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Journal Article
Camera Obscura (2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
...Jennifer Lynn Jones; Brenda R. Weber This article examines the fame‐hungry reality celebrity mother as a template for a new form of the female grotesque emerging within the postmillennial mediascape. Using a model of transmediation, the article argues that understanding this figure requires...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 185–195.
Published: 01 May 2015
...Jane Feuer This essay attempts to break down a binary opposition between “quality TV” and reality TV, which is usually set up along an axis of distinction based on aesthetic value. That is: HBO dramas are art; reality TV shows are trash. As Misha Kavka writes, “Because reality television is seen...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 59–83.
Published: 01 September 2014
... has published in the area of affect and visceral displays of the body in both television drama and reality television. Her current research focuses on affect in postapartheid South African television. © 2014 by Camera Obscura 2014 Figure 1. Maria shyly tilts her head away from the camera...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 1–9.
Published: 01 May 2015
...Lynne Joyrich; Misha Kavka; Brenda R. Weber This introduction to the special issue “Project Reality TV” interrogates, while also playing with, some of TV's forms and conventions, particularly those of the “preshow special” and the interview format. Borrowing from this format, it explores key issues...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 129–153.
Published: 01 May 2015
...Kristen J. Warner This article explores the interstitial spaces between positive and negative representations of black womanhood on reality television. It argues that regardless of the presence of supposedly positive images in media, if audiences choose to see black women as “loud,” the symbolic...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 71–99.
Published: 01 May 2015
...Hunter Hargraves This article charts the emergence of a subgenre of reality television, recovery television, in which individuals with compulsive behaviors or addictions to unhealthy substances are profiled and reformed through a staged intervention. It argues that recovery television...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 41–69.
Published: 01 May 2015
... more surprising—and more recent—promise of the medium: that TV can in fact keep the viewer alive by helping her lose weight. While the proliferation of reality TV formats and lifestyle programming has marked the increased visibility of corpulent bodies on television, how is it that a medium once...
Image
Published: 01 September 2023
Figure 2. In a segment directed by Ainsley Gardiner, Mihi's neighbor's face is briefly embellished with hand-drawn puffs of smoke, suggesting that Mihi's experience of reality cannot be limited to the ontology of the photographic image. Waru (2017) More
Image
Published: 01 September 2023
Figure 4. In a segment written by Josephine Stewart-Te Whiu and directed by Awanui Simich-Pene, Bash turns to look directly at the camera as Waru whispers a final, “I'm still here,” rupturing standard notions of the extradiegetic reality. Waru (2017) More
Journal Article
Camera Obscura (2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
...Zahid R. Chaudhary This article aims for an account of materiality that helps apprehend race as a material reality while attending to its semiotic, aesthetic, and cultural signification. Through a close reading of Alfonso Cuarón's film, Children of Men (UK, 2006), the author argues that allegory...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
... the ways in which some fashion-themed blogs refuse neoliberal fictions of freedom and digital disembodiment by deploying a radical politics of sentimentality that reembodies fashion and labor histories by publicizing the material realities of race, gender, generation, sex, and class that are typically...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... by the state. Drawing on contemporary television studies that link the genre of courtroom television to neoliberal governance, the article finally suggests that if (reality) television takes legal citizenship of its citizen-subjects for granted, And I Do Survive articulates precisely the gap between...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... demonstrates how reality TV contributes to social governance through disciplinary discourse. Although it achieved international success as a global franchise and treated a supposedly universal subject matter, child rearing, it is at first surprising that the program was not localized for the Australian market...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
... and complicity, not rebellion or resistance. Both, however, use the danchi wife to frame their broader social critiques. This essay argues that far from being the end of politics, sex films see liberation in intimate formal relation to postwar political and economic realities. Finally, I argue that sex films...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
.... Therefore, through a close reading of Socrate Safo's four-part video-film Jezebel , I examine the ways in which women embody extremes, perversions, and private pleasures that are not confined to earthly realities and to the immediately visible world. Lindsey Green-Simms is assistant professor...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... dissimulation as a democratic and progressive nation in its advancement of queer-rights (commonly referred to as pinkwashing ), “Notes from the Field” exposes the realities of occupation and its impact on the lives of Palestinians, including queers and their profound interventions. Through a critique...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
..., a return to Austinian speech-act theory reminds us that the performative act strives to make real what is not yet real, to conjure forth and to confirm a new reality. In other words, the performative seeks to essentialize, to assert new truths at the level of the self and make them stick. In Hammer's films...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
...: by way of extremity, the new film trend foregrounds sensation, which in its aesthetic immediacy provides the point of access to a more authentic reality. This article argues that such a perspective forecloses the complex formal strategies that characterize the films, thus neglecting the crucial role...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 101–127.
Published: 01 May 2015
...Misha Kavka Perhaps no reality TV program has been as roundly criticized for bad behavior as Jersey Shore (MTV, 2009–12). The libidinal license exhibited by the cast, as well as the early controversy regarding the show's use of the terms guido and guidette to describe the Italian American cast...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
... spaces and aesthetics for producing collective memory that differently configure spectatorial interaction and social intervention. Counterposing the hyperindustrialized military vision of the fictional reality TV show Drones with the social media–styled memory market TruNode, the film’s caricature...