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Journal Article
Camera Obscura (2024) 39 (2 (116)): 1–39.
Published: 01 September 2024
...: that seeing something is the same as understanding its nature. We must think of software history as medical history, and computer history as queer and trans history. Intimately connecting these threads of trans history, trans of color critique, medical history, and computer history is the invisibility...
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Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
... of dominant cultural production practices, however much she is interpellated by them. Akhavan, a queer woman of color in a racist, sexist, and homophobic industry, negotiates both contemporary feminism's potentials for solidarity and its intersectional shortcomings. Akhavan's autobiographical characters...
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Journal Article
Camera Obscura (2024) 39 (1 (115)): 95–126.
Published: 01 May 2024
...Henry Washington, Jr. Abstract From the museum heist cast members perform in its first episode to the series finale, Pose (FX, 2018–2021) endeavors to complicate the dominant historical narrative of queer and trans of color life and death at the height of the AIDS pandemic. By focalizing...
FIGURES
Journal Article
Why Isn't Michelle Lopez on Judge Judy ? Citizenship and Televisuality in Hima B.'s And I Do Survive
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... that keeps the HIV-positive queer woman of color at a
distance and yet locates her, I will suggest, in the middle of her
contradictory emotions.
*
186 • Camera Obscura
Will it be a misreading of the tenor of your current work if I suggest that
you don’t...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... by a
profound ambivalence toward cinematic convention, a troubled
identi cation that echoes Muñoz’s conception of “identities-
in- difference.” José Esteban Muñoz, Disidenti cations: Queers of
Color and the Performance of Politics (Minneapolis: University of
Minnesota Press, ; Peter X...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... shapes, and luscious color schemes which have
all the traits of stage imagery. Disengaged creativity thus drifts away
from the basic concerns of the medium.”22 This is a rich passage,
containing many of Kracauer’s critiques of the formative: fantasy,
dreamscape, theatricality, lack of concern...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
...
enterprise made up of women of color feminism, materialist
analysis, postructuralist theory, and queer critique.” See
Roderick Ferguson, Aberrations in Black: Toward a Queer of Color
Critique (Minneapolis: University of Minnesota Press, 2004),
149n1.
3. For a discussion...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 95–123.
Published: 01 September 2020
..., walks into the forest and disappears in the dark, while Keng, who belongs to civilization, returns to the city by his bike on a brightly lit road. Queer Film Settings 113 However, with a stark change of setting, ambiance, color scheme, and performance in the second part of the film, Keng (now...
Journal Article
Camera Obscura (2024) 39 (3 (117)): 95–119.
Published: 01 December 2024
... rollers on a road trip, the author contends, durationally slow down and stall cisheteronormative temporalities, obviating from the showy and profitable trans and queer of color performance-labor crucial to the filmic gaze and capitalist drives and scrambling representational coherence and historical...
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Journal Article
Camera Obscura (2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... histories, and gaming
credentials were pulled apart both in professional contexts and on
social media. Though aimed at excluding women, people of color,
and queer and transgender folks from video game fandom, this
harassment brought even greater attention to the importance of
queer perspectives...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 155–183.
Published: 01 May 2015
... by white representations while also critiquing the heteronormativity of latinidad.36 For the purposes of this article, I define queer of color camp as a sensibility that functions through gay men of color and black women s humorous parody and contestation of the stereotypical framings of the racialized...
View articletitled, “I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in the Real Housewives Docusoaps
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Journal Article
Camera Obscura (2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
.... And some people must turn their
faces into weapons to survive. Chicana feminist Gloria Anzaldúa
writes about “making face” as a strategy many women of color use
against oppression and patriarchy.10 The female Algerian free-
dom fighters in the 1966 filmThe Battle of Algiers (dir. Gillo Pon...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
.../October
For s critiques of cultural feminism as a white women’s
• Camera Obscura
pursuit, see Audre Lorde, “An Open Letter to Mary Daly,” in
This Bridge Called My Back: Writings by Radical Women of Color, ed.
Cherríe Moraga and Gloria Anzaldúa, rd ed. (Berkeley: Third...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... of a demographic of classed viewers who find themselves and their values reflected in the Pritchetts of Modern Family . Copyright © 2017 Camera Obscura 2017 Modern Family diversity television race queer-of-color critique Figure 1. Dr. Miura (Suzy Nakamura) holding Lily in “Fears”
(Modern Family...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 89–117.
Published: 01 September 2023
... John D'Emilio's pioneering “Capitalism and Gay Identity” underscored the urgency with which gay historiography should centralize material inequality, queer media studies have not sustained a focus on socioeconomic matters. 54 While certainly the field of queer-of-color critique has brought...
FIGURES
Journal Article
Camera Obscura (2005) 20 (2 (59)): 165–195.
Published: 01 September 2005
... superior white
man uses the recorded voice of the female soprano to enlighten
and forge friendship with a socially subordinate man of color.
I would not want to discount the legitimacy and insight
of these critiques, but there is another—and to my mind more
interesting—process of translation...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
... at work on a book,
National Television, on US television’s production of national subjectivity since 263
1968, and on an anthology about race and television to be called Living Color.
Wendy Wahl is a freelance technical writer and computer interface designer
living in Seattle.
Susan White...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
..., and homophobic representa-
tions — in fact relies on these elements for its smooth function-
ing — then why is the reflexive stance not more consistently occu-
pied by those considered marginal in that system: women, people
of color, and queers?
There are two answers to this question...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 59–105.
Published: 01 May 2005
... of Oz’s interrogation
of sexuality.
That said, I do want to trouble supposedly color-blind read-
ings of Oz by analyzing how the series both racializes queerness
and further polarizes racial difference and homosexuality. For
just as Oz regularly examines the complex intersections of race...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... with the wonderfully
complex person formally known as Freda McDonald who was
born in St. Louis, Missouri, in 1906” (harlemworld: Metropolis
as Metaphor, organized by Thelma Golden [New York: Studio
Museum of Harlem, 2004], 92).
3. See José Muñoz, Disidentifications: Queers of Color...
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