1-20 of 67 Search Results for

russell

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 47–67.
Published: 01 May 2008
...Michael DeAngelis With Russell Crowe character attributes that might code the star as a narcissistic diva are recontextualized, constructing an authentic figure whose occasional acting out enhances his masculinity rather than feminizing him. This article contrasts the notion of the performer as an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 129–157.
Published: 01 May 1995
...Catherine Russell Copyright © 1995 by Indiana University Press 1995 Hara Setsuko in End ofSummer (Ozu Yasujiro, 1961). "Overcoming Modernity": Gender and the Pathos of History in Japanese Film Melodrama Catherine Russell Although...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
...Catherine Russell Camera Obscura 2005 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. The front page of the program for Woman of Tokyo (Tokyo no on’na, dir. Ozu Yasujiro, Japan, 1933) distributed at the film’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 57–89.
Published: 01 December 2005
...Catherine Russell Camera Obscura 2005 Catherine Russell is a professor of film studies at Concordia University in Montreal and the director of the PhD in Humanities Program. She is the author of Narrative Mortality: Death, Closure and New Wave Cinemas (1985) and of Experimental...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 192–211.
Published: 01 May 1994
... numerous textual references to the everydayness of gay identity. For example, both Peter and Russell (the series’ main gay characters played by Peter Frechette and David Marshall Grant respectively) are integrated into the narratives through relations with primary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 222.
Published: 01 May 1995
... College. Catherine Russell is Associate Professor of Cinema at Concordia University, Montreal. She has recently published Narrative Mortality: Death, Closure, and New Wave Cinemas (University of Minnesota Press, 1995). Amy Zilliax is a PhD student in the Department of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 161–162.
Published: 01 September 1999
... Ethnography: The Work of Film in the Age of Video by Cath• erine Russell. Duke UP, 1999. Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French by T. Denean Sharpley-Whiting. Duke UP, 1999. Abelardo Morell-Face to Face: Photographs at the Gardner by Charles Simic and Jennifer R...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 64–87.
Published: 01 September 1990
... reflected in Bertrand Russell’s term “egocentric particulars” for deictics.’Just as the image of the sensed table is thought to be in the mind, the sentence containing deictics referring to the sensation of the table such as “Here is the table” has at its center the speaking subject; the sentence...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Carney. Cambridge University Press, 1989. $14.95. Jean Genet and the Semiotics of Performance by Laura Oswald. Indiana University Press, 1989. $32.50. Rereading Russell: Essays on Bertrand Russell's Metaphysics and Epistemol- ogy edited by C. Wade Savage and C. Anthony Anderson. University...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 158–160.
Published: 01 September 1995
... Visual Politics. No. 36; pp. 49-66 160 Russell, Catherine “Overcoming Modernity”: Gender and the Pathos of History in Japanese Film Melodrama. No. 35; pp. 131-158. Shelton, Marla Whitney is Every Woman?: Cultural Politics and the Pop Star. No. 36; pp...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 91–127.
Published: 01 December 2005
... con- 94  •  Camera Obscura text.2 To interrogate the meaning of “early” or “late” cinema allows her to engage in a discussion of temporality in a non-Western context of capitalist modernity. And, as Catherine Russell argues, the concepts of early cinema (and, for that matter, late cinema...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 52–84.
Published: 01 May 1995
... identity. So whether its excesses are tied to "female impersonators" like Craig Russell or to "women" like Mae West, body camp exaggerates gender codes, making them obvious, grotesque. For Case and Butler, camp and drag unseat a string of binary oppositions: male/female...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 136–143.
Published: 01 May 1981
... dis- course. This discourse was defined in terms of the film’s representa- tion of female-bonding (between the Jane Russell and Marilyn Monroe characters) which Drovides the female audience with identificatorv I pleasure. TheI valorization of female-bonding in the film, as a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 21–31.
Published: 01 May 1979
... in the Cinema of Raoul Walsh,” Johnston and Cook say (having commented that the title credits of The Revolt of Mamie Stover are shown over the image of Jane Russell’s body), “The title has the effect of immediately distancing the spectator: it reminds him of the symbolic role of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 8–41.
Published: 01 May 1990
... boisterous forms of popular entertainment. Noting the “craze” for motion pictures, Sylvester Russell bemoaned the fact that “the best class of people of the colored race are compelled to be mixed in with the undesirable element [in theaters] or remain home in seclusion.”82 In a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 41–72.
Published: 01 September 1991
... Masquerade.” Formations of Fantasy . Eds. Burgin, Victor, James Donald, and Cora Kaplan. New York: Methuen, 1986 . Russell , Rosalind , and Chris Chase Life is a Banquet . New York: Random House, 1977 . Strasberg , Susan Bittersweet . New York: G.R Putnam's Sons, 1980 . Taradash...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 28–49.
Published: 01 January 1990
... . . . she will try to get a job herself. Walking down Main Street, Alice pretends she is window-shopping, but watches her chance to slip unobserved into the secretarial school. Just as she is going in, Arthur Russell, a young man she had met at a dance, calls to her, and Alice pretends...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 189–215.
Published: 01 May 2002
... dream: in Twister, a Rosalind Russell or Myrna Loy trumps a Billie Burke any day. Why a tornado? Deep down, as Melissa says, metaphor is the right way to think about this movie. When the tornado comes up on one of the innumerable PowerBook screens in the storm chaser’s arsenal of technology...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... Exile,” in Out There: Marginalization and Contemporary Culture, ed. Russell Ferguson, Martha Gever, Trinh T. Minh- ha, and Cornel West (New York: New Museum of Contemporary Art, – The Oslo Accords have been viewed in this light by many Palestinians. So too has the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 14–20.
Published: 01 May 1979
... result, the proposed conjuncture of the two is fixed at metaphorization at the level of narrative meaning: in Mamie Stover, police cars stand for the Law of the Father, the red letters of the titles on the screen and Jane Russell’s look into the camera suggest threatening sexuality, i.e...