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rose

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Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 274–279.
Published: 01 December 1989
Journal Article
Camera Obscura (2005) 20 (3 (60)): 193–231.
Published: 01 December 2005
... and media culture up to 1945. Pearl White portrait. Yingxi zazhi 1, no. 1, 1921 From Pearl White to White Rose Woo: Tracing the Vernacular Body of Nüxia in Chinese Silent Cinema, 1927 – 1931 Weihong Bao A prominently placed picture of Pearl (shown opposite) White appeared...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 69–87.
Published: 01 May 2008
... of the 1979 film The Rose (dir. Mark Rydell, US), and in particular, through its spectacular reimagining of Janis Joplin's death, Bradshaw explores our cultural attachment to narratives of the diva's abjection and shame. By framing Joplin, that quintessential symbol of both 1960s rock-and-roll culture...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 69–91.
Published: 01 January 1996
...Aviva Briefel; Sianne Ngai Copyright © 1996 by Indiana University Press 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel and Sianne Ngai Is it a privilege to be haunted...
Journal Article
Camera Obscura (1990) 8 (2 (23)): 108–131.
Published: 01 May 1990
...Tricia Rose Copyright © 1990 by The Johns Hopkins University Press 1990 Never Trust A Big Butt and a Smile Tricia Rose If you were to construct an image of rap music via accounts of rap in the established press, you would (besides betraying limited critical instincts about...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
Journal Article
Camera Obscura (1984) 4 (3 (12)): 126–129.
Published: 01 December 1984
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... female performer and, in some cases, a pop music sound track; these films include COSMIC RAY (1961), VIVIAN (1964), EASTER MORNING RAGA (1966), and THE WHITE ROSE (1967). This essay examines a work by Conner that combines all of these elements, 1966's BREAKAWAY, an experimental dance film he made...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 26–47.
Published: 01 May 1993
... father for more money. The “downstairs” consisted of Hudson, the patriotic and puritanical butler, Mrs. Bridges, famed cook and verbal abuser of scullery maids, and Rose, the house parlormaid elastic enough to serve as reconciler in times of crisis. While a variety of other characters...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 129–155.
Published: 01 May 2003
... and the dead? Many film histori- ans point to Surrealist artist Joseph Cornell’s Rose Hobart (US, 1935), a blue-tinted meditation on a little-known actress, as the beginning of the genre of found footage film. However, although it was made by a Surrealist, neither Rose Hobart nor the dozens of short films...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
... and not the content of the image. This fact offers a productive interpretive angle by which to make sense of Lee Daniels’s flm Shadowboxer (US, 2005). Shadow­ boxer tells the story of the complex relationship between Mikey (Cuba Gooding Jr.) and Rose (Helen Mirren), an unconventional couple...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 175–183.
Published: 01 September 2021
...,” 202. 7. Schneemann, “Interview with Carl Heyward,” 202. 8. Jacqueline Rose, Mothers: An Essay on Love and Cruelty (New York: Farrar, Straus and Giroux, 2018), 2. 9. Schneemann, “Interview with Carl Heyward,” 202. “My mother was the teacher of a constant subtext, a veil of bodily...
FIGURES
Journal Article
Camera Obscura (2022) 37 (2 (110)): 59–89.
Published: 01 September 2022
... more than Tsangari. This began in the first Weird Wave criticism: Steve Rose's 2011 article in the Guardian , “ Attenberg , Dogtooth , and the Weird Wave of Greek Cinema.” Rose's title equates Attenberg and Dogtooth as he coins the label, framing on-screen “weirdness” as allegory for Greek post...
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Journal Article
Camera Obscura (1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... historicity in order to better understand their scholarly endeavors. The next four essays all deal with aspects of contemporary popular culture, focusing particularly on television and music. Tricia Rose’s “Never Trust a Big Butt and a Smile” shows how black women rappers have...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
... Bishop's erotic love poem “Vague Poem”—“Rose-rock, unformed, flesh beginning, crystal by crystal, / clear pink breasts and darker, crystalline nipples, / rose-rock, rose-quartz, roses, roses, roses . . . ”—Hammer superimposes images of a camera moving closely around a woman's breast, as if touching...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
... reason for gathering together all film rights and restoring the work, but it was not the only motivation. 38. Rose interview. 37. Varda had considered codirecting The Beaches of Agnès with assistant director Didier Rouget but rejected that idea after the shooting of the film's first scene...
FIGURES
Journal Article
Camera Obscura (2008) 23 (1 (67)): 89–111.
Published: 01 May 2008
... relieved, that she does not break her banjulele across her knee in a fit of ecstasy.1 Reaching toward the viewer, O’Shea seems like some sort of musical hologram, at Tessie O’Shea. Courtesy Billy Rose Theatre Division, New York Library for the Performing Arts, Astor, Lenox and Tilden...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... shows a natural functioning of signs.” Sexuality is representation. As Jacqueline Rose has pointed out in her re-reading of the case of another hysteric, Dora femininity cannot be seen as a substance (a pre-given sexuality), but must be understood as a process: “What seems...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
... and psychoanalytic models developed by film theorists to explore the pro- duction of subjectivities via the film text. Jacqueline Rose has made the important observation that Freudian theory implies “there can be no work on the image, no challenge to its powers of illusion...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 80–94.
Published: 01 September 1988
... relations In this she is joined by Freudian• Lacanian feminists like Juliet Mitchell and Jacqueline Rose who argue that it is precisely in this turning away from the importance of cas• tration and the role of the father that Chodorow risks losing an un• derstanding of women's subjection/subjectivity...