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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... queer gamers, game designers, and games critics and scholars. This introduction frames queer game studies as both a theory and practice, beginning a special In Practice section of Camera Obscura that profiles the Queerness and Games Conference (QGCon), the first conference explicitly dedicated to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... opacity shifts discussions of seeing and knowing toward situatedness, partiality, and the limits of the Western gaze; this section draws on Donna Haraway's interventions into debates about objectivity and Chandra Talpade Mohanty's critique of the colonial gaze in some Western feminist scholarship. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 192.
Published: 01 May 2012
... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 166.
Published: 01 December 2011
... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 176.
Published: 01 September 2012
... 2012 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura invites the submission of short essays (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section “In Practice: Feminism/Culture/Media.” “In Practice...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 195–196.
Published: 01 December 2008
... 2008 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 184–185.
Published: 01 September 2009
... 2009 Call for Submissions: In Practice: Feminism / Culture / Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 208–209.
Published: 01 May 2009
... 2009 Call for Submissions: Feminism/Culture/Media In Practice Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women Working...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 163–164.
Published: 01 December 2009
... 2009 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 196–197.
Published: 01 May 2010
... 2010 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 178–179.
Published: 01 December 2011
... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 158–159.
Published: 01 May 2011
... © 2011 by Camera Obscura Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 147–148.
Published: 01 September 2011
... 2011 Call for Submissions: In Practice: Feminism/Culture/Media Camera Obscura is happy to announce the renewal and reconcep- tion of a section devoted to the types of questions and formats, productions and receptions that the journal once featured under the title “Women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 84–85.
Published: 01 September 1985
...Constance Penley Copyright © 1985 by Camera Obscura 1985 Documentary/ Docu mentation This section of the journal presents three very different and highly con- sidered approaches to the idea of what it means to document an event or activity. We are presenting this material in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 146.
Published: 01 September 1977
.... Christina Creveling, besides coordinating the Women Working section for Camera Obscura, isworking on book about stepmothering to be compiled from interviews with part-time and full-time stepmothers. She is actively seeking women who are interested in participating, and can be contacted...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 80–85.
Published: 01 September 1980
... each dive has a corresponding shot in color reversal or negative. Each is the same dive, but the colors are complementary (e.g., the blue water is red, the whitish sky is black, etc The editing is complex in that each dive is divided into five-frame sections; dive I...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 86–88.
Published: 01 December 1984
.... Sections of Ropars’s contribution have appeared in English translation as “The Overture of October, ” trans. Kimball Lockhart and Larry Crawford, Enclitic 2, no. 2 (Fall 1978), pp. 50-72; and Enclitic 3, no. 1 (Spring 1779), pp. 35-47. La RevolationfiguTee: film,hihoire...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 3–5.
Published: 01 May 1981
... takes psychoanalysis as its psychological reference. “Metz’s Move,” by Bertrand Augst, concerns the section of “Meta- phor/Metonymy” called “Le geste Jakobsonien” (not translated in this issue) and its significance for the essay as a whole. Augst explains the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
... easily designated as feminist. Misconception, in roughly six sections, documents the birth oflee and Chris's second child. The film weavessound, language and image to show not only the relationship between the man and the woman and their dif• ferent ideas about pregnancy, but Keller's own...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
... years old, the message would be that chemotherapy is preferred for her age. There are two main sections to each program. There is a “Core” section that presents information that we think all patients should see; again, this presentation is tailored to the patient’s charac- teristics...