...elle flanders This piece follows the author's journey of making a film about the segregated roads in Palestine, and the ways in which queer subjectivity and radical politics inform the work we produce regardless of subject matter. Offering a counter-narrative to the Israeli government's...

...Stacie Colwell Copyright © 1992 by Indiana University Press 1992 The End ofthe Road: Gender, the Dissemination of Knowledge, and the American Campaign Against Venereal Disease during World War I Stacie Colwell “Two roads there are in life,” states the prologue to the 1918...

..., and the classic psychedelic road movie Easy Rider (dir. Dennis Hopper, US, 1969). Johanna Gosse is a historian of modern and contemporary art specializing in experimental film and media. She is currently a Mellon Postdoctoral Fellow in the Department of Art History and Archaeology at Columbia University...

.... Yet within this return to history, there is a contest over allegory. Contrasting neoconservative narratives of films like The Road (dir. John Hillcoat, US, 2009) and the slasher film Hostel (dir. Eli Roth, US/Germany/Czech Republic/Slovakia/Iceland, 2005) suggests that the future has not vanished...

... lac , dir. Alain Guiraudie, France, 2013), and Tropical Malady ( Sud pralad , dir. Apichatpong Weerasethakul, Thailand, 2004). The textual analyses highlight a range of prevalent queer film settings, such as the road and nature, in which queer characters take refuge. The study aims to identify...

... rollers on a road trip, the author contends, durationally slow down and stall cisheteronormative temporalities, obviating from the showy and profitable trans and queer of color performance-labor crucial to the filmic gaze and capitalist drives and scrambling representational coherence and historical...

... or not, movement is determined by the Israeli state directly and indirectly. In the former, directly, it is embodied by state actors on the ground who manage the checkpoints and patrol the roads. The latter, indirectly, does not signify the absence of state actors, but their presence (or the possibility...

... to time we run across this phrase, which is used to suggest the deter- minacy of hope: lu shi ren zou chu lai de (roads are made by men). Because of the phrase’s popularized nature, I have no need to cite specific examples. Those of you who read regularly in Chinese will recognize what I am...

... of decomposition, composes a fiction at once different and the same, uncertain not be- cause it hesitates over what road to follow, but because its road con- stantly teeters over the abyss of a spontaneous perversion of the mechanized illusion of movement. To create this new kind of fiction...

... a charac- teristically masculine and American genre, the road movie. Nom- inally a documentary about gay and lesbian life in the US South, Spiro’s Greetings from Out Here disrupts the urban (and decep- tively) national focus of most gay and lesbian history by depicting the rural and regional.24...

... to act as the film’s “primal scene.” This scene, the pre-history to the film’s romance plot, and to its road trip, begins with a shot of the elaborate vaulted ceiling of a ballroom. Because neither the diegetic dance music nor the clothes of the assem- A different version of this essay...

... — stands alone, onstage, killing me softly with his song. And I do not know if I should follow his winding yellow brick road or stay safely in Kansas. He is Lorne (Andy Hallett), empathetic demon extraor- dinaire. Situated within a hybrid narrative that combines genres (horror, comedy...

... in Twister Bonnie Blackwell I have erred against every common-place notion of decorum; I have been open and sincere where I ought to have been reserved, spiritless, dull, and deceitful—had I talked only of the weather and the roads . . . this reproach would have been spared. —Marianne...

... '< ACTIVATED BY: ~ ~ 0' t'b c, # t'b ~ ~ sound camera rnvt.w/jn look rnvt. lS frame c 0 c, 0 A woman announces the mcu 0 f -~ N,S film to the audience. ~ e~ mcu, ~. t 2 A young girl on a train. cu, f + N mcu ~ ~ Awoman in front of a white 3 mcu f + bulletin board. A woman flashes a mirror 4 as f + + - N at the audience. A woman in bed asleep. mcu N 5 th f A woman reads a series of 6 mcu f + S,N stones. /h -- 7 A building at dusk. gs M mls N,S, 8 The pharmacy scene. , f,f + as M Is, A woman running down a 9 xIs, i> f + country road. mls A woman running across Is, 10 t; f country field. mls A woman's face and body 11 cu f + as she lies on the ground. t...

... with it, and so she runs away from him. Then we see the things they experience on the road. After they get back, the deaf mute comes to get his wife back. All the women in the village come out to watch. But the two women she's been out on the road with rise up to resist. That's the end. CB: When we were...

... Goldstein Soundings for Carolee On 6 March 2019 Carolee Schneemann died in her home on Springtown Road in New Paltz, New York, surrounded by friends. The essays in this memorial dossier examine key works by Schneemann to give a select view of the revolutionary character of her insight. The essays...

..., and Interregional Business Relations in the Twilight  Series. No. 79: 31 – 67 Peter X Feng Tongue Twisters: The Travelogue Videos of Ming-Yuen­ S. Ma. No. 79: pp. 69 – 95 elle flanders Road Movie: Notes from the Field. No. 80: pp. 165 – 175 Jennifer Fleeger Deanna Durbin and the Mismatched...

..., 6'2" male diva who runs a demon karaoke bar?” The queer male diva in question is Lorne, a character in the television series Angel, and Palmer finds herself drawn to him like Dorothy is drawn down the yellow brick road to Oz, only here it is “one dreamy queer diva [who] carries around his own...

... that pro- duced The End ofthe Road, a film designed to educate women about syphilis. A companion to the more straightforward and clinical film for men, Fit to Fight, The End of the Road was the conflicted product of the organizations involved in its production-the War Department’s Commission...

..., Inscribing Science.” NO. 28; pp. 5-18. Introduction for special issue, “Imaging Technologies, Inscribing Science 2.” NO. 29; pp. 5-17. Colwell, Stacie The End ofthe Road: Gender, the Dissemination of Knowledge, and the American Campaign Against Venereal Disease during World War...