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Journal Article
Camera Obscura (2019) 34 (3): 127–155.
Published: 01 December 2019
..., work, and subjectivities into the field of postwar media industry studies while revealing how this hidden history invites a rereading of media texts from the period. Copyright © 2019 Camera Obscura 2019 women postwar television 1950s archival screen-writing Figure 1. Pay no attention to...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 143.
Published: 01 May 1976
.... "Women's Cinema and Feminist Film Criticism". Screen, vol. 16, no. 3 (Autumn 1975). Mulvey, Laura. "Visual Pleasure and Narrative Cinema". Screen, vol. 16, no. 3 (Autumn 1975). Rose,]acqueline. "Writing as Auto-Visualization: Notes on a Scenario and Film of Peter Pan". Screen, vol. 16...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 264.
Published: 01 May 1994
... Eleanor M. Hight. MIT Press, 1995. $39.95. Screen Writings: Scripts and Texts by Independent Filmmakers by Scott Mac- Donald. University of California Press, 1995. $20.00. Bodies of the Text: Dance as Theory, Literature as Dance edited by Ellen W. Goellner and...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 222.
Published: 01 May 1995
.... His Avant-Garde Film/Motion Studies (Cambridge University Press) appeared in 1993; and Screen Writings: Scripts and Texts by Indepen- dent Filmmakers (California) was published last year. He teaches Film Studies and American Literature at Utica College. Catherine...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 154.
Published: 01 September 1995
.../Motion Studies (Cambridge University Press) appeared in 1993; and Screen Writings: Scripts and Texts by lndepen- dent Filmmakers (California)was published last year. He teaches Film Studies and American Literature at Utica College. Noliwe Rooks is an Assistant Professor of English and the...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... as 1958 Wolf Vostell created an environment containing a television screen surrounded by barbed wire. In 1963 he exhibited a group of damaged, dirty television sets-in a sym- bolic act of aggression against the mass media-while Nam June Paik con- centrated on deviations intrinsic to...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 92–115.
Published: 01 May 1996
... diverse mechanisms of cinematic technol- ogy as they jointly constitute the film's body. On the function of the screen, she writes, [The screen] acts latently, but crucially, to express the co-operative nature and coherence of the film's body it articulates the film's "fleshly" boundaries...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... universitaire americain du cinema. Pam Cook is a part-time writer and lecturer in Film Studies who has contributed articles on women and cinema to Screen and various British Film Institute publications. At present she is working on a project for producing materials for...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 170–171.
Published: 01 September 2004
..., Darkness, Evil, and Slime on Screen. SUNY Series: Cultural Studies in Cinema/Video. Albany: State University of New York Press, 2004. Rapping, Elayne. Law and Justice as Seen on TV. New York: New York University Press, 2003. Runions, Erin. How Hysterical: Identification and Resistance in...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 187.
Published: 01 May 1996
..., institutional analysis of media phenomena, feminist video, and German cinema. Elena del Rio is Assistant Professor of Film in the English Department at the University of Northern Colorado. Shehas contributed to a forthcoming volume of essays entitled The Terministic Screen: Essays on the Rhetoric ofFilm...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 11–26.
Published: 01 May 1976
... abstraction into concepts and effects. The film separates and foregrounds the cinematic elements, paying special attention to two specific areas of editing: (a) segmentation and the problem of narrative consecution (b) the activation of off-screen space, particularly by means of the...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
...Irene Gustafson This article analyzes Shirley Clarke's seminal film, Portrait of Jason (US, 1967). Through an examination of the film's formal qualities within the context of its production and reception, this article argues that the film is best understood as a “screen test.” The relatively scant...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 238–239.
Published: 01 December 1982
... writing a dissertation on the “political avant-garde.” He has published in Camera Obscuva, Wide Angle, The Velvet Light Trap, Tabloid, andUndercut. His most recent film is 2963, a meditation on history and violence. Philip Rosen is the Director of Screen Studies, Clark...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 155.
Published: 01 September 1988
... theory. He has published most recently in New German Critique and Screen on, film theory and critical theory. Dudley Andrew is Director of the Institute for Cinema and Culture at the University of Iowa. He is finishing a book on poetic realism. Chris Berry is a scholar of Chinese film. He has...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... edition of Screen supplied the histori- cal provenance of this political modernism in an unusually long issue featuring selected writings from the major artists and critics of revolutionary Russia: Osip Brik, Lev Kuleshov, Vladimir Maya- kovsky, Viktor Shklovsky, Esfir Shub, Dziga Vertov, and their...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
... most discussed awards-season moment for the Visages Villages team, this playful use of social media and Varda's image in particular characterize much of the film's promotional cycle, which helped maintain attention as it circulated at festivals and other screenings throughout the eight months between...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... conference, in the three weeks preceding it, the Co-op had screened several films which have been important to our work: Yvonne Rainer’s Film About a Woman Who.. ., Jackie Raynal’s Deux Fois, Chantal Akerman’s News from Home, Marguerite Duras’s India Song and Babette Mangolte’s What Maisie Knew...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 321–322.
Published: 01 September 1991
... lesbians and popular culture. Steven Cohan teaches narrative theory and film at Syracuse University. He is co-author of Telling Stories: a Theoretical Analysis of Narrative Fiction (Rou- tledge, 1988) and co-editor of Screening the Male: Essays Exploring Mas- culinities in Hollywood Cinema...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... organized screenings in to a more modest four days of discussion, with no media shown.3 In terms of focus, it expanded from an almost singular focus on lm to the broader category of media. Perhaps most signi cant, it shifted from a concentration on the aesthet- ics of experimental lm to a more...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
...Alison Butler Camera Obscura 2005 Alison Butler teaches film studies in the Department of Film, Theatre, and Television at the University of Reading in the UK. She is the author of Women's Cinema: The Contested Screen (2002) and a member of the editorial advisory board of the journal...