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second-generation Holocaust survivor memory

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Journal Article
Camera Obscura (2019) 34 (1 (100)): 75–89.
Published: 01 May 2019
...-generation Holocaust survivor memory feminist film ...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
... that the memory politics of the Holocaust entered into a new phase with the second generation of survivors. She referred to them as the “hinge generation,” through which the “received, transferred knowledge of events is transmuted into history, or into myth. It is also the generation in which we can think about...
FIGURES
Journal Article
Camera Obscura (2021) 36 (2 (107)): 99–125.
Published: 01 September 2021
.... 19. Myrna Goldenberg, “Memoirs of Auschwitz Survivors: The Burden of Gender,” in Ofer and Weitzman, Women in the Holocaust , 327. 20. Marianne Hirsch, The Generation of Postmemory: Writing and Visual Culture after the Holocaust (New York: Columbia University Press, 2012), 33. 21...
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Journal Article
Camera Obscura (2020) 35 (1 (103)): 77–107.
Published: 01 May 2020
... that these intense, embodied first- generation memo- ries resist remembering and instead continue to haunt both the individual and the collective. Since the emergence of second- and third- generation post- Holocaust documentary cinema in the West coincides with the emergence of first- generation cinema in Cambo- dia...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 93–133.
Published: 01 September 2012
... of repression and projection. In fact, Folman’s is a unique case of post memory because his position as a second-generation Holocaust survivor involves more than one loss event and one agency. Hirsch explores the sec- ond generation’s identi cation with the parent- victim but not an identi cation...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 35–83.
Published: 01 May 2003
... to convey its temporal and qualitative difference from survivor memory, its secondary or second-generation memory quality, its basis in displacement, its belatedness. Postmemory is a powerful form of memory precisely because its connection to its object or source is mediated not through recollection...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 95–129.
Published: 01 May 2011
... address knowledge production, authorship, witnessing, and representation. The film manipulates the trope of blindness as a means to see what cannot be seen, to picture unrepresentable horrors found at the point of memory's failure. Second, I argue that this film uses blindness both to narrate histories...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 41–71.
Published: 01 December 2009
... (Baltimore:  Johns Hopkins University Press, 1996). 20. Marianne Hirsch and  Janet Walker, for example, define distinct types of remembrance. Hirsch uses the term postmemory to discuss identification-related traumatic memory among second-generation Holocaust survivors. Walker coins...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
... presents national problems. Like Made in Israel (dir. Ari Folman, Israel, 2001), it tells of an attempt to assassinate a Nazi criminal; like Metallic Blues (dir. Dan Verete, Canada/Germany/Israel, 2004), it deals with a second-generation Israeli Holocaust survivor visiting Germany...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 119–147.
Published: 01 September 2022
... , Multidirectional Memory: Remembering the Holocaust (Stanford, CA: Stanford University Press, 2009), 3. 9. Andrew Hoskins, “Media, Memory, Metaphor: Remembering and the Connective Turn,” Parallax 17, no. 4 (2011): 21. 10. Marianne Hirsch, The Generation of Postmemory: Writing and Visual Culture...
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Journal Article
Camera Obscura (2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
... seconds a rising doubt that genetics alone can cure social divisions without memory of how those divisions arose and caused such destruction. • Camera Obscura Splicing Battlestar’s Narrative Genome: Fan Video Interventions Several pieces of amateur transformative video art provide glimpses...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 99–141.
Published: 01 May 2001
..., Number 1 Published by Duke University Press 99 04-McCormick.sh 5/29/01 12:39 PM Page 100 100 • Camera Obscura the part of significant social and political groups taken away a piece of our dignity for the second time...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 86–109.
Published: 01 December 1986
... and paranoia. In the setting of spreading global communism, fading postwar prosperity, and the renewed threat of nuclear holocaust, Hollywood disgorged an army of implacable invaders feasting upon flesh and blood, like the brainy carrotman of The Thing; or cannibalizing consciousness, like the emo...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 15–41.
Published: 01 May 1997
... experiencers, MIAs from the Vietnam War, immigrants, Holocaust survivors, youth gangs, transsexuals, junkies, Kevorkianists, those suffering from multiple personality disorder, and PWAs (persons with AIDS)-all these have been represented as pos- sessed of (or by) forms of “life” that are not quite...