1-14 of 14 Search Results for

second-generation Holocaust survivor memory

Save search
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article

Souvenirs de Chantal

Sandy Flitterman-Lewis
Camera Obscura (2019) 34 (1 (100)): 75–89.
DOI: https://doi.org/10.1215/02705346-7264114
Published: 01 May 2019
...-generation Holocaust survivor memory feminist film ...
View article PDF
Journal Article

“A More Personal Look at Her Life”: Family Narrative, Gender, and Transnational Memories in The Girl and the Picture

Pingfan Zhang
Camera Obscura (2022) 37 (2 (110)): 91–117.
DOI: https://doi.org/10.1215/02705346-9787028
Published: 01 September 2022
... that the memory politics of the Holocaust entered into a new phase with the second generation of survivors. She referred to them as the “hinge generation,” through which the “received, transferred knowledge of events is transmuted into history, or into myth. It is also the generation in which we can think about...
FIGURES
View article PDF
Journal Article

Daughter of Saul, or Saul Leanya : The Gendered Place of Atrocity in László Nemes's Son of Saul

Szidonia Haragos
Camera Obscura (2021) 36 (2 (107)): 99–125.
DOI: https://doi.org/10.1215/02705346-9052816
Published: 01 September 2021
.... 19. Myrna Goldenberg, “Memoirs of Auschwitz Survivors: The Burden of Gender,” in Ofer and Weitzman, Women in the Holocaust , 327. 20. Marianne Hirsch, The Generation of Postmemory: Writing and Visual Culture after the Holocaust (New York: Columbia University Press, 2012), 33. 21...
FIGURES
View article PDF
Journal Article

Gendered Genocide: New Cambodian Cinema and the Case of Forced Marriage and Rape

Raya Morag
Camera Obscura (2020) 35 (1 (103)): 77–107.
DOI: https://doi.org/10.1215/02705346-8085123
Published: 01 May 2020
... that these intense, embodied first- generation memo- ries resist remembering and instead continue to haunt both the individual and the collective. Since the emergence of second- and third- generation post- Holocaust documentary cinema in the West coincides with the emergence of first- generation cinema in Cambo- dia...
View article PDF
Journal Article

Perpetrator Trauma and Current Israeli Documentary Cinema

Raya Morag
Camera Obscura (2012) 27 (2 (80)): 93–133.
DOI: https://doi.org/10.1215/02705346-1597222
Published: 01 September 2012
... of repression and projection. In fact, Folman’s is a unique case of post memory because his position as a second-generation Holocaust survivor involves more than one loss event and one agency. Hirsch explores the sec- ond generation’s identi cation with the parent- victim but not an identi cation...
View article PDF
Journal Article

Memory Once Removed: Indirect Memory and Transitive Autobiography in Chantal Akerman's D'Est

Alisa Lebow
Camera Obscura (2003) 18 (1 (52)): 35–83.
DOI: https://doi.org/10.1215/02705346-18-1_52-35
Published: 01 May 2003
... to convey its temporal and qualitative difference from survivor memory, its secondary or second-generation memory quality, its basis in displacement, its belatedness. Postmemory is a powerful form of memory precisely because its connection to its object or source is mediated not through recollection...
View article PDF
Journal Article

Sense and Subjectivity

Fiona I. B. Ngô
Camera Obscura (2011) 26 (1 (76)): 95–129.
DOI: https://doi.org/10.1215/02705346-2010-016
Published: 01 May 2011
... address knowledge production, authorship, witnessing, and representation. The film manipulates the trope of blindness as a means to see what cannot be seen, to picture unrepresentable horrors found at the point of memory's failure. Second, I argue that this film uses blindness both to narrate histories...
View article PDF
Journal Article

