robert

1-20 of 402 Search Results for

Sort by

Sort Order Select

Image

<span class="search-highlight">Robert</span> Haller, Portrait of Carolee Schneemann (1978). Photographic print,...

Robert Haller, Portrait of Carolee Schneemann (1978). Photographic print,...

in American as Apple Pie > Camera Obscura: Feminism, Culture, and Media Studies

Published: 01 September 2021

Figure 1. Robert Haller, Portrait of Carolee Schneemann (1978). Photographic print, Carnegie Museum of Art, Pittsburgh. © Robert Haller. Made available by permission. Photograph © 2021 Carnegie Museum of Art, Pittsburgh More

Image

Homage to Jean Tinguely's Homage to New York (dir. <span class="search-highlight">Robert</span> Breer, US, 1960)...

Homage to Jean Tinguely's Homage to New York (dir. Robert Breer, US, 1960)...

in Art on Film at Finch College: Reproductive Labor in the Enrichment Economy > Camera Obscura: Feminism, Culture, and Media Studies

Published: 01 May 2023

Figure 2. Homage to Jean Tinguely's Homage to New York (dir. Robert Breer, US, 1960). More

Image

Members of the 2018 Cannes jury—Ava DuVernay, <span class="search-highlight">Robert</span> Guédiguian, Chang Chen...

Members of the 2018 Cannes jury—Ava DuVernay, Robert Guédiguian, Chang Chen...

in Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival > Camera Obscura: Feminism, Culture, and Media Studies

Published: 01 May 2021

Figure 4. Members of the 2018 Cannes jury—Ava DuVernay, Robert Guédiguian, Chang Chen, Cate Blanchett, and Khadja Nin—with Thierry Frémaux, the general delegate of the Cannes festival, who presents the signed 50/50 en 2020 Pledge. Gwilym Mumford, “Cannes Film Festival Unveils Equality Charter More

Journal Article

“Cast Off the Shackles of Yesterday”: Women’s Suffrage in Walt Disney’s Mary Poppins

Ana Stevenson

Camera Obscura (2018) 33 (2 (98)): 69–103.

DOI: https://doi.org/10.1215/02705346-6923118

Published: 01 September 2018

...Ana Stevenson The women’s suffrage subplot in Walt Disney’s Mary Poppins (dir. Robert Stevenson, US, 1964) has come to dominate the popular memory of the history of the turn-of- the- century women’s movement. This essay examines how the film’s imaginative portrayal of women’s suffrage, especially...

View article

Journal Article

The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in the Twilight Series

Victor Fan

Camera Obscura (2012) 27 (1 (79)): 31–67.

DOI: https://doi.org/10.1215/02705346-1533439

Published: 01 May 2012

...Victor Fan This article studies the success of the Twilight franchise in relation to the stardom of Robert Pattinson by proposing a model of interpretation called “the poetics of addiction.” The term addiction is used in this essay not as a top-down form of dependency but as a multilateral...

View article

Journal Article

Pinkface

John Greyson

Camera Obscura (2012) 27 (2 (80)): 145–153.

DOI: https://doi.org/10.1215/02705346-1597240

Published: 01 September 2012

... producer Robert Lantos, who repeatedly accused the Toronto Declaration signators of being blacklisters, censors, and fascists (among other choice terms). By deconstructing Lantos's accusations one by one, Greyson in turn reveals the specific tactics that distinguish this current boycott movement from past...

View article

Journal Article

The Red and the Black: Gender, Genre, and the Romance of (Anti)Communism in The Woman on Pier 13

Robert Miklitsch

Camera Obscura (2014) 29 (3 (87)): 117–147.

DOI: https://doi.org/10.1215/02705346-2801540

Published: 01 December 2014

...Robert Miklitsch This article employs Robert Stevenson's The Woman on Pier 13 (US, 1950) as a privileged example of anticommunist film noir in order to explore the received left critique of the ideological and aesthetic properties of this subgenre — what one might call the unhappy marriage of film...

View article

Journal Article

With Chantal in New York in the 1970s: An Interview with Babette Mangolte

Janet Bergstrom

Camera Obscura (2019) 34 (1 (100)): 31–57.

DOI: https://doi.org/10.1215/02705346-7264084

Published: 01 May 2019

... scene— Richard Foreman, Robert Wilson, Annette Michelson, Yvonne Rainer, Philip Glass—and some people who were not in New York, such as Marcel Hanoun, Antoinette Fouque, and Jean-Pierre Gorin. Sometimes she pointed out connections with films that Chantal made later. She talked about practical...

View article

Journal Article

Chantal Akerman in London

Michael Mazière

Camera Obscura (2019) 34 (1 (100)): 185–195.

DOI: https://doi.org/10.1215/02705346-7264196

Published: 01 May 2019

... conference, and a publication currently in production. This Akerman project, which grew spontaneously, was initiated by A Nos Amours (curators and filmmakers Adam Roberts and Joanna Hogg), who presented an exhaustive retrospective of Akerman’s film and video works over a two-year period between 2013 and 2015...

View article

Journal Article

Art on Film at Finch College: Reproductive Labor in the Enrichment Economy

Tim Ridlen

Camera Obscura (2023) 38 (1 (112)): 81–101.

DOI: https://doi.org/10.1215/02705346-10278600

Published: 01 May 2023

...Figure 2. Homage to Jean Tinguely's Homage to New York (dir. Robert Breer, US, 1960). ...

FIGURES

View article

Image