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queer-of-color critique

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Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
... of dominant cultural production practices, however much she is interpellated by them. Akhavan, a queer woman of color in a racist, sexist, and homophobic industry, negotiates both contemporary feminism's potentials for solidarity and its intersectional shortcomings. Akhavan's autobiographical characters...
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Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... enterprise made up of women of color feminism, materialist analysis, postructuralist theory, and queer critique.” See Roderick Ferguson, Aberrations in Black: Toward a Queer of Color Critique (Minneapolis: University of Minnesota Press, 2004), 149n1. 3. For a discussion...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
.../entertainment/la- ca- modern- family - 20111030. The Privatization of Diversity • 57 15. This analysis is motivated by queer- of- color and feminist- of- color critique. See Strange Affinities: The Gender and Sexual Politics of Comparative...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
... are subject to queer and queer-­of-­color critiques). Responding to the negations that arise when solidarity movements are premised on identity categories implicitly under- stood as unified and stable — so that “the category ‘woman’ negated all nonwhite women; [and the category] ‘black’ negated all non...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
...- of- color critique, and Asian American cultural studies. She has published work in Amerasia Journal, Journal of Asian American Studies, and In Media Res. Figure 2. Rooney as Yunioshi, wearing a hachimaki, in a tub mimicking an ofuro. The Everett Collection, Inc. yellowface Audrey Hepburn...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... candles before viewers’ eyes, the camera has a diffused, “middling” presence that is at once impersonal and intimate. It is this reflexive practice that keeps the HIV-­positive queer woman of color at a distance and yet locates her, I will suggest, in the middle of her contradictory...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... feminine: Plato’s Pharmacia was a nymph, and femininity is written into this originary critique of the cosmetic and colorful image. In its modern incarnation, the 16  •  Camera Obscura femininity of this image is overlaid with orientalism and with insis- tent allusions to queerness and sexual...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... of Identities in Motion that Asian American cinema is characterized by a profound ambivalence toward cinematic convention, a troubled identi cation that echoes Muñoz’s conception of “identities- in- difference.” José Esteban Muñoz, Disidenti cations: Queers of Color...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 155–183.
Published: 01 May 2015
... by white representations while also critiquing the heteronormativity of latinidad.36 For the purposes of this article, I define queer of color camp as a sensibility that functions through gay men of color and black women s humorous parody and contestation of the stereotypical framings of the racialized...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 95–123.
Published: 01 September 2020
..., walks into the forest and disappears in the dark, while Keng, who belongs to civilization, returns to the city by his bike on a brightly lit road. Queer Film Settings 113 However, with a stark change of setting, ambiance, color scheme, and performance in the second part of the film, Keng (now...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... histories, and gaming credentials were pulled apart both in professional contexts and on social media. Though aimed at excluding women, people of color, and queer and transgender folks from video game fandom, this harassment brought even greater attention to the importance of queer perspectives...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
... of any one identity category. Like many earlier debates surrounding queerness as a nonidentity, the mask mobilizes a political position based largely on a person’s refusal to be made legible. There seems to be here a radical critique, in that the masked figure refuses to enter into formal...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
... no. A number of scholars have studied the relationship between queer world making and various types of performance. See, for instance, José Esteban Muñoz, Disidenti cations: Queers of Color and the Performance of Politics (Minneapolis: University of Minnesota Press...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
... at work on a book, National Television, on US television’s production of national subjectivity since 263 1968, and on an anthology about race and television to be called Living Color. Wendy Wahl is a freelance technical writer and computer interface designer living in Seattle. Susan White...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... of sexual fulfillment that are taken for granted in most liberal and even in more radical queer politics. In the end, these films incisively critique definitions of romance and love by extending them beyond oversaturated normative connotations and into the less defined—potentially more public—terrains...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 165–195.
Published: 01 September 2005
..., Disidentifications: Queers of Color and the Performance of Politics (Minneapolis: University of Minnesota Press, 1999), 33. 194 • Camera Obscura 38. Although he focuses his readings primarily around contemporary practices of performance art, especially those produced by queers...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
...- tions, in broadsheets and tabloids, and in various lesbian, gay, and queer publications and forums. Even if a lot of the talk was about how much the film was being talked about,The Kids Are All Right was still talked about a lot. Films by American female directors working in the indie...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... with the wonderfully complex person formally known as Freda McDonald who was born in St. Louis, Missouri, in 1906” (harlemworld: Metropolis as Metaphor, organized by Thelma Golden [New York: Studio Museum of Harlem, 2004], 92). 3. See José Muñoz, Disidentifications: Queers of Color...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
... essay has been the subject of critique for its lack of analysis of Montez’s Puerto Ricanness. Crimp had previously suggested that Warhol’s (or his work’s) queerness “disdains and defies the coherence and stability of all sexual identity.” Douglas Crimp, “Getting the Warhol We...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 35–69.
Published: 01 December 2001
... argues, “lets us imagine a space outside of heteronormativity. . . . [It] offers us a critique of the present, of what is, by casting a picture of what can and perhaps will be.”47 Indeed, for Muñoz, queer memories of and longings...