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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 101–127.
Published: 01 May 2015
..., modifying “Snooki at Seaside Heights, NJ,” by Flickr user NVS_Inc., www.flickr .com/photos.68135844@N00/4826995594/. Both images Creative Commons Attribution ShareAlike 2.0 Generic, creativecommons.org/licenses/by-sa/2.0/legalcode Sex on the Shore: Care and the Ethics of License in Jersey...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 119–147.
Published: 01 September 2016
...Shilyh Warren This article analyzes Performing the Border (dir. Ursula Biemann, Switzerland and Mexico, 1999), Señorita extraviada ( Missing Young Woman , dir. Lourdes Portillo, Mexico, 2001), and The Price of Sex (dir. Mimi Chakarova, US, 2011), three documentaries that focus on the ways that poor...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 1–27.
Published: 01 May 2018
...Özgür Yaren This article explores trash erotic productions in 1970s Turkish cinema. What was popularly referred to as the “sex influx” ( seks furyası ) was the result of persistent economic and political crises and symptomatic of the ends of certain cultural and economic modes dominant in film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 92–111.
Published: 01 May 1992
...Phillip Brian Harper Copyright © 1992 by Indiana University Press 1992 Dressed to Kill (Brian De Palma, 1980) Playing in the Dark: Privacy, Public Sex, and the Erotics of the Cinema Venue Phillip Brian Harper I. Toilet Public sex loomed large in the popular consciousness in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 31–68.
Published: 01 January 1996
...Scott D. Paulin Copyright © 1996 by Indiana University Press 1996 Sex and the Singled Girl: Queer Representation and Containment in Single White Female Scott D. Paulin The title of Barbet Schroeder's 1992 film Single White Female im- mediately suggests...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 34–51.
Published: 01 September 1996
...Bill Nichols; Gerald Peary Copyright © 1995 by Indiana University Press 1996 Jennifer Montgomery at the 1995 Toronto Festival of Festivals. Photo by Karen Schmeer. Children, Art, Sex, Pornography: Jennifer Montgomery's Art for Teachers of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
...Anne McKnight This essay considers how ideas about liberation flourished in Japanese sex films in the 1970s by exploring the genre of the housewife film as it traverses industrial contexts. Liberation was abandoned by melancholic male intellectuals after the 1970 failure to halt Japan's military...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
..., their sex, and their sound tracks; it would seem that the footage in both films might have been shown in any order, that anyone on-screen might have sex with anyone else, and that any ambient sound might score any image. In cinema, synchronization takes disparate image and sound tracks and fixes them...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 1–33.
Published: 01 September 2014
... director humiliates her at an audition by demanding the right to inspect her body, she begins disembodied phone sex work. Most critics of the film either emphasize the main character's growth or observe that her interiority remains unavailable to viewers despite the film's extensive use of close-ups...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
...Ariane Cruz Reading Jimi Hendrix: The Sex Tape and the dialogue surrounding it as a most fecund site for the collaborative laboring of black male sexuality, authenticity, and spectatorship, this article reveals the constitutive relationship between authenticity and spectatorship in the production...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 86–100.
Published: 01 September 1983
...Luli McCarroll © 1983 by Camera Obscura 1983 The Body Human: The Sexes (CBS) Dissecting The Body Human: The Sexes Luli McCa1ioll The Body Human: The Sexes is but one episode of a prestigious prime time CBS series called The Body Human. As its title suggests, it investi• gates...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
...Huike Wen Dwelling Narrowness ( Wo ju , translated literally as “snail dwelling”) became Chinese netizens' “favorite TV drama” in 2009. In this paper, I focus on a complex of issues in contemporary Chinese society about which Dwelling Narrowness provoked extensive discussion: love, sex, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 187–193.
Published: 01 September 2016
...Heather Davis Plastic is a seemingly ubiquitous material, one that is both all too visible and, as such, opaque. Beginning with the use of plastic for sex toys, this essay tracks some of the strange convergences between plastic, as a material, and queer theory. In particular, it follows how...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 137–157.
Published: 01 December 2008
... represents a failed work of mourning for a lost lover of the same sex or perhaps for same-sex desire itself—a destructive relationship to a form of desire he can scarcely acknowledge. Camera Obscura 2008 David Copenhafer teaches literature and film at the University of Pennsylvania and at Bard High...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 119–147.
Published: 01 September 2014
... classic romantic comedy Sleepless in Seattle (dir. Nora Ephron, US, 1993), this article suggests that in fact romantic comedy may itself be considered a melancholy genre. Insofar as the heterosexual coupling that typically ends romantic comedies forecloses same-sex desire, the foreclosed objects exist, in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... to bring longings for collectivity, without an identitarian focus, to the foreground of political consciousness. These filmic examples thus struggle to find a space for the queer collective in place of more traditional modes of coupled romance and sex. They reexamine naturalized and commonplace...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
... Breillat's portrayal in À ma sœur! ( Fat Girl , France, 2001) and her other films of nonnormative, even taboo subjects—the depiction of childhood and adolescent sexuality, of unsimulated sex, and of statutory rape—writings on her work have focused largely on the director's public persona and the polemics...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
...Douglas S. Ishii The “ Modern Family effect,” a reference to the ABC family sitcom that premiered in 2009, first emerged to describe the program’s ratings success and then shifted in meaning to discuss its seemingly bipartisan depiction of same-sex marriage. This convergence of television’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 159–191.
Published: 01 December 2008
... questions of desire and identification: (1) it displaces same-sex desire into the past (I used to desire Hercules, but now I identify with him); (2) identification is displaced from its proper target (the skinny and helpless adolescent sidekick) to a much more flattering one (Hercules); (3) the peplum...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... the ways in which some fashion-themed blogs refuse neoliberal fictions of freedom and digital disembodiment by deploying a radical politics of sentimentality that reembodies fashion and labor histories by publicizing the material realities of race, gender, generation, sex, and class that are typically...