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Journal Article
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... Obscura 2016 FemTechNet cyberfeminism remote collaboration digital labor Figure 1. Duenya Hassan, FemTechNet student work
IN PRACTICE
Together Apart:
FemTechNet and Feminist
Online Collectives
Elizabeth Losh
FemTechNet was founded...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
... • Camera Obscura
Notes
The broader framework of this essay is informed by my collaborative
research partnership with multitalented Indigenous filmmaker and
philosopher Dr. Romaine Moreton on a project funded by Screen
Australia titled “Remapping the Remote/Urban Divide in Australian...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 203–212.
Published: 01 December 2023
... to discover yourself as a woman. But in rural areas, in villages, and in remote areas that are very far away from Kabul, women's daily life is a routine with very minimal activities. I decided to go to rural areas and remote villages because I wanted to hear what was going on there. I didn't want to make...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
..., Jane Birkin, and Kung-fu Master! ,” Wilson analyzes how the film arose from Varda's collaboration with actress Jane Birkin and starred both Birkin's and Varda's children. She eloquently illuminates how Varda uses a fairy-tale motif to depict a complex story of a relationship between a teenage boy...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
...?
Working collaboratively from three different continents is a chal-
lenge, but there are tools that make it possible. Skype! However,
even with access to all the tools that exist, the most important
thing is the desire to collaborate, to mediate between each indi-
vidual’s personal obsessions...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 184–191.
Published: 01 September 2006
... inevitably affects our reading of time-
based artworks, and the objectives of the artist become remote.
For this synesthetic, sensuous, experiential, live, and time-based
art called expanded cinema, the existential is a kind of becom-
ing: for the artist through process, and for the audience through...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... (Bruce Willis) remains still
in his chair while his youthful surrogate, controlled
remotely, chases a suspect in Surrogates (dir. Jonathan
Mostow, US, 2009).
Machinic Intimacies and
Mechanical Brides: Collectivity
between Prosthesis and
Surrogacy in Jonathan Mostow’s
Surrogates...
View articletitled, Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's Surrogates and Spike Jonze's Her
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for article titled, Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's Surrogates and Spike Jonze's Her
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
...-only or
women-dominant production crews while embracing traditional
forms of Inuit narration. Arnait’s founders, Marie-Hélène Cousi-
neau, a Franco-Québécoise from Montreal, and Madeline Piujuq
Ivalu, an Inuit from Igloolik, have collaborated on the majority of
Arnait’s productions despite...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... completing a book manuscript on labor and dehumanization in US robotics technology and culture. © 2016 by Camera Obscura 2016 surveillance opacity drones Figure 1. Adam Harvey, in collaboration with Johanna
Bloomfield,Stealth Wear, 2013. © Adam Harvey...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 61–83.
Published: 01 December 2021
... and/or cinematographer, as if they were close friends and collaborators. It seems that the process of rediscovering Maria Hirszbein can only be made possible through a closer examination of a number of different sources that yield a kind of composite biography. Indeed, it would have to be a combination of (press...
FIGURES
Journal Article
Camera Obscura (2012) 27 (2 (80)): 1–23.
Published: 01 September 2012
... to the
kitchen, if not back to the farm and to artisanal crafts of all sorts.
Notably, Lucas and Stewart also share an air of remoteness and
sophistication, potentially intimidating skill, and modest clothing
(in contrast to other women cooking- show hosts such as Giada De
Laurentiis and Rachael Ray...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
... that gently bump against her face, fingers striking keys on the typewriter, a hand writing on paper, and a woman swinging to and fro in a hammock. Welcome to This House is deliberately and self-consciously a collaboration of women artists. Hammer ends the film with the major musical theme by La Barbara...
FIGURES
Journal Article
Camera Obscura (1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
... or my
tape recorder for incorporation or interpretation.i" Furthermore, only
in retrospect did I realize I had maintained possession of the VCR
remote control throughout most of the party-a micro-level (and
particularly masculine) manifestation of structural hierarchies...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 143–177.
Published: 01 December 2011
... a print or a book online and effecting
change remotely in the lives of disadvantaged third-world children.
Immaterial Child Labor • 145
This promise of moral redemption for a minimal amount of effort
on the part of the user/consumer (literally, clicking...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 159–195.
Published: 01 December 2001
...
of the characters of her German films tends to be very much in
evidence. Her full-figure poses are regal and remote, or sugges-
tively threatening. Her gaze is sometimes unsmilingly direct—
more often she is shown glancing sidelong at the camera. Often
she leans back in a way that facilitates the vamp’s trademark...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 229–263.
Published: 01 December 2001
... Chinese film history. Shortly after the first American
talkie was shown in a Shanghai theater in 1929, several Chinese
film companies began experimenting with sound, despite the
lack of adequate equipment. The Mingxing company once again
proved to be a leader in innovation by collaborating...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
...Ariane Cruz Reading Jimi Hendrix: The Sex Tape and the dialogue surrounding it as a most fecund site for the collaborative laboring of black male sexuality, authenticity, and spectatorship, this article reveals the constitutive relationship between authenticity and spectatorship in the production...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 119–147.
Published: 01 September 2016
...
including Writing Desire (Switzerland, 2000), Remote Sensing (Swit-
zerland, 2001), Europlex (dir. Ursula Biemann and Angela Sanders,
Switzerland, 2003), and Contained Mobility (Switzerland, 2004), Bie-
mann’s video essays have intensely focused on migration, globaliza-
tion, gendered forms of labor...
View articletitled, The Mysteries of Voice: Love and Transnational Identification in Performing the Border, The Price of Sex , and Señorita extraviada
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for article titled, The Mysteries of Voice: Love and Transnational Identification in Performing the Border, The Price of Sex , and Señorita extraviada
Journal Article
Camera Obscura (2019) 34 (3): 1–29.
Published: 01 December 2019
... socialist state film studios began actively recruiting and training women for film directing. The socialist transformation of property ownership and the film indus- try, the institutionalized practice of gender and class equality, and socialism s new concept of collaborative authorship worked together...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 86–103.
Published: 01 September 1985
...,
Krishnamurti and Zen), music (Cage, Wolff, Brecht , Fluxus, Boulez and
Stockhausen), the visual arts (Buren, Duchamp and Warhol) and poetry
(Tzara and Mallarmk).
Her second book, Afncan Spaces: Design for Living in Upper Volta,
written in collaboration with Jean Paul Bourdier...
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