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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 108–131.
Published: 01 May 1990
...Tricia Rose Copyright © 1990 by The Johns Hopkins University Press 1990 Never Trust A Big Butt and a Smile Tricia Rose If you were to construct an image of rap music via accounts of rap in the established press, you would (besides betraying limited critical instincts about popular...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 206.
Published: 01 May 1990
... Illinois Press, 1991). Tricia Rose is a Ph.D. candidate in American Civilization at Brown University where she is completing work on her dissertation, “Rap Music and Resistance: African-American Cultural Theory and Practice.” She is a 1990-1991 Bolin Fellow in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 77–97.
Published: 01 May 2001
... an authen- tic cultural movement with its own philosophy and moral per- spective. Hip-hop brings together a number of artistic practices and styles: music (rap, reggae, DJing, human beat-box); dance (of which break dancing and smurf are...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 170–171.
Published: 01 September 2004
..., Evil, and Slime on Screen. SUNY Series: Cultural Studies in Cinema/Video. Albany: State University of New York Press, 2004. Rapping, Elayne. Law and Justice as Seen on TV. New York: New York University Press, 2003. Runions, Erin. How Hysterical: Identification and Resistance in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1993) 11 (1 (31)): 149–151.
Published: 01 May 1993
... Screen: Politics, Society, Art in Soviet Cinema edited by Anna Lawton. Routledge, 1992. $22.95. Media-tions: Forays into the Culture and Gender Wars by Elayne Rapping. South End Press, 1994. $15.00. William Garnett: Aerial Photographs by William Garnett. University of Cali- fornia Press...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
...- ace use rap music and hip-hop cultural markers to introduce the flavor of specific urban neighborhoods and to accompany the representation of the main male characters. La Haine’s dialogue is repeatedly inflected with recontextualized American urban...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
... Katherine Fusco To have been at the Coachella Valley Music and Arts Festival on 15 April 2012 was to have seen Tupac Shakur live. This opportu- nity was rendered strange, however, by the giant fact of the rap- per’s death by gunshot wound in September 1996. To fabricate the entity known as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 129–153.
Published: 01 May 2015
... Louisiana rapper Hurricane Chris was honored by the Louisiana State Assembly and allowed to speak on the floor.1 Hurricane Chris elected to rap about how, when a black woman is confident, she becomes as beautiful as Hollywood actress Halle Berry, following this with the line, “Let’s get...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 51–56.
Published: 01 May 1992
... grounder through a gap between third and short. Nice job. Good rap. Way to hustle. And he touched base thinking: Dad should’ve seen this. He was forty and still trying to please his father who loved baseball and hated sissies; still remembering small incidents that grew in proportion to the effort...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... the dialogue they sustain with male rappers and the audience for rap generally. In so doing, Rose claims, we can see how women rappers present critical views on issues of sexism and more general problems that affect black women. In her interviews with rappers Queen Latifa...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 32–48.
Published: 01 September 1995
... longs for something comparatively tame-say, the transvestite hairdresser of Mr. Jordan’s “Crying Game”-for a change of pace.” Janet Maslin, “Rap- ture and Terror Are Bound by Blood,” New York Times 11 November 1994: B1. 4. Lubowski describes the films’ racial discourse as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
.... La rap-presentazione del corpo nella filosofia e nelle arti . Milan: Vita e Pensiero, 1983 . Nadotti , Maria . “The Cave.” Artforum (January 1989 ). Pistagnesi , Patrizia . Anna Magnani . Milan: Fabbri Editori, 1988 . The Image (and the) Movement: An Overview of Italian Feminist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... Strange Days (US, 1995) connect with the mur- der of Jeriko One (Glenn Plummer), a popular African American political leader and rap musician. Jeriko One’s entry into the film occurs by way of a television newscast that reports his murder, which we see on the television screen in Lenny Nero’s (Ralph...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 151–179.
Published: 01 May 2004
... contemporaneous with this development was the growing attraction of hip, black, urban consumers to all things East Asian, a trend well docu- The Legend of the White-and-Yellow Black Man • 169 mented by such hip-hop style guides as Rap Pages and Blaze. By the turn of the millennium, Vibe...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
...-­ dong Vacation) was an event organized by the collective in 2009 in collaboration with Okin Apartment residents and various artists that ran for one night and two days. During the event, residents shared their memories with visitors, musicians conducted impro- vised rap performances, and the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
... an archive in a rap- idly changing media environment represents a challenge to a capi- talist system of planned obsolescence, whose market-­driven obses- sion with the new threatens to further marginalize the work of Arnait to the brink of disappearance. To counter this system, the collective...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 41–74.
Published: 01 September 1993
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 23–55.
Published: 01 December 2004
... template for its own narrative. It follows the form’s focus on individual trauma and crisis to the family, showing all of Karen’s achieve- ments and problems as a star as influencing and relating to her parents and brother. It seems to share with The Karen Carpenter Story what Elayne Rapping has...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... gynecologist. All of this is humorously portrayed in vibrant color and imagery and with exaggerated performances. Interspersed in the film is a musical segment featuring a dominatrix gynecolo- gist played by Loretta Chen, who lip-­synchs an upbeat French rap song (written and performed by Anne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 154–168.
Published: 01 January 1988
... Haralovich for her comments and criticism on earlier drafts of this article. 1. See Laurie Jane Schulze, " 'Getting Physical': Text/Context/Reading and the Made-for-Television-Movie," Cinema Journal 25:2 (Winter 1986), pp. 35• 50; Elayne Rapping, "Hollywood's New 'Feminist' Heroines," Cineaste...