...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...

... Everybody Dies but Me ( Vse umrut, a ya ostanus , 2008); and sixty-part TV series School ( Shkola , Channel One Russia, 2010). These works deal with the issues that contemporary Russian youth face in such a confrontational manner that they have been the subject of a special debate in the Russian parliament...

...Sebastian Heiduschke Although women today graduate from Germany’s film schools in numbers nearly equal to those of men, they remain heavily underrepresented in the nation’s film industry. This essay employs statistical evidence to take stock of the situation for women filmmakers and examines three...

... women’s cinema at present, visible in the rise of the Berlin School, the development of women-oriented production collectives, and the resurgence of feminist organizing on behalf of gender parity in the contemporary German film industry. Copyright © 2018 Camera Obscura 2018 This content is made...

...Matt Delmont This essay examines how housewife and political activist Irene McCabe drew national television news coverage to protests against busing for school desegregation. While thousands of parents across the nation raised their voices against busing, none received the same level of national...

... changed. When I was in high school, I pestered the librarian so much for books on film that, in my final year, she gave me the four they had. During my high school years, I had two things holding me back. The first was that my family was poor; the second was my youth, which kept me...

... Copyright © 1992 by Indiana University Press 1992 Contributors Eric Baumgartner is lead programmer for the Dartmouth Medical School Interactive Media Laboratory. He programmed and developed authoring tools for the Shared Decision-making Programs. Lisa Cartwright is an...

..., Washington DC. Her dissertation project concerns the contemporary politics of racial, cultural, and economic representation in institutional structures for art exhibition. Lisbeth Gant-Britton is currently a Visiting Assistant Professor at the University of Southern California’s School of Cinema...

... Copyright © 1989 by The Johns Hopkins University Press 1989 Contributors Susan Felleman is a doctoral student in Art History and Criticism at the Graduate School and University Center of the City University of New York and has taught Art History at Hunter College and the College...

... puzzling questions which we experience in everyday life without look- ing for them. I also think Virginia Woolf wasn’t speaking in metaphors when she wrote about food for thought in A Room of One’s Own. School of Cinema-Television...

... University of Georgia Press. Lesley Stern teaches in the School of Theatre and Film Studies at the University of New South Wales, Sydney, Australia. She has published widely in the areas of film, theater and cultural studies, and is currently completing a book which circles round the cinema of...

.... However “lightweight” for the era, 16mm technology was, to some, intimidating. Film schools were just beginning to spring up, ready to train a new generation. But women were often ignored in film schools, never admitted in the first place, or convinced they should not dare to apply. Art schools...

.... Her Dissertation, Vanishing Women, examines the role of the disappearing woman in stage magic, film and pyschoanalysis. Jane Blocker is Assistant Professor of Art History in the School of Art and Design at Georgia State University. Her book, Where is Ana Mendieta? Iden- tity, Performativity, and...

...- culinity have been shown at the New Museum of Contemporary Art in New York, the Renaissance Society in Chicago, at Riverside Studios in London, and MIT. Scott Bukatman teaches film theory and analysis at the School of Visual Arts in New York. He is presently writing about subjectivity in recent...

...: But the night belongs to everyone. Something that belongs to you, that you don’t see clearly, and some- thing that you do see clearly. Camille: Going to school. Interviewer: Going to school-that’s something you can see clearly? Well then . . . Camille: Eating. Interviewer: Eating...

..., violence against women in advertizing and in the workplace. The audience is people in community groups, political groups, schools, film users in libraries, clinics, hospitals and social service agencies. Purchasers of films tend to be schools, libraries and...

... Enfants was the most widely read and loved of the nineteenth-century “reading books” or primers used in French schools. Madame Alfred Jules Emile Fouilke, writing under the pseudonym “G. Bruno,” tells the story of two orphan boys who travel through every province and major city of France...

... account of film viewing adopted by educators in this period because this account helped to determine the strategies of the reform forces, and to shape the idea of film culture which became current in the schools. Cultural Uplift and Social Science The teaching of...

... grade school and in a small, mid- western, conservative town. The major ideological fissure was that my mother taught me to “read against the grain,” since she was a New Deal Democrat, New York Jew plunked down into Dixon with a personal experience that seemed drawn...

... advanced awareness . . . So little do they suspect it that their own devotion contributes to the maintenance and nourishment of this ideological representation of the School...