1-2 of 2

Search Results for ruthie

Save search
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article

Recycled Wounds: Trauma, Gender, and Ethnicity in Keren Yedaya's Or, My Treasure

Raz Yosef
Camera Obscura (2009) 24 (3 (72)): 41–71.
DOI: https://doi.org/10.1215/02705346-2009-009
Published: 01 December 2009
...Raz Yosef This article explores the relationship between trauma, gender, and ethnicity in the Israeli film Or, My Treasure (dir. Keren Yedaya, Israel/France, 2004). The film presents a few routine days in the life of Ruthie, a Mizrahi (Jews from Arab countries) prostitute, and her daughter, Or. I...
View articletitled, Recycled Wounds: Trauma, Gender, and Ethnicity in Keren Yedaya's Or, My Treasure View PDF for article titled, Recycled Wounds: Trauma, Gender, and Ethnicity in Keren Yedaya's Or, My Treasure
Journal Article

“How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman

Aviva Briefel, Sianne Ngai
Camera Obscura (1996) 13 (1 (37)): 69–91.
DOI: https://doi.org/10.1215/02705346-13-1_37-69
Published: 01 January 1996
... mopping the hallway, to come into the office. JANITOR: Tell her what you told me about the Candyman. JANITOR 2: Well, all I know is that there was some lady in a tub and she heard a noise. HELEN: Do you remember her name? JANITOR 2: I think her name was Ruthie jean, and she heard...
View articletitled, “How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman View PDF for article titled, “How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman