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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 108–131.
Published: 01 May 1990
..., as texts suspended in time. Such distanced Salt, Pepa, and Spinderella 110 readings, especially of a musical form to which it is difficult to gain direct and sustained access, leave open the possibility of grave mis- readings regarding meanings and context. Women rappers are...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 130–149.
Published: 01 May 1992
... images is given closure: “I choose, I chose, I have chosen”; “My body, my choice.” The next segment of the video moves to instantiate “choice,” to enact what is an abstract value or claim through the staging of a second-trimester abortion-a saline abortion. Rock salt falls from a hand...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
..., Salt ‘N’ Pepa and MC Lyte, Rose finds that they do not think (white) feminism addresses the needs and concerns of black women and that they maintain the importance of an intra-racial dia- logue with men. Black women rappers thus forge their own meanings about female resistance...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 8–40.
Published: 01 September 1991
... episode of mis-writing in his parting words to the students. Cows are stubborn animals, he says, you can scold them and hit them, and they just blink at you. But there are times when cows go wild-that is, when you piss. This is because cows love salt. (In A Cheng’s novel, Lao...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 144–156.
Published: 01 December 1984
... , distribution, and exhibition practices (for example , Gzrqnends, Salt of the Earth, Jan2 ’s Janie, Union Maids). 150 In Chapter Eight she goes on to discuss feminist countercinemas which strive to add to their non-mainstream status a challenge to dominant processes of meaning...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 66–83.
Published: 01 September 1995
... dominant popular ideas a bout Black Americans. Hun- dreds of pitch-black mammies, salt and pepper shakers, cookie jars, dark animated animal-like creatures eating watermelon, reward post- ers for escaped slaves, clocks, lamps, etc. firmly scared and sickened me. What I clearly remember from the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 109–153.
Published: 01 September 2002
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
... “authenticity” that assists in the reification of them as masculine (linguistic vulgarity, aggres- sion, grittiness) alternates with another traditional form of rep- resentation of the working class as being the salt of the earth. Indeed, there is a dramatic shift in these codes at the point...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... mediation of a mediation. Notes Portions of this article were presented at the conference of the Association for Asian American Studies (Salt Lake City, Utah, #27;#22; April) as “Queering Cinematic Convention in the Diaspora.” Eve Oishi provided useful feedback as the article took shape, Emily S...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 1–23.
Published: 01 September 2012
... a half grains of salt” or “seven and a quarter grains of cayenne pepper.” Lucas displayed a notably different persona from her con- temporaries as well as from today’s cooking- program hosts in yet another way. Her home economist peers, in addition to advocating simplicity and speed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 156–177.
Published: 01 January 1992
... deliberately feminist analysis, because they permit women to ask ques- tions-and to get angry. At Holy Cross Hospital in Salt Lake City, director of breast care services Tika Beard has set up an unprecedented network of public education forums-regularly attended by more than...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 134–153.
Published: 01 September 1995
... Jackson, and Salt N Pepa. Consequently, Whitney Houston’s performance style provokes skepticism about her race and her authenticity because she does not resemble typical R&B singers, nor does she resemble the typical white 138 popular singer. Specific examples of this skepticism can be found in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 202–223.
Published: 01 September 1991
... habits and his inability to manage his own affairs, while he nervously dumps a mountain of salt into his food. Finally, he timidly sneaks a smoke in the other room, muttering to himself, while his wife drones forth a steady stream of complaints and criticisms, and then he retreats from the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 76–101.
Published: 01 May 1994
... where I could sleep now beneath a skylight salted with stars. My 92 bed was a platform with drawers built into the base. . . . The entire apart- ment was fitted with little nooks and crannies of storage space, cupboards, and hidey-holes, pegs for my clothes, et In...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
... many female independent filmmakers.5 Cholodenko’s previous two feature films — High Art (US, 1998) and Laurel Canyon (US, 2002) — both premiered at Cannes and were critically acclaimed on the festival circuit. High Art won the Waldo Salt Screenwriting Award at the Sundance Film Festival...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 151–193.
Published: 01 December 2001
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2002) 17 (3 (51)): 31–69.
Published: 01 December 2002
... broadcasting in an interview with the Ladies’ Home Journal: “My show appeals to salt-of-the-earth people, real people. Such people exist in Boston and Atlanta as well as Cincin- nati and Indianapolis. I know that because when I was on national network these women wrote to me. They told me that most women...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2005) 20 (2 (59)): 165–195.
Published: 01 September 2005
... indeterminacy to a final “reactive” stage of rebalance and transcendent bliss.36 While I am uncomfortable with its rather static temporal linear- ity—surely any sublimity worth its rapturous salt holds stages two and three, indeterminacy and masterful transcendence, in con- stant, irresolvable tension...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 77–107.
Published: 01 September 2013