother of French cooking in...

...China Medel This article examines the role of image culture in producing collective memory and opportunities for transnational solidarity in Alex Rivera’s science fiction film about the US-Mexico borderlands, Sleep Dealer (US/Mexico, 2008). The article shows that the film offers two contrasting...

...Karen Orr Vered; John McConchie Inspired by a review of the political theories of Anthony Giddens, particularly his question of whether or not there can be a Third Way politics of family, this essay examines the TV show Supernanny as an example of what we call “Third Way TV.” Tracing the program's...

... popularity of Mary Hartman reveals viewers' frustrations with television in the 1970s and, furthermore, that the show was uniquely able to integrate a nationwide audience, even as executives envisioned it as a series of discrete markets divided by gender and class. The show, which at times verged on the...

...Misha Kavka Perhaps no reality TV program has been as roundly criticized for bad behavior as Jersey Shore (MTV, 2009–12). The libidinal license exhibited by the cast, as well as the early controversy regarding the show's use of the terms guido and guidette to describe the Italian American cast...

... from others and vice versa, and their constant association with that which is considered gross (like dirt, vomit, and feces) is habitually a sign of what emotional and economic insecurity has wrought. However, race makes a critical difference in the treatment of abjection in these two shows. While...

... of participatory culture with which the new series is associated. Despite the apparent transgression of men enjoying a television show clearly coded as being for young girls, the article argues that Brony practices reproduce many male-centered aspects of fan media consumption in a manner that...

... the temporal underpinnings of After Life 's evocation of photogénie , seasonal passing, memory, identification, and gendered experience to show the sensual gravity of benevolent attention. I argue that After Life illustrates the way in which film can enable our taking the time to learn a sensual and...

... masculinity as being still underscored by a racial, sexual authenticity coded somatically in the “body” of the black male genitals. Jimi Hendrix: The Sex Tape shows us that to really understand how pornography functions as a critical medium in the production of racialized, gendered, and sexualized subjects...

...” Michelle, and the limits of what it can convey to its audience. Maitra shows how the diffused, “middling” presence of Hima's camera locates Lopez in the middle of her contradictory emotions, and gives viewers a sense of her statelessness, of the unnerving position of being both contained and dispossessed...

...Cynthia Chris In 1916, a celebrated artists' model named Audrey Munson appeared in her second film, Purity . Munson's film career and the film itself are little known. This essay shows that this particular film played a role, heretofore unacknowledged, in the development of National Board of Review...

... of my research, connections that foreground under-recognized transatlantic dimensions of the foundational trope. I then show how the template of Carmen (a love story that reveals the racial/ethnic and gender stratification in Spain) has been artfully reappropriated, conflated with Afro-Cuban Yoruba...

..., and male and female personality traits. By examining the career of one mismatched woman, Deanna Durbin, I revisit film theory's reliance on discourses of synchronicity and patriarchy to account for the female voice in cinema. I show how Durbin's celebrity is dependent on a developing conception of...

... together a wide range of genders and bodies on-screen, all the while showing profound love and respect for the 1970s feminist legacy. The article takes this new queer work as an invitation and a provocation to reassess Barbara Hammer's short experimental films of the 1970s and the larger cultural-feminist...

... are no longer important nor operative in contemporary academic discourse, the 2010 congress showed that long-dormant, but still-prickly, questions of inclusion, participation, and voice remain active — particularly in the still economically marginalized field of experimental media. Tess Takahashi is...

... on the particularities of the town where EXPRMNTL took place, most notably its casino, exposing how and why Knokke was such fertile ground for the international film avant-garde to explode during EXPRMNTL 4, a festival that left its mark on all subsequent debates about experimental film. It showed...