Recycled Wounds: Trauma, Gender, and Ethnicity in Keren Yedaya's Or, My Treasure

Raz Yosef
Camera Obscura (2009) 24 (3 (72)): 41–71.
DOI: https://doi.org/10.1215/02705346-2009-009
Published: 01 December 2009
... (Baltimore:  Johns Hopkins University Press, 1996). 20. Marianne Hirsch and  Janet Walker, for example, define distinct types of remembrance. Hirsch uses the term postmemory to discuss identification-related traumatic memory among second-generation Holocaust survivors. Walker coins...
View article PDF
Journal Article

Male Weeping as Performative: The Crying Mossad Assassin in Walk on Water

Boaz Hagin
Camera Obscura (2008) 23 (2 (68)): 103–139.
DOI: https://doi.org/10.1215/02705346-2008-004
Published: 01 September 2008
... presents national problems. Like Made in Israel (dir. Ari Folman, Israel, 2001), it tells of an attempt to assassinate a Nazi criminal; like Metallic Blues (dir. Dan Verete, Canada/Germany/Israel, 2004), it deals with a second-generation Israeli Holocaust survivor visiting Germany...
View article PDF
Journal Article

From Elif to Esty? Unorthodox and Turkish German Cinema's Captivity Narrative

Olivia Landry
Camera Obscura (2022) 37 (2 (110)): 119–147.
DOI: https://doi.org/10.1215/02705346-9787042
Published: 01 September 2022
... , Multidirectional Memory: Remembering the Holocaust (Stanford, CA: Stanford University Press, 2009), 3. 9. Andrew Hoskins, “Media, Memory, Metaphor: Remembering and the Connective Turn,” Parallax 17, no. 4 (2011): 21. 10. Marianne Hirsch, The Generation of Postmemory: Writing and Visual Culture...
FIGURES
View article PDF
Journal Article

Breeding Unity: Battlestar Galactica 's Biracial Reproductive Futurity

Anne Kustritz
Camera Obscura (2012) 27 (3 (81)): 1–37.
DOI: https://doi.org/10.1215/02705346-1727446
Published: 01 December 2012
... seconds a rising doubt that genetics alone can cure social divisions without memory of how those divisions arose and caused such destruction. • Camera Obscura Splicing Battlestar’s Narrative Genome: Fan Video Interventions Several pieces of amateur transformative video art provide glimpses...
View article PDF
Journal Article

Rape and War, Gender and Nation, Victims and Victimizers: Helke Sander's BeFreier und Befreite

Richard W. McCormick
Camera Obscura (2001) 16 (1 (46)): 99–141.
DOI: https://doi.org/10.1215/02705346-16-1_46-99
Published: 01 May 2001
..., Number 1 Published by Duke University Press 99 04-McCormick.sh 5/29/01 12:39 PM Page 100 100 • Camera Obscura the part of significant social and political groups taken away a piece of our dignity for the second time...
View article PDF
Journal Article

Reimagining the Gargoyle: Psychoanalytic Notes on Alien

Harvey R. Greenberg, M.D.
Camera Obscura (1986) 5 (3 (15)): 86–109.
DOI: https://doi.org/10.1215/02705346-5-3_15-86
Published: 01 December 1986
... and paranoia. In the setting of spreading global communism, fading postwar prosperity, and the renewed threat of nuclear holocaust, Hollywood disgorged an army of implacable invaders feasting upon flesh and blood, like the brainy carrotman of The Thing; or cannibalizing consciousness, like the emo...
View article PDF
Journal Article

The “Newer Angels” and the Living Dead: The Ethics of Screening Obsessional Desire

Molly Anne Rothenberg
Camera Obscura (1997) 14 (1-2 (40-41)): 15–41.
DOI: https://doi.org/10.1215/02705346-14-1-2_40-41-15
Published: 01 May 1997
... experiencers, MIAs from the Vietnam War, immigrants, Holocaust survivors, youth gangs, transsexuals, junkies, Kevorkianists, those suffering from multiple personality disorder, and PWAs (persons with AIDS)-all these have been represented as pos- sessed of (or by) forms of “life” that are not quite...
View article PDF