Skip Nav Destination
Close Modal
Search Results for
record
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 403 Search Results for
record
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Sort by
Journal Article
Camera Obscura (2019) 34 (1 (100)): 59–65.
Published: 01 May 2019
Journal Article
Camera Obscura (2019) 34 (3): 127–155.
Published: 01 December 2019
...Annie Berke This article places 1950s women story editors in television in the context of the studio system and explains the particular labor of the story and script editors in film and TV. It examines the extant records and archival sources (including newspapers, industry trade publications...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... important form found in Five Year Diary , that of work located in the domestic realm. Presented in a decidedly different register of repetition, one rooted in joy, Robertson’s time-lapse and stop-motion sequences record her efforts at cooking and cleaning, relying on time-lapse’s transformative quality...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
... of the material object of research, and it attempts, instead, to account for affect. In the absence of a complete audiovisual record, the passionate sites of embodied feeling experienced, remembered, and misremembered by the subjects of this history (including the author) become a way to reinscribe this history...
Image
in Art on Film at Finch College: Reproductive Labor in the Enrichment Economy
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2023
Figure 1. Photographs of Projected Art: Artists at Work , 1971. Series 4, Box 18, Folder 29, Finch College Records
More
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... claim that, as gestures of reinscription rather than of neutral recording, these works not only expand but also confront, disturb, and ultimately reconstitute the memory of cinema we have inherited. Beyond the opposition between continuity and discontinuity, what I propose to call “digital memory...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
... simultaneously promoting her image of eternal adolescence. Throughout Durbin's career, the standardization of playback as a means of producing Hollywood musical numbers guaranteed that viewers would always be reminded of the time of the music's recording, a moment exposed in her early films in which Durbin...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 1–31.
Published: 01 December 2014
...Jean Ma In the 1950s and 1960s, film songs were a ubiquitous feature of Hong Kong cinema, and their performance was the exclusive domain of singing actresses. One of the biggest screen stars and recording artists of this era was Grace Chang. Chang made her debut in Mambo Girl (dir. Evan Yang [Yi...
Journal Article
Camera Obscura (2019) 34 (3): 157–167.
Published: 01 December 2019
... and embodying their tonal dimension in television shows’ credit sequences and soundtracks. Though vulnerable to muting and time shifting, female recording artists—and black women in particular—have always been a fixture of US television production by helping build televisual worlds as theme singers...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 139–159.
Published: 01 May 2020
...Benjamin Balthaser In both art and politics, the deindustrialized city would seem to have taken on the qualities of the “unrepresentable,” a traumatic experience that can only be recorded by its attendant silence, or of depoliticized representation in genres such as “ruin porn.” Despite or perhaps...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 132–141.
Published: 01 December 2020
... images. In this interview, Willis describes her research as a student relying on periodical records as well as on the support of Black artists such as Roy DeCarava, Carrie Mae Weems, Gordon Parks, and James VanDerZee. This conversation with the author intertwines Willis’s personal history and the history...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 99–125.
Published: 01 September 2021
... in the crematoria. Simultaneously, it radically re-genders an exceptional survival scene recorded as autobiographical truth by witness testimony. A young Hungarian girl's survival of a Zyklon B gassing became exceptional among other incidents of survival in Auschwitz-Birkenau due to the medical assistance offered...
FIGURES
Journal Article
Camera Obscura (2021) 36 (2 (107)): 135–143.
Published: 01 September 2021
... of experiencing the work, has come at the expense of attention to Schneemann's voice. The essay reflects on the work of evoking Schneemann's voice through limited records in relation to the process of grief following the artist's death. Schneemann's “sonic shadow,” the essay argues, emerges through affirmative...
FIGURES
Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
... how her exposure to emergent forms in experimental music informed important translations she made of complex sonic structures into expanded, layered, constantly evolving visual systems. The essay argues that Schneemann transformed the body into a soft recording system that broadcast sonic testimonies...
FIGURES
| View All (5)
Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... material from Hammer's 1998 artist residency in a Cape Cod shack without running water or electricity. While there, she shot film, recorded sounds, and kept a journal. In 2018, Hammer began her process of dying by revisiting her personal archive. She gave all of her images, sounds, and writing from...
FIGURES
Journal Article
Camera Obscura (2022) 37 (2 (110)): 149–159.
Published: 01 September 2022
... by a community and are recorded via Twitter, resulting in digitally archived debates about how audiences collaboratively reinvent difficult but popular myths within their favorite films. As a result, the collective decenters mainstream films in favor of paratextual ephemera that negotiate the audience's pleasure...
FIGURES
Journal Article
Camera Obscura (2023) 38 (1 (112)): 55–79.
Published: 01 May 2023
... in recording female domestic life, I propose that Saute ma ville displays the potentiality for domestic labor itself to be a destituent practice, rather than an expected component of reproductive, conventionally gendered work. The way that Akerman mobilizes the inoperative actions of her protagonist — a “girl...
FIGURES
Image
in Nonmaterial Overelaboration: Gender, Casting, and Camouflaged Labor in Pat Rocco's Promotional Travelogue
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2023
Figure 2. ONE Adventure flyer for California State University Long Beach, sociology course screening, 1973. ONE Incorporated Records (Coll2011-001). Courtesy of ONE Archives at the USC Libraries
More
Image
Published: 01 September 2024
toward the bottom, with file types including “document,” “folder,” “record file,” and “file drawer.” Courtesy of Digibarn Computer Museum and Norm Cox
More
Image
Published: 01 September 2024
corner in the upper right. We can also see the finalized versions of the “folder,” “record file,” and “file drawer” in this image. Courtesy of DigiBarn Computer Museum
More
1