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Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
..., including commercials, station IDs, and edits to content, can make the experience of watching the same episode of any show on different channels a wholly different textual experience. This article returns to foundational theories of TV flow and intertextuality to propose retextuality as a theoretical...
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Camera Obscura (2003) 18 (3 (54)): 177–211.
Published: 01 December 2003
... of representation massively involved in the (re)production of social subjects,”16 and I will think of feminist cinema as a process of the production of a female vision, rather than a static typological category: a “process of reinterpretation and retextualization of cultural images and narratives whose 182...