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Journal Article
Camera Obscura (2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... to queer gamers, game designers, and games critics and scholars. This introduction frames queer game studies as both a theory and practice, beginning a special In Practice section of Camera Obscura that profiles the Queerness and Games Conference (QGCon), the first conference explicitly dedicated...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... of opacity shifts discussions of seeing and knowing toward situatedness, partiality, and the limits of the Western gaze; this section draws on Donna Haraway's interventions into debates about objectivity and Chandra Talpade Mohanty's critique of the colonial gaze in some Western feminist scholarship...
Image
Published: 01 September 2021
Figure 2. Carolee Schneemann, Parts of a Body House: Genitals Playroom (III) / Wall Section (1966). Watercolor and ink on paper, 26¼ × 26¾ in. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann
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Journal Article
Camera Obscura (1980) 2 (2 (5)): 80–85.
Published: 01 September 1980
... dive
has a corresponding shot in color reversal or negative. Each is the same
dive, but the colors are complementary (e.g., the blue water is red, the
whitish sky is black, etc The editing is complex in that each dive is
divided into five-frame sections; dive I (frames 1...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160.
Published: 01 December 1982
... repetitiveness
if study of the classical cinema is conducted exclusively by means of
a series of film analyses.
Thus the object of the following analysis is a section ofJean-Luc
Godard’s La Chinoise (72 shots lasting a total of 494 seconds).2 It is
not necessary...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
...•
making. I would like to suggest that personal, autobiographical subject
matter and self-reflexive filming strategies, even when they are the
product of a woman's experience, do not necessarily result in something
that can be easily designated as feminist.
Misconception, in roughly six sections...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 195–196.
Published: 01 December 2008
... 2008 Call for Submissions:
Feminism/Culture/Media
In Practice
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women Working...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 196–197.
Published: 01 May 2010
... 2010 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 184–185.
Published: 01 September 2009
... 2009 Call for Submissions:
In Practice:
Feminism / Culture / Media
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 163–164.
Published: 01 December 2009
... 2009 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 208–209.
Published: 01 May 2009
... 2009 Call for Submissions:
Feminism/Culture/Media
In Practice
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women Working...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 178–179.
Published: 01 December 2011
... 2011 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 158–159.
Published: 01 May 2011
... © 2011 by Camera Obscura Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 147–148.
Published: 01 September 2011
... 2011 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura is happy to announce the renewal and reconcep-
tion of a section devoted to the types of questions and formats,
productions and receptions that the journal once featured under
the title “Women...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 166.
Published: 01 December 2011
... 2011 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura invites the submission of short essays (750–2,500
words) on current media practices, practitioners, resources, events,
or issues for the section “In Practice: Feminism/Culture/Media.”
“In Practice...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 192.
Published: 01 May 2012
... 2012 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura invites the submission of short essays (750–2,500
words) on current media practices, practitioners, resources, events,
or issues for the section “In Practice: Feminism/Culture/Media.”
“In Practice...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 176.
Published: 01 September 2012
... 2012 Call for Submissions:
In Practice:
Feminism/Culture/Media
Camera Obscura invites the submission of short essays (750–2,500
words) on current media practices, practitioners, resources, events,
or issues for the section “In Practice: Feminism/Culture/Media.”
“In Practice...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
... is preferred for
her age. There are two main sections to each program. There is a
“Core” section that presents information that we think all patients
should see; again, this presentation is tailored to the patient’s charac-
teristics. Following this is a “Learn More” section in which the patient...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 105–114.
Published: 01 September 1977
... does not see that he is being
controlled by someone else's look in the very
way in which he presents the information.
After an initial disagreement-he wanted to
cut a section of the film where they had an ar-
gument-she tries to showwhy he cannot real-
lyunderstand what he...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
... critique, especially in a later section of
the film when it extends this querying of excess and desire into a
more overtly political space.
Whereas the opening shot initiates a cinematic logic that
confounds hierarchies of here and there and north and south,
later shots extend this logic...
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