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remix

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
...Francesca Coppa; Rebecca Tushnet Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
...Kristina Busse; Alexis Lothian Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
...Francesca Coppa Vidding is a thirty-year-old remix practice in which predominantly female media fans reedit television or film into music videos. Vidding is important not only as an art form in its own right but also as a subcultural — and often feminist — reinterpretation of and confrontation with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... tech- niques for collective organizing are being fostered by increased access to online video teleconferencing, emergent metadata schemes (including hashtags), user-­friendly interfaces for remix rhetorics, sharing platforms for vernacular curation, and open databases of information. Yet the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... Stermitz argues, early twentieth-­century feminist photographic collage is the pre- cursor to second-­wave feminist video art, which in turn anticipates feminist digital remix of the twenty-­first century.56 The ephemeral archive of Amelia Productions, Emma Productions, and Reelfeel- ings allows...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
... November 2009, the Echo Park Film Center1 screened Honey Bunny v.2.1 (US, 2009), local artist Margie Schnibbe’s “latest commercial porn film reimagined, reshot & remixed by 13 video artists from Brooklyn.”2 When making pornography, Schnibbe works under the name Vena Virago. The pseudonym is more...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 161–195.
Published: 01 May 2010
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... remix culture, while qualifying the suggestion that “ ‘everypony’ has become an author” by empha- sizing the traditional privileges and power relationships with which such forms are complicit.79 One wonders exactly what young MLP- 108  •  Camera Obscura FIM viewers, officially excluded from...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 39–71.
Published: 01 September 2007
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... and producer David Morales), “Butterfly Reprise” unmistakably invites sampling and remixing, submitting itself to copyright infringement and reincarnation in Two or Three Spectacular Mulatas  •  115 subcultural musical forms. Butterfly reprise, perpetual emergence...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
... contains clips of dialogue remixed from the film that, combined with smooth bridges and loud crashes that connect each element of the supplementary sound track, make for an engaging listen- ing experience that produces its own commentary on the themes of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
..., prostitutes, low-­life criminals, and impresarios played to aristocrats and the bourgeoisie alike, bringing into being a truly popular cul- ture whose legacy remains with us today.12 The film samples and remixes various fragments from different musical periods — ­such as Nat King Cole’s “Nature Boy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... entry called “Looking Backward, Going Forward,” Zhang and Wang post pho- tos of themselves “remixing clothes from our pasts that we haven’t worn in ages (and should probably be donated somewhere, if not for Sentimental Value53 Zhang’s photos (figures 3 and 4) are typi- cal examples of outfit...