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Journal Article
Camera Obscura (2005) 20 (3 (60)): 91–127.
Published: 01 December 2005
... Tanaka's Acting in Mizoguchi Films,” was published in Screening the Past . Shiraito (Irie Takako) looks at her absent lover’s desk in The Water Magician (dir. Mizoguchi Kenji, Japan, 1933). Courtesy Tokyo National Film Center In the Twilight of Modernity and the Silent Film: Irie Takako...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 155–165.
Published: 01 December 2011
... simplistic; but she does not modify them when she narrates the film. Sawato also explains, using Taki no shiraito (dir. Kenji Mizoguchi, Japan, 1933) as an example, how recent archival restorations help her interpret the films better by clarifying and adding images that were previously missing or too blurred...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
... Kinoshita as the modernist incursion of agency into a narrative of suffering. In her essay on Mizoguchi’s silent film Taki no shiraito (The Water Magician, Japan, 1933), Kinoshita argues that Takako Irie’s face becomes a complex site where a tension between style 10  •  Camera Obscura (woman...