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remix

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Journal Article
Camera Obscura (2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
...Francesca Coppa; Rebecca Tushnet Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
...Kristina Busse; Alexis Lothian Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
...Nazli Akhtari Abstract This article reveals how engagements with the photographic archives of premodern Iran and the Persian carpet break open transtemporal, affective, and queer interplays in diaspora. Examining a digital remix of a photograph of a Qajar princess, ‘Ismat al-Dowlah, from...
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Journal Article
Camera Obscura (2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
...Francesca Coppa Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
... remix. Following its upload to YouTube by the user hartmanncara on 3 June 2011, “eHarmony Video Bio” reappeared on the Daily What , College Humor , and CBS News on 9 June 2011, and its authenticity became an object of debate on the Huffington Post and other websites. 16 Its popularity stemmed...
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Journal Article
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... interfaces for remix rhetorics, sharing platforms for vernacular curation, and open databases of information. Yet the desire to optimize algorithmic culture, accel- erating electronically mediated interactions, and the tendency to succumb to everyday pressures of leveling up, channel checking...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 154–165.
Published: 01 December 2020
..., and then edited over three months. I think it was actually the sound that we spent the most amount of time on, mixing and remixing. The Bollywood soundtrack became this other character once you divorced it from the image, the sound took on its own life. It was Bollywood s camp aesthetic that we were trying...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... the 1980s. As Evelin Stermitz argues, early twentieth-­century feminist photographic collage is the pre- cursor to second-­wave feminist video art, which in turn anticipates feminist digital remix of the twenty-­first century.56 The ephemeral archive of Amelia Productions, Emma Productions...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 161–195.
Published: 01 May 2010
... applications are those that make the most of the intrinsic advantages of that platform: delivering software as a continually-updated service that gets better the more people use it, consuming and remixing data from multiple sources, including individual users, while providing...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
... 2009, the Echo Park Film Center1 screened Honey Bunny v.2.1 (US, 2009), local artist Margie Schnibbe’s “latest commercial porn film reimagined, reshot & remixed by 13 video artists from Brooklyn.”2 When making pornography, Schnibbe works under the name Vena Virago. The pseudonym is more...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... Authorship to Authoring in Remediated/Remixed Documentary,” Culture Unbound, no. 4 (2012): 328. 22. See Victoria Vesna, ed., Database Aesthetics: Art in the Age of Information Overflow (Minneapolis: University of Minnesota Press, 2007); and Sven Spieker, The Big Archive: Art...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... “not as a counterforce to existing social hierarchies and structures” but rather “as agents of maintaining social and cultural systems of classification.”78 Johnson situates MLPFIM in terms of academic discussions of “produsage,” co-­creativity, inter- creativity, spreadable media, and remix culture, while...
Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
...- tions of satisfaction: For every kiss you give me, I ll give you three. In Mercury Rev s alt-pop remix, however, the near-nonsense lyrics Lisa Cholodenko s Attachment Trilogy 107 rhythmically bolster the seductive fantasy of an erotic energy that knows no bounds or insufficiencies: Through...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 1–29.
Published: 01 May 2022
... the continuity of racism in her county, Snoopmaya's editing style operates as an insurgent appropriation or remixing; she uses the interplay between documented examples of overt racism and her sarcastic responses to illustrate the absurdity of racism. She also positions her own technological prowess against...
FIGURES
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... Morales), “Butterfly Reprise” unmistakably invites sampling and remixing, submitting itself to copyright infringement and reincarnation in Two or Three Spectacular Mulatas  •  115 subcultural musical forms. Butterfly reprise, perpetual emergence from the cocoon...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... pho- tos of themselves “remixing clothes from our pasts that we haven’t worn in ages (and should probably be donated somewhere, if not for Sentimental Value53 Zhang’s photos (figures 3 and 4) are typi- cal examples of outfit posts found in most fashion-­themed blogs. The amateur composition...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 39–71.
Published: 01 September 2007
... to see a Broadway musical with his wife occupied a key place in the cultural imagination. 9. James C. Taylor, “Theater Review: A ‘Wicked’ Remix of Oz,” Los Angeles Times, 24 June 2005. 10. Jason Zinoman, “A Pair of New Witches, Still in Search of the Right Spell,” New York...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
... and remixes various fragments from different musical periods — ­such as Nat King Cole’s “Nature Boy,” Queen’s “The Show Must Go On,” and Nirvana’s “Smells Like Teen Spirit” — ­to produce the kind of hybrid, deterritorialized text that we associate with the artworks of globalization; the visual...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
... that the story can be reinterpreted, transformed, and amplified within a different vocabulary of hip-hop music, popu- lar culture, and performance. The musical reinterpretation also contains clips of dialogue remixed from the film that, combined with smooth bridges...