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shame

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 63–87.
Published: 01 September 2017
... representation of masculine traumatic symptoms in both Richard Condon's 1959 novel and Frankenheimer's cinematic adaptation of it. In a period of national shame about the unwon Korean conflict, Frankenheimer first feminizes his protagonists by rendering them hysterical, and then allows them to redeem themselves...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 59–83.
Published: 01 September 2014
... article offers an alternative account of the pleasures of plastic surgery television series by paying attention to the feelings of care, shame, and intimacy that are encouraged by the display of exposed, vulnerable, and suffering bodies on the program Dr. 90210 (E!, 2004 – 8). By foregrounding the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 69–87.
Published: 01 May 2008
... 1979 film The Rose (dir. Mark Rydell, US), and in particular, through its spectacular reimagining of Janis Joplin's death, Bradshaw explores our cultural attachment to narratives of the diva's abjection and shame. By framing Joplin, that quintessential symbol of both 1960s rock-and-roll culture and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
..., Imitation of Life stages for black and queer of color spectators originary traumas, in particular the formative (and compounded) experiences of racial and sexual shame. This essay seeks to reconcile the dissonant emotions evoked by Imitation of Life by reading the overidentifications of subaltern spectators...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 57–81.
Published: 01 May 2018
... , dir. Rakhshan Bani-Etemad, Iran, 1998). A close examination of Islamic, especially Shiʻi, legal theories of the voice is undertaken, in which the female voice is considered part of her ʻawra , or parts of her private body that are deemed shameful and should be veiled or concealed before unrelated men...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
...: The Worlds of Susanne Bier. No. 85: pp. 5 – 31 Belinda Smaill, see Therese Davis and Belinda Smaill Alexia Smit Care, Shame, and Intimacy: Reconsidering the Pleasures of Plastic Surgery Reality Television. No. 86: pp. 59 – 83 Julia Vassilieva “Becoming-Girl”­ in the New Russian Cinema...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 158–165.
Published: 01 September 2007
... the ogling, diagnosing shrinks who forever claimed to have “secret knowledge of my ach- ing shame.”5 At the scene’s climax, it rose to a loud and tormented gooselike honk: as if throwing back judgment on those who dared to judge her, the protagonist repeated, “SHAME, SHAME, SHAME...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 154–157.
Published: 01 September 2007
... David Letterman, snowy white and wrapped in greens, and, with her eyes shining like ice cubes, the star self-destructed and fell into a dark hole of shame. She was an amazingly bad interviewee. In the wake of a non – job-producing, post-MLA, postcampus visit roller- coaster ride, I could not have...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
... gazes that structure this scene has the effect of reconfiguring the usual sexual boundaries and chal- lenging the equation of the male look with power and desire. Yet those who associate Anaïs’s look primarily with what Tanya Horeck calls the “gaze of shame” do not adequately account for the way...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
... Politics of Terror and Loss in Media and Literature (2005). She is working on two further book projects, “Public Feelings, Memory, and Affective Difference: Contemporary Visual Culture” and “Screening Older Women: Desire, Shame and the Body.” ARCHIVE FOR THE FUTURE...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 27–59.
Published: 01 September 2016
... (Issa Rae) repels at the office. “The Stapler,” season 1, episode 6 of The Misadventures of Awkward Black Girl (2011 – 13), 8 July 2011 Precarious-Girl­ Comedy: Issa Rae, Lena Dunham, and Abjection Aesthetics Rebecca Wanzo Comedy has long trafficked in shame and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
..., thinking about Ronit Avni’s concept of mobiliz- ing hope, as opposed to mobilizing shame or shaming capital’s injustices.3 De la Torre:  We’ve always looked at the workers as some sort of heroes, that no matter how hard their lives are, they are still work- ing, not only for themselves, but also...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 145–153.
Published: 01 September 2012
...- ing six Grand Marshalls, six honored dykes, and awardees for cul- ture, spirituality, human rights, and sports — gathered at our local queer community center to give back our awards and present Pride with a special Shame Award. Here is my statement, assisted by a Taylor Lautner doll wearing a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... video camera and striding into a crowd, what Stéphanie Jeanjean calls “a gesture of disobedience and eman- cipation.”1 Bad feelings, too. A kind of shame that makes me blush as I play grainy, decaying tapes of labor demonstrations and ear- nest cultural critique to a new generation of activist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 129–153.
Published: 01 May 2015
... except in terms of negative imagery. Also rarely discussed are the diverse ways these performances are received by black female viewers. But there are important motivations behind these viewers’ choices to mute more nuanced debate. Historical spirals of racism and shame yield a demand for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 157–187.
Published: 01 September 2015
....”15 As a mix of negative emo- tions, including fear, awe, shame, disorientation, commitment, and embarrassment, Hayden’s bad feeling about that “fucking awful day” is a hybrid emotion that both secures and disables the discrete forms of his performances: moving across film, fiction, and public...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 250–273.
Published: 01 September 1991
... central to their reading of melancholic incorporation. They extend the analysis of melancholic fantasy by situating it as a desire to protect the prestige of the ideal object whose loss is related to its shame, a shame that must, at all costs, be kept secret. At this point where the prestige...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
... to shaming tabloid covers.3 Adding children to the mix only seems to exacerbate such reactions. In this article we use a new term, transmediated continuity, to signify a transaction across conventional media platforms as well as a medium less often considered as such, the body. It is our...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 160–165.
Published: 01 December 1989
... that’s a contradiction, and a shame. In particular, I prefer to elaborate a way of reading and writing that posits something to work for. 5. I was a regular contributor to the following Dutch periodicals: Skrien (1981-83, a film monthly); Diva (1983-84, a feminist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 93–123.
Published: 01 September 2003
... about and records (140). It is precisely on such shame- induced but guilt-purging mourning, she insists, that the New Zealand postcolonial nation builds a future for itself. “In the Beginning Was What I value most in Neill’s reading of The Piano is her insistence on situating the narrative...